Art

17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...

"Celestial Light" Ethereal in nature, this image offers a new perspective reframing a classic, enduring subject. Created completely underwater, Equus: Underwater Rhythm is a limite...

This mid-18th-century Dutch oil painting depicts a seated 17th-century gentleman within a room by a forge. During the 17th century, the Netherlands flourished as a hub for trade and...

'Lost in the Clouds' is a large acrylic and gold leaf on canvas landscape painting of square format created by American artist Jim Seitz in 2023. Featuring a gold, grey, white and blue palette, the painting gives great importance to the white tree. The lower part of the composition is occupied by the golden presence of the ground, accented by a luminous tree that leads our eye to the middle of the painting. Unframed, this horizontal landscape painting is signed lower right. Jim Seitz was born in Chicago and currently resides in Louisiana. He grew up in Texas and graduated from Stephen F. Austin State University with a Bachelor of Science Degree. He began showing talent and love for art as a young child, becoming more serious during his college years. During the time he worked for the university, providing medical illustrations for the Science Department, He has traveled extensively throughout his life, living for several years in the Middle East, before moving to South East Asia. His travel experiences have included everything from cave explorations in the mountains of Iran to working in the jungles of New Guinea and Borneo. His preferred medium during that time was ink and watercolor, as it was easy to transport to and from remote locations. While influenced by various 19th century landscape artists, Jim has developed a unique technique characterized by tonal, minimalist representation of his subject matter. Through this approach, less becomes more. His appreciation for color and his creative perspective lend to pieces that are traditional, moving to abstract. His utilization of gold leaf applied over heavy textured canvas and then glazed with multiple layers of acrylics provides an effect that is quickly becoming this artist’s signature style. Jim’s work...

17th Century Old Master Drawing Old master drawing with figure and putti Housed in a handsome contemporary wooden frame Drawing dimensions 4...

Stampa su carta pregiata di un stampa antica "Veduta di Chiaia dalla parte di Levante" di Antonio Cardon . Edizioni Pontevecchio. Logo del Giglio e un pennello con la scritta "Color...

Portrait of a Gentleman in Ruff Collar and Robes Dutch School, 18th century oil on canvas laid over panel, unframed board: 28.5 x 24 inches provenance: private collection condition: ...

Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda. Good condition e...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Pair of oval paintings measuring 66 x 89 cm without frame and 90 x 115 cm with coeval frame depicting two gallant moments during a rest from hunting by painter Hendrik Van Limborch (...

China ink and watercolour on paper. Realized in 1740 ca. Very good conditions. Includes passepartout.

Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...

'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...

China ink and watercolor on paper. Hand dated. Conditions: Foxing on the top right of the paper

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Charles Towne (1763-1840) A bay hunter in a landscape signed and dated 'Charles Towne Pinxit 1816' lower left Oil on canvas Painting Size - 20 x 26 Framed Size - 25 x 31 in Provena...

Medium: Oil On Board Painting Size: 6 x 8 inches Frame Size: 9 x 10.5 inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist: Jacob Jan v...

J. Clays (British, 19th-20th century) - Still life with fruit basket. 61 x 51 cm without frame, 67.5 x 58 cm with frame. Antique oil painting on canvas, in a gilded wooden frame. ...

Oil on oval lime wood panel Collection number on the back: 272 We see a herd of goats and their shepherds on the bridge, one of the shepherds is on a horse, the others look at the men near the riverbank. Two standing figures are pointing and discussing with one another, while the other one is sitting and relaxing after a long trip. We'd like to thank dr. Guido Jansen for his attribution. Goffredo Wals was a German painter, who spent most of his career in Italy. Most of his works were in small format, often circular and painted on copper...

Medium: Etching with aquatint Framed dimensions: 52 1/2h x 38 1/2w inches

Winter Scene with Figures Dutch School, 20th century signed 'M. Feyen' signed oil on board, framed in elaborate gilt swept frame framed: 19.5 x 23.5 inches board: 14 x 18 inches prov...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century. Signed on the plate. Good conditions. The etching belongs t...

Print on paper prized antique print "View of Naples" by Friedrich Bernhard Werner.

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Gold sand aerial ocean painting Original, one-of-a-kind, hand painted, inspired by the view of The Bahamas and Turks And Caicos Islands seen ...

Dutch painter (18th-19th century) - The spanking. 60 x 99 cm without frame, 67 x 106 cm with frame. Antique oil painting on wood, without frame. Condition report: Wooden support s...

Sophie Dumont's canvas, a testament to her artistic finesse, unfolds a captivating tableau of a library rendered in monochrome. The meticulous application of oil on canvas, coupled w...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of her visual capture. Her poetic por...

Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of her visual capture. Her poetic por...

The Toilet of Venus Francesco Albani (Bologna 1578 - 1660), workshop of oil on canvas 62 x 76 cm. - framed 70 x 84 cm. (period frame) The proposed painting, depicting the Toeletta ...

