Art

"Sun splashes. Golden sand series. The sea, the sky, the splashes of waves, a sunny day and an Arabian horse. Harmony in the soul and harmony in nature. Modern, expressive summer la...

This is an original oil painting on a linen panel. Ginny Williams has a degree in art history which gave her an understanding of, and appreciation for not only the art of the past...

HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

This cheekily titled scene depicts two woodland creatures encountering a spattering of fungi on the forest floor. This work is rendered in exquisite detail, down to the Sparrows feathers and inquisitive expression and and the soft fuzz on the mouse's small form. "Sparrow and Jumping Mouse Find the Magic Mushrooms" showcases artist Marc Dennis' hyper realistic style and propensity for witty humor. Marc Dennis' paintings merge 19th-century traditional American Western painting...

Ruddy Taveras' "The Treasure Key" is an original, handmade oil painting that depicts two clear spheres, coins and a skeleton key perched atop a marble ledge. About the artist: Rudd...

A WW2 themed screen print by New York City artist Riva Helfond depicting soldiers in a convoy. Helfond is well known for her participation in the WPA and for her screen prints. Signe...

RgrFineArts is pleased to offer this New York WPA color woodcut by Paul Weller titled Shampoo. The WPA label is affixed to the margin on the reverse of the print.

Diana Thorne’s Dogs: An Album of Drawings. Diana Thorne. Julian Messner, Inc. New York, 1944. 24 Drawings in Lithography. “In drawing them,” she writes, “I have tried to ma...

Marc Dennis' paintings merge 19th-century traditional American Western painting, Lakȟóta oral traditions, and Jewish mysticism with his fa...

Probably a bank poster from the first half of the 20th century urging financial literacy. The poster features a young man dreaming about the future abd th...

A lone wolf stalks a forest clearing in this painting by American artist Marc Dennis. The hyper-realistic rendering of the wolf is contrasted by the inclusion of highly stylized, graphic stars that dot the frame. These stars seem to soften the wolf's outward gaze, which meet the viewer head on. Marc Dennis is a Brooklyn-based artist known for his hyper-realistic paintings that spotlight the subversive potential of beauty and the gaze. His work marries styles and techniques from art historical movements to motifs from pop and contemporary culture. His provocative mash-ups employ irony to pose questions around taste, value, representation, and artistic pedigree.  By merging 19th-century traditional American Western painting...

Artist: Lowell Nesbitt (1933-1993) Title: Garden Vision (The Greenhouse) Year: 1984-87 Medium: Oil on linen Size: 70 x 70 inches Condition: Excellent Inscription: Signed, dated, titled by the artist, verso LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral works of art. An artist with a highly personal style, Nesbitt made realistic studies of many themes throughout his career. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as theme. Since his first show in 1957, Nesbitt has had more than eighty one man shows. His painting, drawings and prints...

Vintage darkroom print of John Lennon and Yoko Ono taken in New York , naked in bed, November 26th 1980. This print is an original, hand printed darkr...

What is more patriotic than a retro mid-century blue and red 70s convertible with an American flag draped from its trunk? Street Photographer Mitchell Funk captures the moment with ...

RgrFineArts is pleased to offer this rare WPA lithograph of African American children collecting coins from a fountain, likely in New York. This print...

This is an original oil painting on a linen panel. Mums, the traditional flower of All Saints Day in France, are pictured in a reflective silver cup. A jewel-like deep green-blue bac...

A wonderful silk screen print by Riva Helfond of Air Force soldiers preparing a plane for action. Signed in the image in ink and signed, titled "Warming Up", and numbered 30/45 in th...

Artist: Lowell Nesbitt (1933-1993) Title: Mr. Jefferson’s Garden Year: 1986 Medium: Oil on linen Size: 81 x 104 inches Condition: Excellent Inscription: Signed, dated, titled by the artist, verso LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral works of art. An artist with a highly personal style, Nesbitt made realistic studies of many themes throughout his career. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as theme. Since his first show in 1957, Nesbitt has had more than eighty one man shows. His painting, drawings and prints...

Hutty, Alfred. PHOEBE PASSES MY GATE. Drypoint, c. 1931. Edition size c.75. 8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet). Printed on laid paper. In excellent condit...

Artist: Lowell Nesbitt (1933-1993) Title: Shadow Iris Year: 1982 Medium: Oil on linen Size: 60 x 90 inches Condition: Excellent Inscription: Signed, dated, titled by the artist, verso LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral works of art. An artist with a highly personal style, Nesbitt made realistic studies of many themes throughout his career. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as theme. Since his first show in 1957, Nesbitt has had more than eighty one man shows. His painting, drawings and prints...

