Art

Anastasia Kurakina's works on paper are the Vatican Museums collection since 2017 Abstract modern art composition. Concentric circles. Floating circular shapes. Colourful circles ...

Warrior and his Horse Greco-Roman Theme Original oil and Clay on Canvas Rendition of an ancient warrior and his horse by a unknown but prolific painter (Africa/USA 20th C.). Possibl...

Franz Kline Franz Kline Juillet-Août-Septembre 1964, original vintage poster, 1964 Extremely scarce European offset lithograph exhibition poster Limited Edition of 500 (unnumbered) 2...

"Entrelacs 4" by internationally recognized artist Sophie Dumont is an exploration into the realm of abstract landscape. Through a subtle palette of hues, the artist breathes life in...

Richard Andres American, 1927-2013 Summer Idyl, c. 1985 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 44.75 x 62.75 inches Richard Andres wa...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

"Sunrise in the Savannah" is a magnificent work that captures the melancholic essence of autumn through a palette of rich and deep brown tones. The surface of the canvas is a swirl o...

Curtis Ripley's artistic approach embodies the essence of the American Abstract Expressionist movement, particularly in its rejection of figurative representation and emphasis on spo...

Richard Andres American, 1927-2013 Mirror, 1984 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 12 x 12 inches Richard Andres was born in Buff...

A Geometric Play of Masks, Eyes and Lines. Post war Expressionism. 1970's. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on canvas, very textural and colorful. Patr...

Kelley Carman Dreaming About You (Abstract, Blues, Green, Gold, Yellow, Pink) Acrylic and Oil Stick Year: 2023 Size: 48x36x1.5in Signed COA provided Ref.: 924802-2042 Tags: Abstrac...

Curtis Ripley's artistic approach embodies the essence of the American Abstract Expressionist movement, particularly in its rejection of figurative representation and emphasis on spo...

Awakening is a state of mind, when you are growing inside, when you feel new senses and meanings, when you are ready for the new stage of life. This painting is very mystical and ten...

An early 1940s fashion study featuring and advertisement for Marshall Field & Company featuring cosmetic & perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Departm...

Jeffrey Tamblyn Carts Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x20 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802...

Richard Andres American, 1927-2013 Untitled, c. 1984 acrylic and ink on paper mounted on canvas signed lower right 19 x 16 inches Richard Andres was born in Buffalo, New York in 192...

Jeffrey Tamblyn Hell on Wheels Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 10x8 inches Edition: 25 Signed, dated and numbered by hand on label COA provided Ref....

This sumptuous engraved wooden panel depicting panthers in the bush was created by N.R. Brunet (France, 20th Century). Art Deco design typical of the period, N.R. Brunet is known for...

Curtis Ripley's artistic approach embodies the essence of the American Abstract Expressionist movement, particularly in its rejection of figurative representation and emphasis on spo...

Artsit: Olga Volha Piashko “100x200x0,1cm (106x210x0,1cm full size) cm ) acrilyc,oil on canvas. Frame:Not Framed The canvas is shipped rolled. hand signed A world of energy and ...

"Autumn Reflections" is a magnificent work that captures the melancholic essence of autumn through a palette of rich and deep brown tones. The surface of the canvas is a swirl of abs...

Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar Oil on canvas. Early 20th frame in wood. This portrait reveals very stylish image of a young woman from the 1920s...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...

Bultrini Original Abstract mixed media female figure. oil and wood Mixed technique and combustion Work done on wood. BULTRINI, Mateo (Rome 1979) Lives and works in Pratola Pelig...

Irene Rice Pereira, Mixed Media on Paper (American, 1902-1971) Titled "The East Wind Carries the Seed" Hand signed l.r. "I. Rice Pereira". Paper: 14.1/8"h x 18.25"w Irene Rice Pe...

In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand Palais, Paris. This iconic artwork captures the essence of the event, which showcased...

Born in 1955, Hyderabad, India, painter and writer Sangeeta Reddy migrated to the United States in 1978 and continued her studies in art. Currently she maintains a studio on Santa F...

