Edward Julius Detmold Prints and Multiples
to
2
2
2
2
Overall Height
to
Overall Width
to
2
2
1
1
1
1
1
2
3
976
699
658
625
2
Artist: Edward Julius Detmold
Rivals
By Edward Julius Detmold
Located in Storrs, CT
Rivals. c. 1925. Etching. Subsequent to Dodgson. 11 7/8 x 10 3/8 (sheet 18 5/8 x 12 1/2). Edition 75, #8. A fine, richly inked impression with plate tone, printed on tan-colored simi...
Category
Early 20th Century Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
Changing Pastures
By Edward Julius Detmold
Located in Storrs, CT
Changing Pastures. c. 1926. Etching. 6 15/16 x 14 3/8 (sheet 10 3/4 x 17 3/4). Printed on the full sheet of cream 'AN 1922' 'England' laid paper. Provanance: Baldwin-Wallace College ...
Category
Early 20th Century Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
Related Items
Two Pointers Hunting a Pheasant original etching by Leon Danchin 1938
By Leon Danchin
Located in Paonia, CO
Two Pointers Hunting a Pheasant is an original color etching by the well known sporting artist Leon Danchin. Two Pointers, one black and white and...
Category
1930s Realist Edward Julius Detmold Prints and Multiples
Materials
Etching
Lioness i- Etching by Evert Louis van Muyden - 1900
By Evert Louis van Muyden
Located in Roma, IT
Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 .
Black and white etching.
Signature and date on plate.
Includes passe-pa...
Category
Early 1900s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
H 7.09 in W 10.24 in D 0.04 in
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
Leonor Fini - Red Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture...
Category
1980s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category
1960s American Modern Edward Julius Detmold Prints and Multiples
Materials
Aquatint
Animal Figures of Ancient Rome - Etching - 18th Century
By Vincenzo Aloja
Located in Roma, IT
Animal Figures of Ancient Rome from the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century realized by Vincenzo Aloja.
In very good condition, exc...
Category
18th Century Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
H 4.73 in W 9.77 in D 0.04 in
Rainforest Tapestry(colorful image of birds, ferns and flowers found in tropics)
By Sharon Augusta Mitchell
Located in New Orleans, LA
Sharon Augusta Mitchell created this vividly colored image of five toucans with bright yellow bills set against a background of green tropical ferns and bright orange flowers. The im...
Category
Late 20th Century Contemporary Edward Julius Detmold Prints and Multiples
Materials
Drypoint, Mezzotint, Aquatint
Leonor Fini - Magical Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
Two Horses
By Kaiko Moti
Located in San Francisco, CA
This artwork "Two Horses" 1964, is an original color aquatint on paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 107/120 in pencil by the artist. ...
Category
Mid-20th Century Impressionist Edward Julius Detmold Prints and Multiples
Materials
Aquatint
The Cat - Original Etching by Giselle Halff - 1950s
By Giselle Halff
Located in Roma, IT
The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca.
Good conditions with some foxing.
.
Category
1950s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
H 7.49 in W 11.03 in D 0.04 in
l' Ivrogne et sa Femme
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: l'Ivrogne et sa Femme
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Montval Laid paper
Image ...
Category
Early 20th Century Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
Hymenoptera -Etching by Jean Francois Turpin - 1831
By Pierre Jean François Turpin
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundred...
Category
1830s Modern Edward Julius Detmold Prints and Multiples
Materials
Etching
H 19.49 in W 13.39 in D 0.04 in
Edward Julius Detmold prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Edward Julius Detmold prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Edward Julius Detmold in etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Edward Julius Detmold prints and multiples, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Edmund Blampied, Sir Frank Short, and Sir Frank Brangwyn. Edward Julius Detmold prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $520 and tops out at $975, while the average work can sell for $748.
Artists Similar to Edward Julius Detmold
William Lionel Wyllie, R.A., R.I., R.E.