Gouache Abstract Paintings

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard ed...

Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers th...

Gouache on paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the colle...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Jim’s of Lambertville is proud to offer this artwork by: Ramstonev Co-operative Project (1937 - 1939) In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Legendary Graphic designer Paul Rand was also a Fine Artist/Painter. In the present work, " Untitled: Asian Calligraphic Shapes Over Biomorphic Forms," Paul explores the relationship...

gouache on paper mounted on canvas mounted on panel, 30 x 22 inches

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

In Tamara Vermunt's paintings, black and white symbolize light and darkness, not just as color concepts but as forces that create form and movement. Using gouache and pastel on black...

Includes a Certificate of Authenticity

It's 1964, and the brilliantly inventive artist/illustrator Bob Peak is turning the world of commercial art upside down. In "Pregame Football Players" for Sports Illustrated, Peak pu...

Riot, Acrylic and Collage on Paper by Kara Maria, 2014 Additional information: Medium: Acrylic, gouache, and collage on paper Dimensions: 9 × 12 in (22.9 × 30.5 cm) Kara Maria prod...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Includes a Certificate of Authenticity

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Harbour Scene, Cornwall, Black and Grey, Gouache Painting, 1953-1955 Additional information: Medium: Gouache 22 x 26.5 cm 8 5/8 x 10 3/8 in Tadeusz Piotr (Peter) Potworowski was a ...

Gate, Corsham Court (Blue Sky), Gouache Painting by Peter Potworowski, 1953/55 Additional information: Medium: Gouache 23.5 x 33 cm 9 1/4 x 13 in Tadeusz Piotr (Peter) Potworowski ...

Still Life, Flowers and Bowl, Gouache Painting by Peter Potworowski, 1950s Additional information: Medium: Gouache 33.3 x 23.6 cm 13 1/8 x 9 1/4 in Tadeusz Piotr (Peter) Potworowsk...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Lyrical, water and gorge inspired painting. Gouache and graphite on 11" x 14" textured, heavy, acid free paper. Matted in 4-ply 16" x 20" white mat and back board on archival 100% co...

Work is matted but not framed. Painter, Designer, Illustrator born on July 18, 1903 in Warren Arkansas. Studied at the Chicago Art Institute; Northwestern University; Vienne, Austria; with Eliot O’Hara and Hubert Ropp. Member of the following organizations: Dallas Art Association; Texas Fine Arts Association; National Association of Watercolor Artists; and the Texas watercolor Society. Smith exhibited at: American Watercolor Society in 1945, 1948 and 1952; with National Assn. of Watercolor Artists in 1945, 1946, and 1948; Artists Alliance in Dallas in 1943 (awarded prize), in 1944 (awarded prize), in 1945-46 and 1948-1950, 1952-53 with prizes awarded in 1948 and 1953; the Texas General Exhibition from 1943 through 1946, 1948-49; with the Texas Watercolor Society from 1950-52 with prizes won in 1950 and 1951, 1957; with the Southern States Arts League in 1944 and 1945; Texas Fine Arts Association in 1945 and awarded prize and with the Texas Artist Group consecutively from 1945.Smith’s work is in the collection of the Dallas Museum of Fine Arts. Her one-man shows were in Austin, Texas in 1948; in San Antonio in 1951 and Dallas in 1951. Smith’s work is in the collection of the Dallas Museum of Fine Arts. Original pastel and gouache on paper by Robin Artine Smith...

Gouache, Pencil and Sand 'Bay III' Painting by Keith Purser B. 1944, 2002 Additional information: Medium: Gouache, pencil and sand Dimensions: 42 x 50 cm 16 1/2 x 19 3/4 in Signed, ...

Abstract Gouache N.4 by Dmitry Samygin Minimalist and geometric paintings. Technique: Gouache Color: Black Size: H. 30 x 21 x 0.1 cm Dmitry Samygin is a Furniture and Product De...

Gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Ar...

Gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Rolph Scarlett (1889 - 1984) A major exponent of non-objective painting, Rolph Scarlett's career and art...

Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Snowman (White), 2020 Additional information: Medium: Acrylic gouachem graphite, and watercolor on paper Dimensions: 9 x 11 1/2 in Todd Hebert (b. 1972 in Valley City, ND) North D...

Icebergs, 2021 Additional information: Medium: Acrylic, gouache, graphite, and watercolor on paper Dimensions: 7 x 10 1/2 in Todd Hebert (b. 1972 in Valley City, ND) North Dakota-...

Tone Poem #14, Guache on Paper Painting by Michael Batty, 2018 Additional information: Medium: Guache on paper Dimensions: 14 x 11 in Michael Batty (Canadian, born 1967) Michael B...

Tone Poem #11, Guache on Paper Painting by Michael Batty, 2018 Additional information: Medium: Guache on paper Dimensions: 14 x 11 in Michael Batty (Canadian, born 1967) Michael B...

Tone Poem #10, Guache on Paper Painting by Michael Batty, 2018 Additional information: Medium: Guache on paper Dimensions: 14 x 11 in Michael Batty (Canadian, born 1967) Michael B...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

An intriguing and complex composition composed of guns, rifles, ammo and a bullseye. Work is housed in a rustic Heydenryk frame.

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

"Architectural Delusion 1" Gouache on paper Measures: 68 x 53 cm, frame included (Signed on the back) Bauhaus style and geometric abstraction style. Geometric shapes in blue, gre...

"Untitled 12" is a gouache on paper by contemporary Russian artist Dmitry Samygin. Minimalist and geometric drawings.

October 28 33.75 x 43.0 x 0.03, 0.31 lbs Handmade paper, mixed media Hand signed by artist Artist's Commentary: "Gouache, tempera, and colored pencil on paper From the October Series This series consists of works on paper that I made last October while I was in residence at Penland School of Craft in North Carolina. It was a beautiful time of year and of course I was inspired by the foliage and the leaf color transformation in particular. These drawings/paintings are layered color pencil and paint and there are many layers . These pieces are nature-landscape inspired and the colors create a contrast of vivid pigment with the frosted effect of the paint that is reminiscent of fog in early mornings with the vivid changing colors of the trees." About the Artist: Hollie Heller is a multifaceted artist who divides her time between New York City and Costa Rica. Her masterful works are largely inspired by materials collected on her travels. Heller’s knowledge of design, textiles and weaving allow her to make the most of the materials she finds. Although steeped in said traditional methods of making, she is constantly experimenting and testing the limits of ordinary materials. Heller has been teaching surface design and collage for over twenty years, her students provide a wealth of inspiration for her. Her work is included in many corporate and private collections: Hyatt Hotels in San Antonio, TX, Sarasota, FL, Philadelphia PA, Sedona, AZ; Hilton Hotel in Nashville, TN, Doubletree Hotel in Chicago, IL, Southpark Suites in Charlotte, NC, Westin Hotel in Pittsburgh, PA, Mohegan Sun Casino, CT, Omni Hotels in Atlanta, GA and Orlando FL...

Artist's Statement: My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction – ...

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Dan Charbonnet’s art is grounded in the rudiments of painting. He strives to achieve balance between process and application. The construction process c...

Dan Charbonnet’s art is grounded in the rudiments of painting. He strives to achieve balance between process and application. The construction process c...

Dan Charbonnet’s art is grounded in the rudiments of painting. He strives to achieve balance between process and application. The construction process c...

10 Maneras de Volar 10 is a gouache and charcoal on Amate paper by Latin American artist Carlos Luna. Executed in black, brown, deep blue, red and white, the work depicts a flying, p...

Geometrical Cloud configurations by Clifford Singer.

Large Abstract Painting Alex K. Mason "Kinetic Fade" Ink Acrylic Gouache on Yupo mylar. Unframed, 60"H x 53"W. Pink, Green, Brown, Yellow, White, Blue, 2022. It is the expression ...

Large Abstract Painting "Springtide" by Alex K Mason. Unframed, Acrylic, Gouache on Yupo Mylar, 60"H 50.25"W. Blues, Greens, Browns, White, 2022 This is a painting on Yupo paper, w...

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity