Landscape Paintings

Architectural whimsy with Roman ruins, column and ancient arches. Year 1718. Oil on Canvas. Original canvas. Roman school of the early 18th century. The painting is part of the seri...

"Landscape" – 160x140 cm Original artwork, unique and non-reproducible. This large-format work expresses the essence of the landscape through an evocative and essential language. Cr...

Work : Original Painting, Unique Work. Painted in 1997. Framed. Provenance from Private collection in France. Excellent Condition. Medium : Acrylic on Linen Canvas. Artist : Loïc Le...

French Landscape by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 13 x 19.75 inches condition: very good and re...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

Charles Euphrasie KUWASSEG Draveil (Essonne), 1833 – Paris, 1904 Animated View of a Town by the Sea in Normandy Oil on wood panel Signed and dated lower right "Kuwasseg fils" 41 x 32...

Lavender Field - Abstracted Landscape in Acrylic on Canvas Vibrant landscape by Ilana Ingber (American, b. 1984). A bold purple field stretches out towards the horizon, where dark t...

Twilight on the River French Impressionist artist, circa 1900's indistinctly signed and inscribed lower corner oil on canvas, framed framed: 18 x 21 inches canvas: 13 x 16 inches pro...

Signed to the lower right. Presented in a giltwood frame with laurel and berry running pattern. On board.

SOME SURMOUNT 2024 Paris, France This charming painting on canvas visually represents the notion of being unshackled from a burden, and an ascension from a darker place. A black, e...

This artwork, entitled "Beach in Provence," is an original oil painting on canvas by French impressionist artist Claude Gardy (b. 1949). It is hand signed in the lower right corner by the artist. The canvas size is 8.75 in. x 10.65 in. and is framed in a custom wooden gold frame. The piece depicts a tranquil beach scene with provincial houses in the background. In excellent condition. Claude Gardy was born in the city of Lille in north of France in 1949. He is a self taught artist that gained recognition for his colorful small impressionist paintings...

Fishing Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, Paris Condition: overall good and sound condition...

C. Clinton's "Cloud Study" is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 15 x 16 in...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

This artwork "Mexican Market with Couple" 1976 is an oil painting on canvas by Mexican artist Antonio Vasquez Parra, 1927-1984. It is signed and dated at the lower right corner by th...

Work on canvas

Pocket White Anemone 5 c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque st...

Impressive early American portrait of a young girl by Edward S Annison. Oil on board. Framed. Measuring 11.5H x 8.25L.

Description: "Landscape" is an original painting on canvas (50x50 cm) by Marilina Marchica, a contemporary artist who explores the relationship between nature, material, and memory t...

My process starts with taking the photographs I work from, I like to experiment with angles and light in the photographing. Every inch of the canvas has multiple layers on to build u...

“Coral Horizon” is a vibrant diptych by Romina Milano, celebrating the dynamic interplay between marine ecology and abstract expression. Hand-drawn with layered, coral-like forms in ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Sailing Ship at Sea Signed C.S .Vokes dated 83 signed oil painting on canvas, framed framed: 24 x 34 inches canvas: 20 x 30 inches condition: very good provenance: private collection...

Charles Towne (1763-1840) A wooded landscape with a traveller on a path Signed "By CT" lower left Oil on canvas 23 1/8 x 19 1/2 in Provenance Private Collection, West Sussex Charle...

Landscape water/ground Oil on cotton canvas 110x180cm the painting is shipped ready to hang the cotton canvas stretched on a handmade wooden frame...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Sylvia Paul's "Bluebells Woodland" transports viewers into a ...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

Antique American impressionist coastal seascape painting. Oil on board. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready ...

Impressive early American impressionist view of New York City oil painting by Johann Berthelsen (1883 - 1972). Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

Antique Canadian impressionist winter landscape oil painting by Joseph Archibald Browne (1862 - 1948). Oil on board. Signed. Framed. Measuring 15 by 19 inches overall and 10 by 14 pa...

