Art

Coming Ashore - NEW Slim Aarons Estate Edition A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano H...

Well Heeled by Arthur Steel WELL HEELED WESTMINSTER BRIDGE LONDON, 1973 “I’d just acquired a 19mm lens for my Leica flex SL9 and was keen to explore it’s ability to focus very ...

'Winter Wear' (Slim Aarons Estate Edition) Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d’Ampezzo, March 1976. Two beautiful and st...

Montego Bay Fishermen 1940s Toni Frissell Limited Signature Stamped Edition Fishermen at work on a beach in Montego Bay Jamaica circa 1940. by Toni Frissell 30 x 30" inches / 76 x...

Gorgeous mid-century modern large oversized Blenko Yellow Red Amberina hand-blown ribbed vase/vessel. A deep red neck that subtly transitions into a pale ...

Marc Chagall (1887-1985) Le Soleil de l'Atelier, 1971 Lithograph in colors on Arches paper 25-1/2 x 19-3/4 inches (64.8 x 50.2 cm) (sheet) Epreuve d'Artist /Edition of 50 Signed in p...

'Still Life with Strings', ink and pencil on paper, from the Italian School of artists (circa 1940s). This gallery acquired this artwork with two similar works for which this one may...

'Soft Helmets' V&A Portfolio Limited Edition print Pattie Boyd and Celia Hammond modelling feathered capsule hats, John French (1907-66), London, 1960s © Victoria and Albert M...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. Framing options avai...

Arman (Arman Fernandez, called) Accumulation of African Masks Original sticking / collage of lithographic elements Handsigned in pencil On board 78 x 61 cm (c. 31 x 24 in) In 1998, ...

Jean-Baptiste VALADIE Treasure : Harlequine Original lithograph Handsigned in pencil Limited /199 copies On vellum 71 x 55 cm (c. 28 x 22 in) Excellent condition

In many of his prints, Ed Baynard presents familiar still-life scenes, such as flowers in vases. He reduces the compositions, divorcing the forms from a context, thus accentuating th...

Aristide Maillol (Fr, 1861-1944) A very large original charcoal drawing by Aristide Maillol verified by Olivier Lorquin, Director of Galerie Dina Vierny at the Musee Maillol in Par...

Graphite on paper Image size of rectangular works: 33 x 43 inches (84 x 109 cm) Image size of arched central work: 38 1/4 x 29 inches (97 x 73.5 cm) Provenance Private Collection o...

'Portrait of Young Woman', oil on board, German School (circa 1960s). A sensuous mid-century portrait of a young woman painted in the style of expressionists / cubists of the era. Un...

Original museum grade exhibition prints on acid-free archival luster paper. These are the highest quality NASA prints ever produced. Embedded in this Hubble Space Telescope image ...

Man On the Horse is a black and white photograph of a painting realized by G.V Loune in the 1930s. Good conditions with slight foxing. Included a Passepartout:35 x 46 cm

Alexander Calder Handwritten, signed letter, 1956 Ink on paper: 2 page handwritten and hand signed letter Hand signed by Calder at the end of the letter on the second page. Unique 11...

'Tania Mallet In Mme Paulette Hat' V&A Portfolio Limited Edition print A model wearing a Nina Ricci dress, John French (1907-66), London, 1963 © Victor...

PABLO PICASSO (1881-1973) Visage et Hibou (A. R. 407) Terre de faïence vase, painted in colors and partially glazed, 1958, numbered 92/200 and inscribed 'Edition Picasso', with th...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set Kings and Queens could feats on these sculptures, this stunning set of six dining chairs. They are art...

Georges Braque Les Oiseaux de Nuit 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Pa...

Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

Red Poppies in Vase French School, mid 20th century signed oil on canvas, unframed canvas: 21.5 x 15 inches provenance: private collection condition: poor condition (ie: paint loss a...

