Giogali Flush Mount

Italian architect, designer, teacher and urban planner Angelo Mangiarotti was a leading light in the international design community from the 1960s onward. While he was an adherent of the rationalist principles of purity of line and simplicity of construction, he sought to imbue his designs for coffee tables, dining chairs, sconces and other furnishings with a sense of character and lightness of spirit that was often lacking in late-20th-century modernist architecture and design. 

Born in Milan, Mangiarotti studied architecture at Milan Polytechnic, graduating in 1948. Five years later, he won a visiting professorship at the Illinois Institute of Technology — beginning a peripatetic academic career that would see him teaching in numerous Italian institutions as well as in schools as far afield as Hawaii and Australia. He worked with Bauhaus eminences Ludwig Mies van der Rohe and met such greats as Frank Lloyd Wright and Walter Gropius. He returned to Italy in 1955 and would go on to work on numerous industrial, residential, commercial and civic projects in his home country, most notably a group of six railway stations in Milan.

As a designer, Mangiarotti and the development of his career embodies the evolution of modernism in the latter decades of the 20th century. In the late 1950s and early ’60s, after early experiments in plywood furniture and one-piece foam-core seating — including the 1110 lounge chair for Cassina — Mangiarotti began to design using more classic materials, from delicate, curvaceous blown-glass table lamps for Artemide to chandeliers with crystal links for Vistosi.

In 1971, Mangiarotti introduced what became his signature designs: a series of tables in marble and other stones that featured “gravity joints,” their legs held in place by the weight of the tabletop. Tables in his Eros collection have muscular proportions that anticipate the robust, overscaled lines of postmodern works that would appear 10 years later: His Eccentrico table, for example, is a striking assemblage in marble featuring a top that is cantilevered dramatically on a canted columnar base. 

But simplicity and practicality were consistently the primary watchwords of Mangiarotti’s designs. The purity and elegance of the objects he created offer a graceful counterpoint to a traditional decor, yet they have a singular sculptural presence that allows them to stand out powerfully in a modern interior.

Find vintage Angelo Mangiarotti furniture on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique and vintage flush mount lighting fixtures can help you create inviting, ambient lighting in your space, and who doesn’t want that?

While electric light bulbs were a huge improvement over gas and oil lamps for lighting our homes, we still had much work to do in order to arrive at the broad range of table lamps, pendants, sconces and other fixtures that are available today.

Lighting technology and design improved substantially over time. Engaging engineers, scientists, architects and designers alike, the field of lighting became a major proving ground for state-of-the-art materials like plastics, inventive new mechanisms and emotionally resonant styles that included the ethereal (Isamu Noguchi’s Akari light sculpture), the whimsical (Gino Sarfatti’s 2109 ceiling light and Sputnik chandelier) and the eclectically postmodern (the Toio floor lamp crafted by Achille and Pier Giacomo Castiglioni). Eventually, flush mount light fixtures became a practical option for home lighting.

Flush mount lighting fixtures are among the most convenient ways to light a small room with a low ceiling. These structures sit directly against the ceiling’s surface and cast light downward, illuminating a large area and defining the room. Semi-flush mount lighting fixtures hang several inches from the ceiling. They also produce ambient light but can be a little more decorative and lean toward the style of chandeliers.

Flush mount lighting is versatile. Larger fixtures distribute more ambient light across the center of the room, while smaller flush mount fixtures are best for accent or task lighting. The main drawback of flush mount fixtures is that they don’t make a strong statement. You can remedy this by strategically arranging decorative accents that flourish in soft lighting.

Lighting is an essential part of any interior design project. Often, having the right light fixture is key to creating an attractive, radiant room. Ample lighting paired with enticing design creates an elevated, inviting atmosphere, helping to set the desired mood. Selecting the right lighting for your home, however, isn’t merely about creating an especially bright bedroom or a moody dining room. There are many different kinds of fixtures and illumination to consider, with flush mount lighting fixtures among them.

Make a statement with a<a href=/furniture/lighting/flush-mount-ceiling-lights/material/metal/ target="_blank" rel="noopener noreferrer"> metal flush mount lighting fixture — a copper or chrome fixture can prove dazzling in your living room. Art Deco flush mount lighting fixtures, with their geometrical shapes and unique detailing in crystal, glass and brass, will go toward creating a cohesive look amid your collection of authentic Art Deco era posters and other wall decor.

Hollywood Regency fixtures — defined by a flamboyant design style for which we credit decorator Dorothy Draper — can introduce glamour and glitz to your living room with their mirrored finishes and complex floral motifs.

Explore a collection of antique and vintage flush mount lighting fixtures on 1stDibs to see what style best suits your space.