This artwork titled 'Helping with the Dress" 1996, is an original color lithograph on paper by noted American realist artist Malcolm Liepke, b.1953. It is hand signed and numbered A...

Christopher Witchall's "Lullaby" gently whispers the serenity of a calm ocean bathed in the soft hues of dawn. This original seascape painting, delicately crafted in oil on canvas, t...

"Covered Bridge" is contemporary realist plein air painting of a snow scene in Vermont. The water is frozen over, and there are no people. A path leads from the bridge, away from the viewer, and continues off the canvas, letting us imagine... where does this path lead? A hint of fantasy to this realistic portrayal in Jeffersonville, Vermont. Medium: Oil on Aluminum Framed dimensions: 23.5 x 29.5 inches Artist Bio: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

Damien Hirst Colliding, H13-9, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 35 11/25 × 53 1/5 in 90 × 135.1 cm Edition 229/274 Hand-...

Gwen Stefani with Ska band No Doubt, 8”x10” Hand-printed darkroom print, made at the time of the shoot in 1997, and stored flat in a temperature-controlled environment. The print is...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the p...

Artist: Lowell Nesbitt (1933-1993) Title: Frosted Mountain Year: 1982 Medium: Oil on linen Size: 78 x 104 inches Condition: Excellent Inscription: Signed, dated, titled by the artist, verso LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral works of art. An artist with a highly personal style, Nesbitt made realistic studies of many themes throughout his career. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as theme. Since his first show in 1957, Nesbitt has had more than eighty one man shows. His painting, drawings and prints...

Artist: Lowell Nesbitt (1933-1993) Title: China Year: 1983 Medium: Oil on linen Size: 80 x 110 inches Condition: Excellent Inscription: Signed, dated, titled by the artist, verso LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral works of art. An artist with a highly personal style, Nesbitt made realistic studies of many themes throughout his career. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he created using the flower as theme. Since his first show in 1957, Nesbitt has had more than eighty one man shows. His painting, drawings and prints...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Richard Blair Photograph "Shipwrecked Boat - Tomales Bay" c.2000 Tomales Bay is North or San Francisco. An absolutely beautiful and pristine area of remote wilderness. Fine black a...

Christopher Witchall's "Southwold Beach, Morning" captures the tranquil beauty of a coastal sunrise with masterful strokes of contemporary realism. This original seascape painting, r...

This painting by William Waithe depicts a teachers strike, possibly the infamous teachers' strike in 1970 by Newark teachers which at the time was the longest teachers' strike in the...

Eileen Lake Crayon on paper, early1930's Initialed in pencil lower right (see photo) Titled and annotated verso "Eileen Lake, early 1930s girlfriend" Note: Eileen Hall Lake was an American poet and Adolf Dehn's girlfriend in the early 1930s. Provenance: Estate of the artist By descent Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

This piece is an original oil painting on panel. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not on...

Inspired by paintings created by old masters and the immersive nature she experienced in the Black Forest, German artist Katharina Husslein paints in a representational hyperrealistic manner to capture lively bouquets and saturated landscapes. Husslein’s controlled and smooth still-life floral artworks derive direct inspiration from art history and flower photography. Flowers’ visual and tactile qualities, as well as their associations with love, femininity, and the natural world, have contributed to Husslein's colorful compositions. This one-of-a-kind oil painting on canvas measures 41.5 inches high by 47.5 inches wide. The artwork is stretched, wired, and ready to hang. The sides are painted as a continuation of the front. It is signed by Husslein on the front and the back. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. “I create paintings which capture the joy of the moment in time where everything seems quietly perfect and the flowers are in full bloom. A metaphor as old as time, to seize the moment and enjoy it to its fullest extent.” When you look closely at these paintings you will see all kinds of amazing plants arranged together in a vase, some of which may not flower at the same time. The artworks focus more on the colors, lighting, textures, and botanical details which make Husslein's paintings so intriguing. Born in Wertheim, Germany, Husslein grew up in a quaint village surrounded by luscious hills and flowing rivers. To grow her practice and widen her perspective, she left Germany to study art in London, UK. As part of her studies, she lived in Los Angeles, New York, and Australia. Now based in Munich, Germany, Husslein has exhibited her artworks across Europe, gaining collectors internationally. Her original oil paintings have been exhibited at Artspace Warehouse Los Angeles since 2022. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 Texture and Topography, Artspace Warehouse, Los Angeles Flowers, Galerie Katapult, Basel, Switzerland Aldeburgh Art Fair with Newinger Art Affordable Art Fair Hampstead with Newinger Art Discovery Art Fair Cologne with Newinger Art Affordable Art Fair Battersea Spring with Signet Contemporary Affordable Art Fair Brussels with Folly & Muse 2022 Exhibition with Edward Montgomery Fine Arts Affordable Art Fair Hamburg with Folly & Muse Affordable Art Fair Battersea with Signet Contemporary Affordable Art Fair Amsterdam with Folly & Muse Signet Gallery...

RGRFinearts is pleased to offer this WPA Era drawing by Carl Pickhardt of construction workers. It is matted and drawn on slightly pinkish paper. A wonderful addition to a WPA or lab...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 197...

'Cortina D'Ampezzo' by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d'Ampezzo, Italy, March 1982. 'Cortina D'Ampezzo' by Slim Aarons is a vibrant testa...

"Little Girl and Dog on Shovel" is a blue, white and red trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the qua...

Born in Harlem, William Waithe studied painting, drafting and architecture at New York University and Queens College. He was known for painting outdoors, and is particularly identifi...

David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...

Singer Fiona Apple, 8”x10” Hand-printed darkroom print, made at the time of the shoot in 1996, and stored flat in a temperature-controlled environment. Th...

David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

"Arabia. Golden sand series Sunlight, golden sand, blue sky and a running Arabian horse in the Arabian desert. Modern, expressive summer landscape as a ...

Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...

RGRFineArts is pleased to offer this fine pencil drawing of young people enjoing the beach by Carl Pickhardt done in the 1930s. This picture illustrates the fine craftsmanship that P...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to capture lively bouquets and saturated idyllic landscapes. Her passion for natural beauty is seen in her work as she transforms vistas familiar and rare into stunning interpretations of bold color, playful rhythms, and emotional impact. Within her impressionist landscape paintings, her experiences abroad truly come to light. These textural and abstract paintings perfectly capture the vibrancy and movement included in a coastal sunset. This series differs from Husslein’s more controlled and smoother still-life floral series which derives a more direct inspiration from art history and representational flower bouquets. Her contemporary floral oil paintings are hyperrealistic works of art full of color, depth, and detail. Flowers’ visual and tactile qualities, as well as their associations with love, femininity, and the natural world, have contributed to Husslein's colorful compositions. This one-of-a-kind oil painting on canvas measures 39.5 inches high by 31.5 inches wide. It is signed by Husslein on the back. This painting is wired and ready to hang. The sides are painted as a continuation of the front and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. “I create paintings that capture the joy of the moment in time where everything seems quietly perfect and the flowers are in full bloom. A metaphor as old as time, to seize the moment and enjoy it to its fullest extent.” Her high contrast works with bright, saturated colors and dynamic compositions are exciting and stimulating. Born in Wertheim, Germany, Husslein grew up in a quaint village surrounded by luscious hills and flowing rivers. To grow her practice and widen her perspective, she left Germany to study art in London, UK. As part of her studies, she lived in Los Angeles, New York, and Australia. Now based in Munich, Germany, Husslein has exhibited her artworks across Europe, gaining collectors internationally. Artspace Warehouse Los Angeles has exhibited her original paintings since 2022. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 Texture and Topography, Artspace Warehouse, Los Angeles Flowers, Galerie Katapult, Basel, Switzerland Aldeburgh Art Fair with Newinger Art Affordable Art Fair Hampstead with Newinger Art Discovery Art Fair Cologne with Newinger Art Affordable Art Fair Battersea Spring with Signet Contemporary Affordable Art Fair Brussels with Folly & Muse 2022 Exhibition with Edward Montgomery Fine Arts Affordable Art Fair Hamburg with Folly & Muse Affordable Art Fair Battersea with Signet Contemporary Affordable Art Fair Amsterdam with Folly & Muse Signet Gallery...

Vintage darkroom print of Debbie Harry and Chris Stein of Blondie taken on the rooftop of their New York City. apartment in 1980. This print is an ori...

Framed drawing with a choice of black or white frame (please write a message to seller of your preferred frame color). Mat opening, width: 11 1/2 " - Mat opening, height: 15 ¼ " Fram...

Kim Gordon of Sonic Youth, 8”x10” Hand-printed darkroom print, made at the time of the shoot in 1994, and stored flat in a temperature-controlled environment. The print is in perfec...

White Rose by Susan Meeks was just painted in 2024 as part of her floral collection. White Roses is gallery wrapped so there is no need for a frame. White roses symbolize loyalty, ...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style painting was created by American genre ...

"Spirit of the Woods" is an American Realist depiction of light streaming through a forest. Lucas painted the woods near her studio and was able to capture the light that streams thr...

Expanding the canvas to a generous 70x70 cm for "At the Edge of Reality VI," Hubarenko introduces a contrast that is both striking and introspective. An orange buoy, accompanied by a...