Although born in Ohio at the end of the 19th century, Martin Sabransky studied art at Randolph Macon College in Virginia. He began his career path moving west, by first going to Kans...

One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from ...

Toned silver gelatin print (printed 2003), , signed, dated and numbered (verso), edition '8/25', 33cm x 22cm (image size), (49cm x 37cm framed). (N.B. although this is an edition of ...

Silver gelatin print (printed 2004), signed, dated and numbered (verso), edition '15/25', 34cm x 23cm (image size), (50cm x 38cm framed). (N.B. although this is an edition of 25, onl...

The Sea by Louis Eugene Glasser (French b. 1897) signed oil on board, framed framed: 22.5 x 29.5 inches board: 17.5 x 24.5 inches provenance: priv...

Toned silver gelatin print (printed 2003), signed, dated and numbered (verso), edition '20/25', 33cm x 26cm (image size), (49cm x 41cm framed). (N.B. although this is an edition of 2...

Silver gelatin print (printed 2004), signed, dated and numbered (verso), edition '19/25', 27cm x 23cm (image size), (46cm x 41cm framed). (N.B. although this is an edition of 25, onl...

Silver gelatin print (printed 2003), signed, dated and numbered (verso), edition '13/25', 23cm x 34cm (image size), (39cm x 49cm framed). (N.B. although this is an edition of 25, onl...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Anthropometry)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edi...

'Dione and Tethys' 2005 JPL/Cassini A beautiful 16x16" inches / 40 x 40 cm Silver Gelatin fibre print (printed on 20x16" paper size) of this breathtakingly exquisite Cassini image ...

'Tennis In San Diego' California (Slim Aarons Estate Edition) A man and a woman playing tennis on a court surrounded by palm trees, San Diego, California, October 1956. The elegant pair dressed in tennis whites, save for the striped shirt of the young lady, enjoy a game of tennis, in the heat of the Californian sunshine...

Red Peonies signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 22 high by 18 inches wide condition: ov...

"Aswan Vista" Pastel Painting 12" x 22" inch by El Hussein Fawzi Signed Circa 1960 EL HUSSEIN FAWZI: (1905-1999). Born in Helmia district, Cairo on 4 September 1905, El Hussein F...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Silver print, signed and titled (recto), 35,5 x 28 cm (sheet size), (48cm x 42cm framed). George Valentine Dureau was an American artist whose long career was most notable for charcoal sketches and black and white photography of poor white and black athletes, dwarfs, and amputees. Robert Mapplethorpe is said to have been inspired by Dureau's amputee and dwarf photographs, which showed the figures as "exposed and vulnerable, playful and needy, complex and entirely human individuals." Some of his pieces are held at the Ogden Museum of Southern Art. Several of his works are displayed publicly throughout New Orleans, most notably, the pediment sculpture for Harrah's New Orleans, and his cast-bronze sculptures stand sentinel at the entrance gates of New Orleans City Park...

'El Venero' SLIM AARONS ESTATE Print Giant Estate Stamped Limited Edition Print by Slim Aarons El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain, 1967....

"Free Fallin" Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7: 30" ...

"Easy on the Eye" Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7: ...

"Sea of Needs 03" Abstract Painting 39" x 29.5" inch by Patricio Gonzalez Oil and gold leaves on paper From "Looking for Happiness" series LOOKIN...

"Raquel" is an interior scene of a young woman, stretched out comfortably on a sofa, surrounded by flowers and fruit. She gazes placidly at the artist, who is portraying her dressed in a nightgown and a colorful dressing gown. Oil on canvas. 2003 Measurements: 90 x 200 cm / 35,43 x 78,74" The rich range of colors used and the relaxed gesture of the model envelop the atmosphere of comfort that prevails in the works of this author because, according to his words: “When I use a model I want her to be very comfortable, rested, calm and relaxed. I am not interested in movement in my work, as it always ends up too artificial for my taste and would interfere with the ambiance I am trying to create”. The flattened perspectives, the fractured surfaces, and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. In 2003 Ediciones Sammer publishes in a deluxe edition the book Alfredo Roldán written by the sculptor David Gamella where a large part of his work is reproduced. This painting, Raquel, is reproduced on the cover of the book and also inside on a double page (294-295). ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. In this wall-mounted sculpture entitled "Buck Head...

