Prints and Multiples

A very good, richly-inked impression of this lithograph. Signed and numbered 57/100 in pencil by Matisse. Printed at the studio of Duchatel, Paris 1929.

Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...

San Francisco from Telegraph Hill Serigraph by Marco Sassone 20th c. Limited edition pencil signed serigraph by listed California / Canadian artist Marco Sassone. San Francisco from...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Hand signed, also signed on plate. Passepartout included : 49 x 34 cm Image Dimensions : 8 x 12 cm Catalogue Deteil n. 99.  This artwork is shipped from Italy. Under existing legisl...

This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...

Duthuit-Garnaud 483 From the Portfolio of Ten Lithographs: “Dix Danseuses (ten dancers)” Lithograph on wove paper, c. 1927 Hand-signed and numbered in pencil in lower margin Impressi...

Coloured lithograph on paper, edited in 1969. Limited edition of 90 copies, numbered as 54/90 in lower left corner. Paper size: 61 x 81 cm Framed size: 76 x 96 cm Very good conditio...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Original etching on archival laid paper of Claude Renoir the son of Pierre August Renoir. Pierre Auguste Renoir (French 1841-1919) "Claude Renoir Fils ...

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art. His work is known for its vibrant colors, spontaneous brushstrokes, and dy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Aspen, Framed Size: 20'' x 28." x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...

This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

Medium: lithograph. Printed in 1939 and published in Paris by Teriade for the art revue Verve (Volume 1, Number 4). Sheet size: 13 3/4 x 9 7/8 inches (348 x 252 mm). There is another...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...

Signed 'Whistler' lower left, titled 'Annie', center, and annotated 'Imp. Delâtre Rue St. Jacques. 171' in the plate lower right. From the portfolio: "Douze Eaux-Fortes d'après Natur...

Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'. Georges Lambert first stu...

Irises in a Vase by Vincent van Gogh was originally painted in 1888. This painting falls within his Arles period, a time when van Gogh was living in the South of France and producing...

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 11.4 x 8.6 inches Edition Size: 40 Video et taceo is a Latin phrase that was a political motto for Elizabeth I. It may re...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Medium: Aquatint, Drypoint, Etching Year: 2016 Image Size: 7.9 x 7.9 inches Edition Size: 65 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early et...

Albert MARQUET Normandy : La Frette sur Seine Original lithograph Signed with the artist stamp Numbered / 200 On Arches vellum 45 x 57 cm (c. 18 x 23 in) Excellent condition

Edouard MANET (1832-1883) Exotic flower (or Woman with a Mantilla) 1869 Original etching Signed in the plate On vellum 36 x 26 cm REFERENCES: - Catalogue raisonné Guérin #51 - Cata...

Medium: pochoir (after the drawing in sanguine). Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Re...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size 8.5 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

Wild Sunflowers by American impressionist Robert Daughters. A limited edition ( 205/255) serigraph with deckle edges floating on a dark blue mat wi...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

This lithograph is part of my private collection and in very good condition. It is original, numbered and signed by the artist in the plate and on the print. Guilde de la Gravure.

"Bathers" is an abstract figurative Impressionist monotype with gouache on paper work by Paul Gauguin in 1902. The artwork is 8 7/8 x 10 3/4 inches and is 17 3/4 x 23 3/4 x 7/8 inche...

Le Sommeil is a black and white lithograph realized by Odilon Redon in 1898. The artwork is a beautiful and fresh artist's proof on China paper, with full margins. Bibliography : C...

Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...

The Fountain of Venice Raoul Dufy French (1877–1953) Date: c 1951 Etching, signed and numbered in pencil Edition of CXIX/CCXXV Image Size: 9 x 7 inches Frame Size: 17 x 14.25 inches

Urbain HUCHET Paris : Eiffel Tower, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Excellent condition

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), titled 'Au Loin un Campanile' lower center and inscribed 'Epreuve d'Artiste' with number and limitation '1/25', lower left. Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...

LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art. His work is known for its vibrant colors, spontaneous brushstrokes, and dy...

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

PIERRE-AUGUSTE RENOIR (French, 1841 - 1919) BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23) Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...

This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...

This abstract landscape limited edition print by Ken Elliott features a warm, vibrant palette and captures a landscape with the sun just along the horizon. The painting has an impres...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. A mosque ...

RENOIR, PIERRE AUGUSTE (1841 -1919) "Femme au cep de vigne, 4th variante" Woman by the Grape Vine, 4th variant Delteil 48, Stella 48 Original lithograph in black ink, 1904 -1905 On...

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...

From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...

Artist: André Derain Medium: Lithographic Poster Dimensions: 28.75 x 21 in, 73 x 53.3 cm Classic Poster Paper - Perfect Condition A+ This poster was designed for a retrospective at the Musée Cantini in Marseille of André Derain's work. The painting that was chosen is from 1906 when Derain was 26 yrs old and on a trip to London when he was still very much a fauvist. It is a reproduction of "Big Ben", 1906, from a series of works he created on the banks of the Thames. There you can see a completely different feeling than the banks of the Seine, each with it's own beauty. Isn't it always a tale of two cities...? Famous American artist and critic, Leland Bell...

Signed lower right, "Maxon" for John Maxon (American, 20th century) and created circa 1995. Additionally titled, verso, 'White Flower'. Monotype with additional hand-painted detail. ...

Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...

Medium: lithograph (after Renoir). One of the most famous Renoir lithographs, this is a portrait of Julie Manet and her cousin Jeanne (Julie Manet wa...

Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonne Gu...

Edition of 100 prints, not signed. One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir. Belogs to the suite “L’Album d’estampes orig...

Bold modern colours synonymous with the modern art movement make up this original Mourlot printed Henri Matisse lithograph, after a gouache on paper cut-out. The cut-out is based on ...