Mid-20th Century Abstract Paintings

An oil painting by George Marshal Cohen from 1960. An abstract expressionist style painting with dark blue tones and bright yellow accents. Figurative representations of female legs ...

AQUATIC ABSTRACTION Size: 48.5 x 57.5 cm (including frame) Oil on board A playful and dynamic mid-century abstract composition, painted in oil onto board. The painting appears to r...

Oil on canvas, signed lower right. Né à Nice en 1924, Michel Gaudet est un acteur incontournable de la vie artistique, rôle qu’il assume depuis des décennies avec tact et discrétion...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

Artist: C. Stone Title: Accent Marks Year: circa 1960 Medium: Acrylic and Sand on Canvas, Signed l.l. Size: 30 x 36 inches (76 x 91.5 cm)

Oil on Canvas by Carlos Carnero. He was friend and pupil of Fernard Léger and friend of the most important artist of his time, such as Picasso and Matisse. This is from his abstrac...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Oil on canvas and mixed media, signed lower right. Michel Carlin naît en 1935. Encore enfant, en 1943, il se trouve pris sous les bombardements de Chambery (Savoie), sa ville de nais...

Diana Kurz Studio Interior, 1964 Signed, titled, dated on verso Oil on canvas 52 x 72 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's fami...

Oil on plywood, signed lower left.

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Untitled abstract expressionist painting done in muted green and red tones. Signed in the lower right corner. Currently unframed.

A rare and funky 1960's oil painting of abstract forms that are reminiscent of southwestern rock formations.

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9.75 x 12.5 inches Fabulous 1970s abstract goauche painting. The colours used in t...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

Antique American school vegetable still life painting. Oil on canvas, circa 1960. Unsigned. Image size, 20L x 10H. Housed in a period modern heydenryk frame.

WHITE, YELLOW, BLUE, BLACK Size: 29 x 51 cm (including frame) Oil on board A striking contemporary abstract still life composition that celebrates the beauty and simplicity of every...

Artist: Unknown Title: City on Fire Medium: Oil on Canvas, Signed lower right (Anderson?) Size: 14 x 18 inches Frame Size: 20 x 24 inches

Oil on Canvas by Carlos Carnero. He was friend and pupil of Fernard Léger and friend of the most important artist of his time, such as Picasso and Matisse. This is from his abstract ...

In this artwork the artist uses the medium spontaneously .The paint has been smeared onto the surface, rather than being carefully applied. The resulting work emphasizes the physical...

Small size watercolor image of shells. Painting is mainly blue, yellow and brown tones. Painting is framed in a painted wooden gold frame with a yellow matte. Dimensions without Fram...

Dark gray and blue-toned abstract expressionist painting by Louisiana artist William Lee Moreland (William L. Moreland). The piece is framed behind gl...

I have 5 paintings I purchased recently for sale by this artist. They are all beautiful and colorful with gallery labels as pictured. They all come From the estate of Guy Joseph Émile Nairay…. Famous French Diplomat who owned many major artists in his collection. Sarthou is a famous French abstract painter whose colors are very vibrant. Here for sale: MAURICE ELIE SARTHOU...

"Abstract" by Carlos Carnero (Uruguay/ French 1922-1980) Pencil on thin card, unframed Thin Card: 4 x 5.25 inches provenance: the artists estate, Paris Fine original French drawin...

Work on paper glued to cardboard Dimensions of the "passe-partout" frame 29 x 22.5 x 0.7 cm Work signed lower right and monogram F.V.S. and dated on the up...

Genre: Modern Subject: Abstract Medium: Oil Surface: Board Dimensions: 16" x 19 3/4" x 1/4" Dimensions w/Frame: 19 1/4" x 23 1/4" Ernesto Linares Early Mexican Modernist Abstract...

Brown and white abstract impressionist animal painting by Texas artist Fred Darge. The painting depicts a brown and white cow and a calf walking on arid soil. Signed by the artist at the bottom right corner. Unstretched and unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...

"Abstract" by Akos Biro (Hungarian 1911-2002) inscribed verso, oil painting on board, unframed board: 13.5 x 9.5 inches provenance: the artists estate, F...

Josep María De Sucre 1950 Untitled Oil on canvas Signed :73 x 54 cm

Nice quality abstract painting. Oil on paper. Signed. Framed. Image size, 8.5 by 8.