Rich and detailed country landscape by an unknown artist (19th Century). A grove of large oak trees is carefully rendered on the right side of the composition. In the center, there a...

"Lugar 18&19" is a beautiful painting by Nacho Reina rooted in the language of brutalist architecture. Softened by a contemporary palette, this diptych reinterprets industrial forms...

Peaceful landscape of a calm stream winding through an autumnal forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "Autumn Reflections - Virginia" and dated 1958 on verso. Unframed. Image size: 24"H x 35.5"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He painted in the style of the Florida Highwaymen...

Thomas Luny (1759-1837) A fishing vessels at rest in harbour Signed and dated 'Luny 1831' lower left Oil on canvas Canvas Size - 12 x 16 in Framed Size ...

Blick aufs Meer Gaston Sebire, French (1920–2001) Oil on Canvas, signed lower right Size: 36 x 28 in. (91.44 x 71.12 cm) Frame Size: 44 x 36.5 inches Provenance: Wally Findlay Gallery

This exquisite early 19th-century English portrait of a gun dog or foxhound by Thomas Weaver is a masterpiece of sporting art that offers both historical...

Figure in Landscape French School, circa 1890's follower of Camille Pissarro (Danish/ French 1830-1903) dated 'Mai 1890' to the lower right corner. oil painting on canvas, framed ca...

Title: French Impressionist Seascape with Two White Sailed Boats at Sunset By Fanch Lel Signed: Yes Size: 13 x 16 inches (height x width) Oil painting on board, unframed Condition: T...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

Amber Glow - Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Amber Glow Artist: Angel...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Leon Detroy. The piece is painted in a divisionist style and depicts blossoming apple trees in an orcha...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

A wonderful impressionist summer seashore scene of a tug boat and sailboats in Beatons, Mantolokings, New Jersey. Waltsak has portrayed this piece in a most intimate, yet energetic w...

Black, Orange & Yellow Abstract Expressionist Landscape Painting by Leading Contemporary British Artist, Angela Wakefield. Deep in the forest, looking through the trees out onto a mo...

Title: French Impressionist Oil Painting of Riverside Scene in Guînes, Northern France By Fanch Lel (French b. 1930) Size: 5.75 x 7.75 inches (height x width) Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This evocative painting by Fanch Lel, titled "Guînes," presents a serene depiction of the French countryside near the town of Guînes in northern France. The artwork captures the tranquil charm of rural life, with soft, earthy tones and lush greenery framing the small, picturesque structures that dot the landscape. Lel’s brushwork brings depth to the trees in the foreground, while the subtle, reflective water in the lower portion of the scene mirrors...

A charming scene in the manner of Dutch painter Cornelis Christiaan Dommersen (1842-1928). The scene depicts figures on a cobbled street buying vegetables from a lady with a cart. Si...

Artist/ School: by Lucien Chanterelle (French b. 1890) Title: Le Pont Marie, Paris. A beautiful Impressionist oil painting from the 1930's p...

Atmospheric Scottish Coastal Landscape by Harold Storey ( 1888 - 1965) signed oil on board, unframed board : 11 x 16 inches inscribed verso Provenance: private collection, UK Conditi...

Breathtaking impressionistic ocean scene with large cumulus cloud rising where the mountains meet the ocean. Tranquil blue water with filtered early evening light captured on the canvas where time stands still. Ready to hang unframed with its edge painted in a reddish brown patina for which the artist is known. Artist signed, titled and dated. Condition is excellent / as new. Brooks Anderson...

Riverside Gathering French Rococo School, 19th century signed lower front corner oil on canvas, framed Framed: 26 x 34 inches Canvas: 24 x 32 inches Provenance: private collection, F...

Luminist, Hudson River School inspired landscape of Catskill mountains with moonlit blue sky "Moonrise in the Mountains", painted by Hudson Valley artist, Jane Bloodgood-Abrams in 20...

"Hibiscus Oasis IV" is an abstract expressionist painting by Romina Milano where a dance of blue gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...