China ink and watercolor on paper. Conditions: Two cuts on the centre of the paper. Three holes on centre-right, botton-left and top-left of the paper. Worn on the top left of the ...

Orville is a textile inspired, minimalist painting on plexiglass. The surfaces is carved and filled with paint, leaving a groove textured surface. A spraying technique is applied t...

Igal Pardo, Beach Bay Photograph, c-print on diasec, minimalist art, Israeli art, art,

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environments where one can quiet a cluttered mind and enjoy beauty every day. Clara Berta’s paintings explore themes such as the ebb and flow of memory, the significance of personal heritage, the passing of physical time, desire, grief, and love. This framed original minimalist green abstract contemporary artwork measures 13-inches square. It is framed in a natural wood frame, is wired, and ready to hang. The size includes the frame. It is signed and titled by the artist on the back. Convenient local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Clara Berta explores the collision between the old and new; destruction and rebuilding lives. She began painting as an outlet of grief; creating something beautiful as the result of loss. Through her creative practice, she has found healing and further offers to her community safe spaces for troubled teens and women to heal through the meditative process of painting. Her artworks are a language, a push forward in new directions and achievements, while always inspired by history. Berta mixes minimalism with underlying texture and embraces modernism while compiling the odds and ends of her attempts to let her art speak for itself. Her abstract works often include reminders of her travels expressed in unexpected sequences of patterns as well as distortion of perspectives and subconscious spaces. Manipulating the texture with several layers of texture paste and acrylic paint, she will work and re-work her canvases, layering textures to give added dimension, and creating works that intrigue and invite the viewer to explore not only the surface but also the inner language of the painting. A passionate, award-winning artist of Hungarian heritage, Clara Berta's dynamic and highly textural abstract works have been exhibited and collected worldwide. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2022 Solo show, Ethereal, Artspace Warehouse, CA 2022 Blue Like the Ocean, Artspace Warehouse, CA 2022 About Women: Celebrating Women Artists, MAC Fine Art, Delray Beach, FL 2022 Blue Configurations (Paper) Series, Ronewa Art Projects, Berlin, Germany 2021 20th International Art Exchange, Chiba City Museum of Art, Chiba, Japan 2021 BLVDG Gallery, Dubai, United Arab Emirates 2020 Artspace Warehouse, Los Angeles, CA 2019 Bistango Restaurant with Ethos Contemporary, Irvine, CA 2019 MAC Fine Art, Ft. Lauderdale, FL 2018 Heath Gallery, Palm Springs, CA 2018 Artspace Warehouse, Los Angeles, CA 2018 Pictures at An Exhibition: LA Phil Gallery, CA 2018 Breaking Illusions, Claremont University, CA 2017 Barrett Art Center, Poughkeepsie, NY 2017 Made in California, City of Brea Gallery, Brea, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 Made in California, Juried Exhibit, Brea Gallery, Brea 2016 Vision of LA Fest, Bergamot Station, Santa Monica 2015 Michael Kate Interiors - Santa Barbara, CA 2015 JCC Gallery - Santa Barbara, CA 2011-2016 Artspace Warehouse, Los Angeles, CA 2013 Red Dot Art Fair, Miami, FL 2012 Gem, Gallery 825, Los Angeles, CA 2010 Barnsdall Theatre, Los Angeles, CA 2010 Tell No One, The Wine Bistro, Studio City, CA 2009 Art: Raw/Gallery, New York, NY 2009 Contemporary Arts Center, Las Vegas, NV 2008 Stella Dottir Gallery, Los Angeles, CA 2007 NoHo Gallery LA, North Hollywood, CA 2007 Riverside Museum, Riverside, CA 2006 Locanda Veneta, West Hollywood, CA 2006 Altobelli Gallery, North Hollywood, CA 2004 Erotic by Nature, LaPeer Gallery, West Hollywood, CA 2004 Lankershim Art Center, North Hollywood, CA 2003 Riverside Art Museum, Riverside, CA 2003 Studio 3 Art & Design, Westwood, CA 2000 Pick-A-Dilly Gallery, Sherman Oaks, CA AWARDS AND HONORS 2021 Gold Award & Award of Excellence, 20th International Art Exchange, Chiba City Museum of Art, Japan 2019 LA Artcore Juried Exhibition, Honorable Mention 2018 CFA Artist of the Year Finalist 2017 Third Place Prize “Made in California” Juried Exhibit, Brea Gallery 2016 ABC’s “The Catch” 2016 Art featured “Broken Links”, by Meir Sharony 2009 “You Again”, Disney film by Andy Fickman 2007 Artwork featured in Deepak Chopra’s DVD, The Seven Spiritual Laws of Success 2003 Art Expo Finalist, Fullerton, CA EDUCATION 2014 Abstract Painting - Melinda Smith...