Portrait of a man eyes. An Original sketch of an intense gaze of a gentleman behind glasses signed by the artist John D.Hertz ( American, 1948 ). The artist used charcoal...

Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting. Acrylic on canvas. Author: Igor Fomin. Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77" In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary. From the tow...

"Looking For The Right God" Abstract Painting 59" x 79" in by Patricio Gonzalez From "Looking for Happiness" series LOOKING FOR HAPPINESS Like "el dorado", a cultural construction, a myth, the Looking for happiness series talks about the illusion of happiness. Using coordinates between different geographical points and world views, seeking to generate a dialogue between stories. In this way, places speak to tell us about degraded utopias, religious crusades, martyrs and oppressors, wars, victories, and defeats. All searches for what cannot be found. The infinite existing possibilities, in this continuous present and its accumulation, to be history. The utopian idea of achieving completeness or completeness. The transformation of the fabric into jewelry, the transmutation that moves from the sacred to the economic. The "object of desire" is the engine of life and its different permutations. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

"Collaboration 02" Abstract Painting 39" x 59" inch by Patricio Gonzalez From "Looking for Happiness" series LOOKING FOR HAPPINESS Like "el dorado...

"Selling Hope" Oil on Paper painting 30" x 39" inch by Patricio Gonzalez From "Looking for Happiness" series LOOKING FOR HAPPINESS Like "el dorado", a cultural construction, a myth, the Looking for happiness series talks about the illusion of happiness. Using coordinates between different geographical points and world views, seeking to generate a dialogue between stories. In this way, places speak to tell us about degraded utopias, religious crusades, martyrs and oppressors, wars, victories, and defeats. All searches for what cannot be found. The infinite existing possibilities, in this continuous present and its accumulation, to be history. The utopian idea of achieving completeness or completeness. The transformation of the fabric into jewelry, the transmutation that moves from the sacred to the economic. The "object of desire" is the engine of life and its different permutations. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

Crafted by the famed sculptor Andreas von Zadora-Gerlof, this compelling kinetic aluminum sculpture entitled Concentric Rinds brings to life the work of the...

Artist: Henri Matisse (French, 1869-1954) Title: "Figure allongée devant un carrelage (Figure Lying in front of a Tiled Floor)" *Signed and numbered by Matisse in pencil lower right ...

Black & White Painting of Victoria Embankment London - a unique original from leading British Cityscape Artist, Angela Wakefield. Art measures 24 x 24 inches Frame measures 29 x 29...

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited edition (ed size 15 only this size) and signed silver gelatin print. paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

"WA5" Original photography 84" x 40" inch Edition 2/10 by Giuliano Bekor Print size 84x40 Inches trim bleed Artwork finished size 88x44 Inches Limited edition 2 of 10 Artist proof 2 Medium: This artwork printed on a highest resolution fine art exhibition Giclee heavyweight paper Printed with saturation finish. Mounted on half inch thick dibond. Coated with a museum quality archival premier print shield with extra UV protection. Comes with gallery style matt black finish Roma frame. WILD ABOVE series Like anthropomorphic visions, animals come to life on the canvas of the human form. Light and shadow interact mysteriously, bathing contours of muscle tone. Bold projections of animal skins, tails, beaks and eyes cut through the darkness of each frame in high drama, positioned to articulate the merging of human and animal forms. Contrast and an almost spotlight effect connect the hunter and hunted and explore the relationship between man and nature. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery Sofitel Hotel Beverly Hills CA; 2019 - February Modernismo Hôtel Plaza Athénée...