Gouache Abstract Paintings

El Regreso de los Toros (c.), Original Abstract Bull Painting, 2018 30" x 24" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Artist Commentary: Based in large part from Pablo Picasso's ""Toro"" 11 stage bull series from 1945, comes my ""El Regreso de los Toros"" series (or ""Return of the Bulls""). The Toro (or Bull) is a great creature to work with in both in it's inherent physical qualities and room for artistic creativity. Picasso intended to deconstruct the Toro with geometric precision in 1945, taking it from a full animal to a single line drawing...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

Teal Landscape by Catherine Ruth Church [2020] original Acrylic, gouache, Gold Leaf Image size: H:60 cm x W:60 cm Complete Size of Unframed Work...

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas.

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Hyper Cuber Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Up for sale here is a really fantastically painted modernist composition. The painting is signed lower right, "P. Williams 1972". Gouache on board, circa 1972. Housed in a plexi ...

Abstract #46, Abstract Acrylic Painting, 2017 36" x 24" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Artist Commentary: This piece...

Artist Commentary: An abstract deriving it's color palette from the indigenous peoples of Central and South America. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

actual image measures 11.25x7.5, titled Composition V on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille a...

Kaleidoscope (Abstract painting) Mixed media - acrylic gouache on cotton canvas - Unframed. Daniela Marin stands as a pioneering figure in the realm of South American abstract art, m...

Michael Snow (1929-2023) was one of the most remarkable multi-disciplinary Canadian artists. Renowned for his wide-ranging body of work, from experimental films and jazz recordings ...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

NO.SNOW, 2014 gouache on paper mounted on canvas, mounted on panel 29 x 22 inches If some artists’ studios are factories, efficient and methodical, and some are gardens, cultiva...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

suns.antidote, 2014 gouache on paper mounted on canvas, mounted on panel 24 x 20 inches If some artists’ studios are factories, efficient and methodical, and some are gardens, c...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Abstract Expressionist design. Sealed on the back with the design studio name and number 91. Ilegible signature We offer a small number of these original illustration designs by thi...

Squirm 2 (Abstract painting) Gouache on Fabriano paper. This work is exclusive to IdeelArt. Leon Phillips is a Canadian artist who experiments with t...

Large Abstract Nature Painting Alex K. Mason "Daintree" Acrylic Gouache Ink on Canvas, 48"H x 60"W x 3"D. Greens, Blues, Pinks, Red, 2017. It is the expression of making marks for c...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Large Test Pattern 7 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

Grey Test Pattern 1 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses t...

Untitled 10 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art mak...

Covers 20 Red A (Abstract Drawing) Gouache on handmade Khadi paper - Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Covers 13-Blue Black (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses...

P4.13 (Abstract Painting) Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers ...

Covers 13 Red 2 (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Covers 13 Green (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Test Pattern 5 (Grey study) (Abstract Drawing) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider ...

Covers 24 Blue D Summer (Abstract Drawing) Gouache on handmade Khadi paper - Unframed. Joanne Freeman's works on paper are made with gouache on handmade India...

Untitled 11 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art mak...

Untitled 3 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

Dolphin Dance 24 (Abstract Drawing) Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

Dolphin Dance 05 (Abstract painting) Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #...

Jim’s of Lambertville is proud to offer this artwork by: Ramstonev Co-operative Project (1937 - 1939) In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...

Untitled (ID 1292) (Abstract Painting) Gouache on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that...

Test Pattern 5 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to col...

Large Test Pattern 7 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

Large Test Pattern 3 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses ...

Small Grey Test Pattern 2 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural respo...

Covers 13-Red Yellow (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses...

Transitions (Abstract Painting) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural...

Blur (Abstract painting) Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers t...

P3.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Covers 24-Green A (Abstract painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tap...

Untitled 6 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

P1.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

P3.13 (Abstract painting) Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers ...

9.1 (Abstract Expressionism painting) Gouache on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the anima...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard ed...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Gouache on archival paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in t...