Huile sur toile. Dimensions avec cadre: 63x72 cm. René Duvillier, né le 3 avril 1919 à Oyonnax (Ain) et mort le 5 septembre 2002 à Paris, est un peintr...

An original abstract expressionist oil painting by American modern artist James Koenig. This work is currently on view at the Draw Near exhibition at Benjaman Gallery.

Edward Avedisian ( 1936-2007 ) 15 X 8.5 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert B...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...

Original gouache and watercolor on cardboard. Hand signed lower right by Rolph Scarlett. Artwork size 4.12 x 6.37 inches. Frame size 14.12 x 16.37 inches. Artwork is in excellen...

Oil on canvas, signed lower left. Alfred Angeletti (1919-1991) est né en Belgique, mais il est de nationalité française et il a vécut à Nice a partir de 1946. Etudiant, il suit conjointement, pendant quatre ans, les cours de l'Académie des Beaux Arts et de l'Institut des Arts Décoratifs du Batiment, à Liège.

Post-war architect partner of architect Sir James Stirling, together they created Britain's first post-modernist building, Gowan being the talented shy ...

Arthur Pinajian (1914-1999) Woodstock NY, Overlook Mountain, archived no. 4206, 12x16 inches, oil on canvas. THE PINAJIAN DISCOVERY: AN ARTIST’S LIFE REVEALED At one time destined ...

I have 5 paintings I purchased recently for sale by this artist. They are all beautiful and colorful with gallery labels as pictured. They all come From the estate of Guy Joseph Émile Nairay…. Famous French Diplomat who owned many major artists in his collection. Sarthou is a famous French abstract painter whose colors are very vibrant. Here for sale: MAURICE ELIE SARTHOU...

Work on canvas Wooden frame with golden patina 56,5 x 43,5 x 3,5 cm Monogram M.R

Abstract Mountains, Stylised Scene, Colourful Oil Painting, Signed By French artist Sophie Danielle Rubinstain 1922-2018 Signed by the artist on the lower right hand corner Oil paint...

Heavily ttextured, layered collaged painting. signed lower right and with a label from American Friends of th Tel Aviv Art Museum verso along with an original label. reminiscent of t...

Abstract Portraits, Two Paintings Side by Side, Signed Oil Painting By French artist, Beatrice Werlie, Mid 20th Century Signed by the artist on the lower left hand corner, Oil painti...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

In this artwork the artist uses the medium spontaneously .The paint has been applied thickly to the surface. The resulting work emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of the artist. size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bukarest where they settled in a house situated near a circus. The circus would become young Blum's greatest love. He befriended several of the clowns and other performers and, when not painting or playing in clay, Blum could be found enjoyoing the company of these spirited entertainers. These experiences would later become a recurring theme in many of his works of art. In 1938, he was taken by the Romanian Iron Guard. When the Germans invaded Romania, Blum was taken to a forced labor camp. Even during his imprisonment, he continued to create art, painting on the walls of the camp. He escaped the camp in 1944 and boarded an immigrants' ship to Israel. One of the three ships in the convoy was sunk by a German torpedo. Motke later incorporated shipwrecks, boats, and other maritime subjects into several of his paintings. Over the course of his long and fruitful career, Blum showed internationally at over fifty one-man-shows with exhibits in Israel, Holland, England, Belgium, the United States, France, Australia, and more. His art has been commissioned for public buildings and by prominant figures in Israel and around the world, and a series of posters were commissioned by the Justice Ministry and the Ministry of Tourism. Giving back to the community has been a focus throughout his life. After establishing a studio at Chutzot Hayotzer, Motke welcomed schools and both adults and children with special needs, using painting...

Nina - 1969 Watercolour in a wooden frame under glass Keywords: abstract, vase, table, tablecloth, still life, fruit, apple, watercolor, red, animal, eggs, blue, flowers.

