Art

Frank Stella Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Offset lithograph on thin board (hand signed) Frame included:: elegantly floated and fra...

Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 . Black and white etching. Signature and date on plate. Includes passe-pa...

Published by edition GKM. Unframed. Edition: 200 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

ARTIST: Sam Francis TITLE: Swatch DATE: 1992 MEDIUM: Lithograph on Velin paper EDITION: From the sold out edition of 2000 SIGNED: Signed on the verso DIMENSIONS: 30 X 8 in. CONDITION...

Les Andelys in the Seine Valley France Landscape Pastel Art. A fine example of the beautiful work of British 20th Century Artist, Lionel Aggett (1938-2009). Signed front and rear, fr...

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

El Nene. Como Comiendo Mamon, 1993 Fom the Vendedores series Photocollage Image size: 10 in. H x 7.5 in. W Sheet size: 28 in. H x 20 in. W Unframed Unique The root of these unique p...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Tales of Genji (Catalog of 6 Prints)" Series: (after) Tales of Genji *Issued unsigned Year: 1998 Medium: The Complete Set of 6 Offset-Lithograph reproductions on light smooth wove paper Limited edition: Unknown Printer: Swan Engraving...

Nicely painted modernist dry dock boat landscape by Karl Soderlund (Born 1962). Oil on canvas. Signed. Framed.

Raymond Pettibon Sonic Youth (Hand Signed by Raymond Pettibon), 1990 Digital print on Fujicolor Crystal Archive Paper Supreme (Hand signed by Raymond Pettibon) Boldly signed in black...

Two bouquets become one to create a lavish brightly coloured arrangement in this floral still life by Pat Service. The Canadian artist created a series of paintings in the 1990s that...

This early 20th-century oil painting by British artist William Arthur Breakspeare RBA RBSA ROI (1855-1914) depicts an upstanding self-assured cavalier with his arms folded. Breakspe...

Three Figures in Black - Morocco by Paul Greenberg depicts four people walking on a sidewalk. A small child walks with two figures cloaked in black, and carries a white toy attached ...

Rafael Barrios "Trazos Levitantes" 1990 cod# 267 Ed 2 of 3 Lacquered stainless steel 36 x 43 x 10 in Rafael Barrios is a Venezuelan born in 1947 in Baton Rouge, Louisiana, US. Havin...

Ahmadi Oil Fields by Steve McCurry depicts two figures standing in a fiery landscape. They are both dressed in white hazmat suits with gas masks. Both figures are fixated by the fire...

The Dolmen is a bronze sculpture with a white stone plinth by French contemporary artist Martine Demal, dimensions are 43 × 17 × 10 cm (16.9 × 6.7 × 3.9 in). The sculpture is signed...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...

George McClancy (1930-2014) abstract painting. Acrylic on canvas 48"H x 72"W George McClancy received a MA in painting from Catholic University in Washington DC, where he was a st...

A pretty, mixed floral bouquet fills the canvas with joyful colour in this still-life painting by Pat Service. The Canadian artist explored the traditional art form in the 1990’s but...

Colour, fresh and vivid, gives this classic still life by Pat Service a contemporary feel. A beloved bright orange silk cloth, draped over a table set with two patterned vases of col...

Signed limited edition photographic print of the electric guitar Kurt Cobain used during the famous 1991 swimming pool photoshoot to promote the album Nevermind, taken by underwater ...

The artist Catherine Dammeron was born in 1976 in Wissembourg in Alsace. She made her passion for pastel drawing her job. Artist going against the current, this resident of Yonne fav...

Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier Drypoint, 1900-1901 Signed in pencil lower left (see photo) Titled in pencil low...

Large Arch is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 40 × 25 × 15 cm (15.7 × 9.8 × 5.9 in). The sculpture is signed and numbered, it is part of a limi...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

George McClancy (1930-2014) abstract pattern painting. Acrylic on canvas 48"H x 72"W George McClancy received a MA in painting from Catholic University in Washington DC, where he ...

Still life , blue, yellow , orange ,Russian art,Lemon, Published in a monographic catalogue Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foun...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Two Brothers is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 83 cm × 116 cm (32.7 × 45.7 in). The artwork is signed, sold unframed and c...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images,...