Kelley Carman Make Up My Mind (Abstract, Gestural, Navy, Pink, Green) Acrylic and Oil Stick Year: 2023 Size: 40x30x1.5in Signed COA provided Ref.: 924802-2045 Tags: Abstract, Gestu...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, publis...

image is 21 X 21 inches; frame: 30 X 30 inches Born in 1955, Hyderabad, India, painter and writer Sangeeta Reddy migrated to the United States in 1978 and continued her studies in a...

"Sip on the Vibrant Vibes of 'Margarita Time!' This fun, wild and crazy piece is a fiesta for the eyes. Transport yourself to a tropical paradise and feel the rhythm as you indulge...

John von Wicht (American, 1888-1970) Oil on Japanese Rice Paper. Hand signed and dated in pencil lower right. Sheet Size: 21 x 29.25 in. Johannes Von Wicht was born in Holstein, ...

This artwork explores the idea of an emotional Cathedral. A place that is sacred, and echoes with thoughts and holds a peace that is hard to find, but the peace in a colour, the colo...

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin, Amer...

Nicely painted mid century abstract oil painting. Great color and composition. Framed. Signed.

Eliz Gündüz, a visionary artist born in Antalya in 2001, is a rising star in the world of abstract expressionism. Her artistic journey is an enchanting exp...

Discover the Essence of Joy: Karel Appel's "Clown Cat" 9/10 Limited Edition Sculpture in Acrylic on wood. Crafted from the finest wood, its playful contours and vibrant hues captiva...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Compelling small abstract of numbers titled, "Room For One More" by Tom Hamil (American, b. 1928). Circa 1980. Signed upper left corner and on verso. Presented in rustic slat wooden frame. Image size: 12"H x 8.25"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

Syril Frank (American, 1929-2021) 1. Untitled, 1966 Mixed media collage; oil paint, paper, pen, canvas 19 5/8 x 24 in. Framed: 20 1/2 x 24 3/4 in. 2. Unt...

A large abstract Expressionist sculpture floor vase by the celebrated German-American Expressionist artist Peter Robert Keil (b. 1942), signed & dated 1985. The floor vase is of larg...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered 76/120 on the front in ink (each example is a unique varia...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and t...

Large expressionist nature inspired landscape by Alex K. Mason, "Fleeting" is an acrylic painting on mylar unframed using pinks, greens, blues, and yellows. Painted in 2024, the wor...

Dynamic abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of esta...

Serenity is a kind of inner place, where person can feel safe and fullfilled with energy of life, full of sun and smell of field flowers. It's like a childish dream, when you are fr...

'Fern' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back and co...

Welcome to the tranquil world of "Riverside Quiet" by Louise Fairchild, an original landscape painting that beckons you to escape into its serene beauty. Crafted with oil on canvas, ...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and t...

Louise Fairchild's "Millpond at Dawn" transports you to a tranquil haven where the beauty of nature unfolds in ethereal hues. This original landscape painting, rendered in oil on can...

This artwork represents the idea of a controversy, and the complex nature of how it manifests, emotionally.. This work is painted in the style of abstract expressionism. This work i...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and t...

Let your imagination run free throughout your fantasy coastal paradise! Visit that magic spot where the sand forms images in the sky in tones of heather and azure while the ocean's ...

A deep, dark and dramatic seascape. Packed with movement, texture and atmosphere. Hypnotic taking the viewer into a different world. A huge focal point to any interior that requires ...

"Before we can evolve, balance must be restored. The word goddess contains the syllables expressing both the masculine, god, and the feminine, ESS, sound tones. The suffix ESS and t...

Calvert Coggeshall Untitled, circa 1975 Oil on canvas 50 x 40 inches Calvert Coggeshall worked as an abstract painter and interior designer primari...

In "Venus of the North" by Nathan Neven, a captivating blend of still life and wildlife unfolds within the confines of a surreal setting. The focal point of the piece is a room adorn...