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Dunbar Morris

Edward Wormley For Dunbar "Morris" Lounge Chair
By Edward Wormley
Located in St.Petersburg, FL
A rare Edward Wormley for Dunbar multi position recliner known as the "Morris" chair. Classic
Category

Vintage 1950s American Mid-Century Modern Armchairs

Materials

Mahogany

Pair of Edward Wormley for Dunbar "Morris" Armchairs
By Edward Wormley
Located in St.Petersburg, FL
A pair of rare and unusual Edward Wormley for Dunbar adjustable back lounge chairs. Known as
Category

Vintage 1940s American Mid-Century Modern Armchairs

Materials

Mahogany

Edward Wormley for Dunbar Pair of Armless “Morris” Settees
By Edward Wormley, Dunbar Furniture
Located in St.Petersburg, FL
Rare pair of settees designed by Edward Wormley for Dunbar Furniture. Settees feature an armless
Category

Vintage 1950s American Mid-Century Modern Settees

Materials

Bentwood

Ben Seibel for Stand Built Dunbar style white sofa on architectural brass base
By Edward Wormley
Located in Ferndale, MI
While this is a large well built couch built in the Edward Wormley Dunbar style . I have recently
Category

Mid-20th Century American Mid-Century Modern Sofas

Materials

Brass

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Dunbar "Modern Morris" Bench Chairs by Edward Wormley
By Edward Wormley, Dunbar Furniture
Located in Chicago, IL
Dunbar "Modern Morris" stool chairs. Rare form designed by Edward Wormley.
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Rare Dunbar "Modern Morris Settee" by Edward Wormley
By Edward Wormley, Dunbar Furniture
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Modern Morris by Edward Wormley Designed for Dunbar, 1940s
By Edward Wormley, Dunbar Furniture
Located in San Francisco, CA
Offered here is a Modern Morris lounge chair by Edward Wormley, designed for Dunbar circa 1940s
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Dunbar Edward Wormley Designed Lounge Chairs 1940s Model 4731 Morris
By Edward Wormley, Dunbar Furniture
Located in West Hartford, CT
Coveted pair of 1940s "Modern Morris Chairs" by Edward Wormley for Dunbar Furniture Company. Model
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Edward Wormley "Modern Morris Chair"
By Edward Wormley, Dunbar Furniture
Located in North Miami, FL
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By Edward Wormley, Dunbar Furniture
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Pair of Rare "Modern Morris Chairs" by Edward Wormley
By Edward Wormley, Dunbar Furniture
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"Modern Morris Chair" with Sculpted Mahogany Frame by Edward Wormley
By Edward Wormley, Dunbar Furniture
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Rare "Modern Morris Chair" with Adjustable Back by Edward Wormley
By Edward Wormley, Dunbar Furniture
Located in New York, NY
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Edward Wormley for Dunbar Curved Settee
By Edward Wormley
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Pair of Adjustable Modern Morris Chairs by Edward Wormley, Model No. 4731
By Edward Wormley
Located in Los Angeles, CA
Rare vintage pair of adjustable "Modern Morris" chairs by Edward Wormley for Dunbar, Model No. 4731
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Dunbar Morris For Sale on 1stDibs

At 1stDibs, there are many versions of the ideal dunbar morris for your home. Each dunbar morris for sale was constructed with extraordinary care, often using wood, fabric and mahogany. Your living room may not be complete without a dunbar morris — find older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. A dunbar morris is a generally popular piece of furniture, but those created in Mid-Century Modern styles are sought with frequency.

How Much is a Dunbar Morris?

A dunbar morris can differ in price owing to various characteristics — the average selling price 1stDibs is $8,000, while the lowest priced sells for $6,500 and the highest can go for as much as $18,500.

Edward Wormley for sale on 1stDibs

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his vintage seating, storage cabinets, bar carts and other work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.

Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match.

Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.

Many of Wormley’s signature pieces — chairs, sofas, tables and more — are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler.

As the vintage items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.

A Close Look at Mid-Century Modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Seating for You

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.