Connemara, Near Roundstone Oil on Board 36 x 38 in 91.4 x 96.5 cm Regarded as one of Ireland’s most accomplished fine art painters, Martin Mooney was born in 1960, in Belfast, North...

Letter T is an etching realized by Luigi Vanvitelli artist of 18th century. Good condtions.    The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original...

Portrait of a lady, believed to be Henrietta Hyde (née Boyle), Countess of Rochester, (1646-1687) three quarter length, wearing an amber coloured silk gown, with an embroidered blue mantle, seated in an interior. Oil on canvas in a ‘Lely’ frame with the Hornby Castle inventory number 60 attached on the reverse. Provenance: By descent through the Dukes of Leeds, Hornby Castle, Yorkshire; Christie's, London - The Property of the 10th Duke of Leeds Will Trust, 30th October, 2014, Lot 106. Private collection Guernsey. Hornby Castle, Catalogue of Pictures, London, 1898, p. 5, no.60. Historical and descriptive catalogue of pictures belonging to His Grace The Duke of Leeds, London, 1902, p. 24, no. 60. Henrietta was born in Wiltshire, to Sir Richard Boyle, 2nd Earl of Cork and Elizabeth Boyle, Countess of Cork. In 1665, she married Laurence Hyde, 1st Earl of Rochester, son of Edward Hyde, 1st Earl of Clarendon and Frances Aylesbury. They had four children. As sister-in-law of Anne Hyde, the Duchess of York she was appointed as governess to her daughter, Princess Anne (the future Queen) between 1677 and 1682. Like most of the Boyle dynasty, who in the space of two generations had become almost all-powerful in the south of Ireland, Henrietta was strong-minded and acquisitive, and could be ruthless in asserting her rights. During the last two years of her life, when her husband was Chief Minister to his brother-in-law King James II...

Provenance: Private Collection, South America Antonio Tempesta began his career in Florence, working on the decoration of the Palazzo Vecchio under the direction of Giorgio Vasari. He was a pupil first of Santi di Tito...

Italian painter (19th century) - Madonna and Child. 100 x 100 cm without frame, 121.5 x 121.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame. C...

This is an exclusive handprinted limited edition cyanotype. "Pacific Foamy Shoreline" is a handmade cyanotype print portraying a smooth wave reaching the shore. Details: + Title: Pa...

This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. H...

German School (18th century) A German Pointer with hunting Equipment Oil on canvas Canvas Size 42 x 35 in Framed Size 48 x 41 in

Original "cassetta" frame in carved, gilded wood. Expertise by Prof. Giancarlo Sestieri.

Giovan Battista Moroni (circle of) (Albino, 1520 – 1580 ca.) Portrait of a woman Oil on canvas, cm. 46 x 40 - with frame cm. 55,5 x 50,5 Antique shaped and gilded wooden cassetta frame. Publications: unpublished. The present portrait shows an adult woman, no longer young, as can be seen from her slightly blistered cheeks, but not elderly either. The suspicious and veiledly inquisitive gaze is well matched by the elegance of her extremely fashionable black clothes...

Wonderful 19th century copy of Guido Reni's masterpiece, The Aurora, a large Baroque ceiling fresco painted in 1614 for the Casino, or garden house, adj...

Alexander Liberman led a dual life--as the the noted editorial director for Conde Nast publications for nearly 30 years and as an acclaimed minimalist sculptor and painter whose work...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

The painting by Giovanni Battista Spinelli (c.1597 - 1647?), an Italian painter, depicts Jacob’s dream. Giovanni Battista Spinelli was active during the mid-17th century mainly in Naples. His works can be found in private collections, and some are at the Uffizi and at the National Gallery, London. This painting can be dated around 1655. Even though Spinelli’s canvases might be difficult to date, they are of uneven quality. The painting depicts Jacob in a deep sleep while he is surrounded by dark and threatening clouds, but a ladder of light, where angels are ascending and descending, appears in his dream. Publications: - Expertise by Prof. Nicola Spinosa; - I. Maniscalco, in From Sacro to Profano. The Giorgio...

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art

The Military Encampment Circle of Carel van Falens (1683-1733, Flemish) oil on canvas, unframed canvas: 8 x 10.5 inches provenance: private collection, UK condition: very good and so...

Artist: Robert Morris, American (1931 - 2018) Portfolio: In the Realm of the Carceral Title: The Hot and Cold Pools of Persuasion Year: 1979 Medium: Etching and Aquatint, signed and ...

Without frame. Already been in Koelliker collection (no. inv. LK1372). Daniel Seiter (Vienna, 1642 or 1647 – Turin, Italy, 1705) was an Austrian Baroque painter who worked and trai...

Original semi-abstract figurative painting on black cartridge, unframed. Spontaneous artwork made using blue and white acrylics. Emotional and sensual image of an embraced couple in ...