Shimon Avni Shimon Avny, painter, born 1932, Paris Shimon Avny (Stein) was born in Paris, France. He grew up in the Belville neighborhood. In 1942, when the Nazis occupied France, he was separated from his family. His mother and brothers were killed in the Holocaust. After the war, he was transferred from his hiding place to the town of Andlis. He immigrated to Israel with Youth Aliyah in 1948. In 1956, he joined Kibbutz Ra'im. In 1957, he studied painting with Joseph Zaritsky, Avigdor Stematzky and Haim Kiewe. He also studied with Yehezekel Streichman at the Avni Institute. At the end of the 1950s, he went to Paris to continue his studies. In the 1980s, he joined the Radius artists cooperative. Avny's early work was influenced by the abstractionism of the New Horizons group. In 1963, he took part in the group's exhibition at Ein Harod. His work is characterized by bold colors, expressive brushstrokes and flat planes. He is a figurative painter, but some of his work incorporates symbolic imagery. Education 1957 Painting with Joseph Zaritsky, Avigdor Stematsky and Haim Kiewe Avni Institute, Tel Aviv, with Yehezkel Streichman Grande Chaumiere Academy, Paris, 1958 Ecole des Beaux Arts, Paris, 1961 Fine Arts Academy, Rome Photography and television, Paris, 1965-67 Teaching Lectured abroad for the Ministry of Education and Culture, 1969-71 Bezalel Academy, Jerusalem, painting, 1974-78 College of Visual Arts, Beersheba, 1975-81 Headmaster of the Art Institute, Rehovot, 1975-85 1981-85 and 1988-92 Art Teachers College, Ramat Hasharon Since1992 Avni Institute, Tel Aviv, Teacher and coordinator of the Arts Department Awards And Prizes 1975 The America-Israel Cultural Fund Scholarship 1985 Scholarship, The Cité Internationale des Arts, Paris, France 1993 The America-Israel Cultural Foundation, Sharett Fund Scholarship for a Young Artist. A member of the Aclim Group, which was organized in 1974. The group was established in the wake of the Yom Kippur War to point to the necessity of raising the public's consciousness of its Israeli identity in all cultural spheres. Participants in the group's exhibitions until 1983 were: Eliyahu Gat, Rahel Shavit, Ori Reisman, Avram Rafael, Michael Gross, Hannah Levy...

An original oil on canvas painting by American artist Toma Yovanovich titled Scheherazade, created in the 1960's. This painting is currently featured in the Tongues of Flame exhibit...

An unsigned mid century modern American abstract painting

Oil on canvas, signed lower right.

size includes frame 20X20 sight size. Richard tum Suden (1936, Brooklyn NY) Painter, sculptor, graphic artist, has taught at Parsons School of Design in New York, Art Students League...

This abstract mixed media painting, created by renowned Denver artist Edward Marecak (1919-1993), combines crayon and acrylic paint in a striking geometric composition. The artwork f...

Lily Harmon (1912 - 1998) Woman with Rose Ink and gouache on board 23 x 19 inches Lily Harmon, was an artist who worked in portraiture, assemblage and book illustration, and whose ...

Work on canvas

Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. He was known for figure, abstract painting, collage, and cartoon illustration. In the 1920's and 30's, he lived in NYC and attended The Art Students League where he was creative with a number of artistic styles of the period. During WWII, he worked as a cartoonist for a government issued newspaper called 10-SHUN that was published in Greensboro, NC. Bernard worked under the pen name Seeg, and was the author of the comic strip "Hank and Honey," that appeared in the New York Herald Tribune from the 1940's through the 50's. This cartoon was syndicated and published in Quebec under the title "Louise et Louis." The strip was later retitled to Ellsworth. Segal also illustrated a number of Jewish books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, Lloyd ney, josef Zenk, Clarence Carter and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Gouache & Ink abstracts from the Mid-20th Century are unique. This is by Dutch artist Andrus Theodore Vossen born in the Netherlands in 1893 and he died in 1963. It is pencil signed ...

"Abstractions" by American modernist painter Leonard Nelson is a double sided work on paper. The front is 10.5" x 7.5" and the back side drawing is 10" x 6.75". Both sides are signed and dated "Nelson 46", and the artworks are matted and framed behind glass. Leonard Nelson (1912 - 1993) Born in Camden, New Jersey, Nelson applied for a scholarship at the Pennsylvania Academy of the Fine Arts, regardless of having no portfolio. He was persuasive enough to be given one semester and subsequently was awarded an Academy fellowship to study painting. Nelson went on to earn the Academy's prestigious Cresson Traveling Scholarship award in 1939. He studied at PAFA from 1936 - 1940 with, among others, Henry McCarter...

Sea. 1968. Paper, gouache, 86x60 cm

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...