Admired for their lush beauty, the peony, an ancient flower is celebrated in this charming floral portrait by Pat Service. The Canadian artist is known for her intuitive sense of col...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

Janus Heads is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 54 × 26 × 17 cm (21.3 × 10.2 × 6.7 in). The sculpture is signed and numbered, it is par...

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Stonehenge is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 43 × 12 cm (16.9 × 16.9 × 4.7 in). The sculpture is signed and numbered, it is part...

Offset lithograph 11.02 x 16.54 in (28.0 x 42.0 cm) Unsigned. This is an original, vintage artist-authorised David Hockney poster print, printed in 1993. This is not a later repro...

The Group is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 40 × 21.5 × 5.5 cm (15.7 × 8.5 × 2.2 in). The sculpture is signed and numbered, it is par...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

The Passage is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 27 × 24 cm (16.9 × 10.6 × 9.4 in). The sculpture is signed and numbered, it is par...

Antique American impressionist flower landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 9L x 12H. Housed i...

Ilithyia III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 26 × 16 × 18 cm (10.2 × 6.3 × 7.1 in). The sculpture is signed and numbered, it is part of a l...

Limited edition of 8 + 4 artist's proofs. Each cast is signed and numbered. Sold with a granite base. Dimensions of the bronze sculpture: 67 H x 37 L x 18 D cm Dimensions of the bas...

110.03.98 is a limited-edition photograph by contemporary artist Klaus Kampert. It belongs to the series More Typographic Creations. In order to resemble typographic characters, Klau...

110.01.98 is a limited-edition photograph by German contemporary artist Klaus Kampert. This photograph is sold unframed as a print only. It is available in 2 dimensions: *50 cm × 3...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 12.5 x 11.75 inches ( 31.75 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

In Line is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 25 × 7 cm (16.9 × 9.8 × 2.8 in). These dimensions include the base which measures 11 x ...

127.11.04 is a limited-edition photograph by German contemporary artist Klaus Kampert. This photograph is sold unframed as a print only. It is available in 2 dimensions: *45 cm × 4...

Hermaphrodite I is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 31 cm × 25 cm × 20 cm (12.2 × 9.8 × 7.9 in). Dimensions of the metal base: 10 cm x 31 cm x 2...

Bronze sculpture, patinated brass or steel plinth. 167 cm × 60 cm × 30 cm. Limited edition of 8 + 4 A.P., each signed and numbered. Dimensions include the plinth of the sculpture, w...

Bronze sculpture, 132 cm × 31 cm × 18 cm. Limited edition of 8 + 4 A.P., each signed and numbered. Dimensions include the base of the sculpture, which is H 1 cm x W 31 cm x D 18 cm. ...

Caroline's Torso (Torse de Caroline) is a bronze sculpture by French contemporary sculptor Yann Guillon. Limited edition of 8 + 4 artist's proof...

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait 1969" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry pap...

This work is a bronze sculpture by Martine Demal which dimensions are 88 x 55 x 30 cm (4.6 × 21.7 × 11.8 in). It weighs 20 kg and is part of a limited ed...

Publisher: Malmö Konsthall, Malmö, Sweden Signed in pencil, lower margin

Artist: Alfred Sale Watson (English, Late 19th Century - Early 20th Century) Title: "Bridge at Sonning on Thames" *Signed and dated by Watson lower left Year: 1905 Medium: Original Gouache/Watercolor Painting on thin Illustration Board Framing: Recently framed in a gold brush and rope-motif moulding with hand decorated archival French matting Framed size: 26" x 31.88" Matted size: 20.25" x 26.25" Image size: 15" x 21" Condition: Has been professionally stored away for decades. In excellent condition Notes: It is also titled and dated on verso, likely by a previous dealer. Sonning is a village and civil parish in Berkshire, England, on the River Thames, east of Reading. The village was described by Jerome K. Jerome in his book Three Men in a Boat...

Purpose: The Archer, bronze a sculpture by Guatemalan artist Walter Peter Brenner. Brown patina made of iron nitrate with a wax finish. Dimensions of the human figure: H122 cm, D14 ...