Modern Abstract Prints

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

"Replica" Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x 3...

This exquisite lithograph by Bernard Cathelin (1919–2004), titled Mexique (Mexico), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulat...

Maria Elena Vieira da Silva (after) - Composition - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. d...

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "9/70" lower left, signed in pe...

This exquisite silkscreen by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguer...

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Sans titre (Untitled), from the folio Vieira da Silva, Peintres d'au...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaur, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Minotaur captures Picasso’s lifelong fascination with the ancient myth of the half-man, half-bull—a symbol of passion, violence, and the dual nature of human instinct. Through bold yet economical linework, the artist transforms the mythical figure into an expression of psychological struggle and creative power, a recurring theme in his postwar works that reconciles strength with vulnerability. Executed as a lithograph and pochoir on velin paper, this work measures 12.63 x 18.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Minotaur, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 12.63 x 18.75 inches (32.1 x 47.6 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Minotaur...

This exquisite lithograph by Alfred Manessier (1911–1993), titled La tache rouge (The Red Spot), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in ...

Sonia DELAUNAY Rhythms Triangles Dress Lithograph after a painting of 1926 Printed signature in the plate Numbered /600 On vellum paper 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edi...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Orientalisches (Oriental), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Laz...

Manfred Schwartz (American, b. Poland, 1909-1970), "Green Serration", Lithograph in Colors on Paper, mid 20th century, green waves and pointillism, numbered edition "11/50" lower lef...

This exquisite lithograph by Apel·les Fenosa (1899–1988), titled Tramontane, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with L...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Constellations, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire ...

This exquisite lithograph after Francis Bacon (1909–1992), titled Portrait of Henrietta Moraes, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published by Maeg...

Manfred Schwartz (American, b. Poland, 1909-1970), "Celestial", Lithograph on Paper, mid 20th century, colorful swirling stars, marked "artist's proof" lower left, signed in pencil a...

ANISH KAPOOR MOIRÉ 2 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Decouverte (Discovery), from the folio Derriere le miroir, No. 154, originates from the 1965 edition published b...

August Mosca, 'Subway No. 3', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression on off-white, wove paper; the full sh...

Alexander Calder (1898-1976, American ) The Black Line 1967 Lithograph 22 1/2 x 30 1/8 in. Edition of 60 Pencil signed and numbered Alexander Calder (July 22, 1898 – November 11, 19...

This exquisite lithograph by Francois Fiedler (1921–2001), titled Peinture (Painting), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

"The Prayer" by Alexej von Jawlensky was painted in 1923. The work is a prime example of Expressionism, specifically influenced by German Expressionism and abstract spiritualism. "Th...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Paysage d'Ete (Summer Landscape), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs...

Andre Masson, French (1896 - 1987) - Galerie Louis Leiris (Gravures), Year: 1968, Medium: Lithograph Poster, Image Size: 25 x 18 inches, Size: 26 x 19 in. (66.04 x 48.26 cm), P...

Georges Braque Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960 is an abstract work which takes inspiration from a poem by Georges Riebmont-Dessaignes. Georges Riebm...

This bright yellow modern lithographic poster was printed at the Atelier Mourlot in New York City in 1967. Certificate of Provenance: Each individual work of art carefully curated...

Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. T...

Alexander Calder Sun and Sea 1972 Lithograph 22 3/4 x 30 5/8 in. Edition of 150 Pencil signed and numbered Alexander Calder is one of the most celebrated artists of the 20th century...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This exquisite lithograph by Alberto Giacometti (1901–1966), titled Figures dans un interieur (Figures in an Interior), from the folio Derriere le miroir, No. 65, originates from the...

Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...

Represented by George Billis Gallery, NYC & LA --Darren Waterston (born 1965) is an American artist who is mainly known for his ethereal paintings. Etching monotype with hand work an...

Mixed Media 1990 19.68 x 11.81 in (50 x 30 cm) Unique within an edition of 12 Signed by hand lower left COA provided Tags: #PeterTelljohann #GermanArtist #Ibbenbüren #ArtExhibition ...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Homme qui marche (The Walking Man), from the folio Derriere le miroir, No. 98, originates from the 1957 editi...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Runde Linie (Round Line), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition publi...

This exquisite lithograph after Francis Bacon (1909–1992), titled Study for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published b...

Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Guastalla, Giorgio, et al. Marino Marini : ...

Pablo Picasso (after) "Sylvette De Profil Gauche" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 329/500 lower left From the estate of...

"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper High contrast, multi-layer etching by Bruce Weinberg (American, 1942-1994). A moebius strip is shown against a dar...

Color Lithograph Pencil Signed and Numbered 48/50 Image Size: approx 22 x 29 inches Framed Size: approx 30.25 x 41 inches Antoni Tàpies was born December 13, 1923, in Barcelona and ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 51, 1952. Published by Aimé...

Original linen-backed vintage poster "DISQUES IMPORT CLEMENTINE". Excellent condition. The image with the psychedelic look of the two records that create the eyes and the rest...

“Stacking Stones” is a unique cyanotype monotype by Kind of Cyan that explores balance, rhythm, and form through organic abstraction. Created using traditional light-sensitive proces...

This exquisite lithograph after Francis Bacon (1909–1992), titled Portrait of George Dyer Talking, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published by M...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Les peches des autres (The Sins of Others), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, P...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...

This exquisite lithograph by Graham Sutherland (1903–1980), titled Hybrid, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leo...

This exquisite lithograph by Bernard Cathelin (1919–2004), titled L’Arlequin (The Harlequin), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in col...

This exquisite lithograph by Andre Minaux (1923–1986), titled La femme et l'oiseau (The Woman and the Bird), originates from the 1972 edition published by Editions A. C. Mazo et Cie....

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Jardin (Garden), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Silva, Painters ...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...

This exquisite lithograph by Fritz Glarner (1899–1972), titled Tondo, from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Trav...

This exquisite lithograph by Maurice Esteve (1904–2001), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circu...

Karl Korab Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924...

This exquisite lithograph by Maurice Brianchon (1899–1979), titled Saint-Jean-de-Luz: la plage (Saint-Jean-de-Luz: The Beach), from the album Prints from the Mourlot Press, exhibitio...

Joan Miró Album 21, Plate 16, 1978 is a playful yet thought-provoking work that exhibits Miró’s iconic handling of line and shapes. Cutting across t...