Art

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Paper Size: 38.5 x 25.75 inches ( 97.79 x 65.405 cm ) Image Size: 38.5 x 25.75 inches ( 97.79 x 65.405 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-coloring, 1978. Edition of ...

This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...

Still life with ribbons is a modern artwork realized by Gianni Cacciarini. Mixed colored oil on board.  Hand signed on the lower margin. Includes an elegant frame (with some loss).

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Excellent...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Paper Size: 15 x 40 inches ( 38.1 x 101.6 cm ) Image Size: 13 x 15.75 inches ( 33.02 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Surrealist composition French School, dated 1975 verso oil on canvas, framed framed: 33.5 x 27 inches canvas: 32 x 25.5 inches inscribed verso provenance: private collection, France ...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Lithograph Handsigned by the artist in pencil and numbered 13/25 Arches paper In this lithograph from a small edition, the presence of the figure and the fish, both looking towards t...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 16) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

No is a contemporary artwork realized by Salvador Dalì in 1977. The artwork is from the series: 'Les Caprices de Goya de Dali'. Drypoint on heliogravure, with pochoir on Rives pape...

This is an original painting by Jean Gaston Mantel. Overall: 37 by 13 1/4 inches sight: 35 by 11 inches Weight Condition painting with overall good condition, frame with some c...

Helmut Newton 'Pere Lachaise Tomb of Talma 1977', Hand Signed Original Hand Signed (pencil) by Helmut Newton lower right corner Photo from the special collection series, almost 50 ye...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 85/100. 

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XVIII/XXX.

After a sunday is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 18/100

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 26/100

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Fauves, VII, Collection Pierre Levy, 1972; published by Fernand Mourlot, Pa...

Artist: Alexander Calder (1898-1976) Title: Les Fleurs Year: Circa 1970-1976 Medium: Lithograph on Arches paper Size: 22.50 x 19.50 inches Condition: Excellent Notes: Published by XX...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 39/100

The Mouth of the Time is a contemporary artwork realized by Nani Tedeschi in 1971. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof

Bat bats  anatomy  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Anatomy veterinary is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Carabineer in love is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower le...

French Landscape signed by Josine Vignon (French 1922-2022) ...

Ponte de Rodillas is a contemporary artwork realized in 1977. The artwork is from the series: 'Les Caprices de Goya de Dali'. Drypoint on Heliosgravure, on Rives paper. Plate dime...

Giuseppe Minoretti (Erba, Como - 1938) C.L.F.Q. composition no. 20 Acrylic on Canvas 1975 Size: 50x50 cm (72x72 cm including frame) Giuseppe Minoretti was born in Erba (Como) in 19...

This artwork "Crashing Waves on Rock"" circa 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corner by the art...

French Landscape signed by Josine Vignon (French 1922-2022) ...

Surrealist painting based on Edward Hicks painting, Peaceable Kingdom. Oil on wood panel, 14 x 20 inches. Signed Sovjani, 1970. Most remarkable about the image is the appearance of...

Mao is a contemporary artwork realized by Andy Warhol in 1974. Colour screenprint on wallpaper. Includes frame: 113 x 86 x 3 cm Hand signed by lower left. Prov. Galerie Vayhinger...

'Keep Your Cool' 1978 Slim Aarons Limited Estate Edition Carmen Alvarez enjoying a game of backgammon with Frank ‘Brandy’ Brandstetter in a swimming pool at Acapulco. Slim Aarons ...

Giuseppe Minoretti (Erba, Como - 1938) C.L.F.R.Q. composition. Acrylic on Canvas 1975 Size: 50x50 cm (72x72 cm including frame) Giuseppe Minoretti was born in Erba (Como) in 1938. ...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Reference: Feldman-Schellmann, II.126. Monogrammed in pencil lower right and editio...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

Richard Smith Bramble, 1970 Lithograph on wove paper Signed, numbered and dated 10/75 in pencil lower left Frame included: held in original vintage period frame Pencil signed, dated ...

Private Island, Philippines 1973 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A guest relaxing on the beach of a private island owned by Philippine Airlines...

Nicely painted abstract expressionist mid century oil painting. Oil on canvas. No signature found. Framed.

French Landscape by Josine Vignon (French 1922-2022) ...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Portrait of a Noble Lady circa 1700 circle of John Closterman (German 1660-1711) oil on canvas, unframed canvas : 50 x 40 inches provenance: private collection, Somerset, England con...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 24 x 36 Frame Size: 29.5 x 41.5 Medium: Oil on Canvas Dated 1976 "Bluebonnet Fields" Biography Dwight Holmes (190...

Franco Angeli (Roma 1935 – 1988), Barca a vela (Bel ami) (fine anni ’70) Smalto e tecnica mista su tela di cm 70 x 50 firmato e intitolato BEL-AMI sul retro. L’opera risulta archiv...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

This is a beautiful original antique colored botanical mezzotint and line engraving of a flowering Calla Lily, which is finished with hand-coloring. It is entitled "Arum Aethiopicum ...