Titanes Maxalto

Driven by his belief that beautiful surroundings can heighten the enjoyment of even mundane everyday rituals, Italian architect and industrial designer Antonio Citterio creates furniture that combines sophisticated form with functionality. Citterio’s timeless neoclassical-inspired chairs, outdoor furniture, desks and other pieces have earned him a place among the most influential furniture designers working in his native country.

Born in 1950 in Meda, Citterio grew up just a stone's throw away from the artistic hub of Milan. In 1972, at just 22 years old, he opened his first design studio and designed a chair for the La Rinascente department store while completing his studies in architecture at the Polytechnic University of Milan. Citterio established a partnership with famed furniture designer Terry Dwan, and the pair worked together during the 1980s and 1990s, designing striking buildings in European cities as well as Japan. He is currently chairperson at an interior design and architecture firm with fellow architect Patricia Viel and eight other partners. 

Citterio taught at the Università della Svizzera Italiana in Mendrisio, Switzerland, from 2006 to 2016. He holds art director roles for high-end furniture manufacturers Maxalto, Arclinea and Azucena, and today, Citterio lounge chairs, sofas and other furnishings are in hotels all over the world. Citterio’s work is synonymous with luxury, and has yielded collaborations with reputable brands such as Kartell, Knoll, Flexform, Vitra and B&B Italia. His Sity seating collection for the latter and kitchen furnishings for Arclinea are among his best-known innovations.

Citterio has received many awards and accolades for his design work, including the Compasso d’Oro. He was also given the title of “Royal Designer for Industry” by the Royal Society for the Encouragement of Arts in 2008. 

Find Antonio Citterio seating, lighting, tables, case pieces and other furniture on 1stDibs.

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Although traditionally used in the bedroom to store garments that would not be hung in a closet, an antique or vintage cabinet can easily find a purpose in rooms throughout your entire house.

The world's first storage cabinets, reportedly constructed in Renaissance-era Europe, were demonstrative of excellence in carpentry and the work of master carvers. These robust bureaus or sophisticated chests of drawers were typically built from common woods, such as oak or walnut. Although they were fairly uniform in structure and lacked the bright colors of modern-day furniture, case pieces and storage cabinets that date from the 18th century and earlier were often found in the homes of nobility.

Their intricate carvings and various embellishments — adornments made from ivory, ornate lacquer work and, later, glass shelvings — reflect the elegance with which these decorative furnishings were associated. Given its valuable purpose and the beauty of the early furnishings' designs, the storage cabinet is an investment that will never go out of style.

The practical design that defines the earliest storage cabinets has inspired the creation of household must-haves, like minimalist drink trolleys and marble wood bookcases. From hiding outdoor gear in the mudroom to decluttering your kitchen with a tall kitchen pantry cabinet, these versatile furnishings have now become available in enough sizes, styles and colors to accommodate any space. After all, these aren't your run-of-the-mill filing cabinets.

A sophisticated storage cabinet — wood storage cabinets with doors and shelves, for example — can serve as a room divider when necessary, while the right vintage wall unit or floor-to-ceiling cabinetry solutions can seamlessly become part of any space without disrupting the energy of the room. And although you may hide items away in its drawers, bookworms might prefer a storage cabinet with open shelving for displaying favorite books or other media.

One-of-a-kind solutions for the modern consumer abound, but enthusiasts of understated, classical beauty may turn to Baroque-style storage cabinets. Elsewhere, admirers of mid-century modernism looking to make a statement with their case pieces will warm to the dark woods and clean lines of vintage storage cabinets by Paul McCobb, Florence Knoll or Edward Wormley.

Sometimes the best renovation is a reorganization. If you're ready to organize and elevate your space, a luxury storage cabinet is the addition you need.

Find a variety of vintage and antique storage cabinets on 1stDibs, including unique Art Deco storage cabinets, chinoiserie cabinets and more.