Axel Einar Hjorth Skoga

Swedish furniture designer Axel Einar Hjorth created tables, chairs, cabinets and other pieces that were as elegant as they were functional, and he frequently worked in references to a litany of inspirations including French Art Deco, Gustavian style and modernism. Ahead of his time, his style was refined and daringly simple.

Born in Krokek, Sweden, Hjorth grew up in a foster family and at 20 moved to Stockholm where he studied architecture and design at the Högre Konstindustriella Skolan (now the University of Arts, Crafts & Design). Although he dropped out when his foster father died, he went on to work for some of the largest furniture manufacturers in Sweden during the 1920s. 

Hjorth’s work was featured in the 1923 Gothenburg Exhibition world’s fair, and he exhibited a birch and cherry cabinet in the 1927 “Swedish Contemporary Decorative Arts” exhibition at the Metropolitan Museum of Art in New York. His role as the head of the furniture department at Nordiska Kompaniet (NK), an upscale department store in Stockholm, from 1927 to 1938, further brought his designs to widespread acclaim, including pieces exhibited at the 1929 Barcelona International Exposition.

At the 1930 Stockholm Exhibition, an influential event in the emergence of functionalism in Swedish design, Hjorth exhibited a dozen room settings that featured examples of sportstugemöbler. These furniture lines were named for islands in Sweden’s archipelago — Utö, Blidö and Torö — with designs intended for cabins and vacation homes. The use of solid Swedish pine in these pieces revealed a love of traditional rustic furniture while the simple forms boldly looked to the future. He also brought his eclectic influences to armchairs formed from tubular metal, blocky case pieces made from birch and upholstered sofas with neoclassical details, each exuberantly mixing form and function.

Find vintage Axel Einar Hjorth furniture today on 1stDibs.

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

• Emerged in the 1930s 
• Originated primarily in Denmark, Sweden and Finland
• Introduced in the United States in mid-20th century
• Informed by the Bauhaus and modernism; influenced American mid-century modernism  

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

• Bold, clean lines and simple, sturdy symmetries
• Use of natural materials — native woods such as pine, ash and beech
• Open, airy spaces
• Promotion of functionality
• Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
• Minimal ornamentation (little to no embellishment)
• A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

• Alvar Aalto
• Hans Wegner
• Kaare Klint
• Arne Jacobsen
• Greta Magnusson Grossman 
• Finn Juhl
• Arne Vodder
• Verner Panton

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

• Ant chair
• Grasshopper table lamp
• Wishbone chair
• Stool 60
• Artichoke lamp

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak. 

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries.