Furniture

A handmade mushroom shaped ottoman, upholstered in a mustard yellow colored curly boucle fabric. Perfect for using as a footstool or extra occasional seating. A comfortable cushioned...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Measures: 35”/ 90cm diameter"ø. Eac...

Laurence Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Laurence dining chair was crea...

Chaucer Pots, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. This beautiful set includes two waterproof ceramic pots with lid, perfect to be displayed together and enrich your room decor. Each piece has its own elegant silhouette in mint-green glazed ceramic with gloss finish plus hand turned beech wood base and lid lacquered in bronze gold-powder. Set of 2 Ceramic Pots Chaucer...

The Uultis design team has created this beautiful Fane armchair, upholstered with a beautiful and soft off-white fabric, feature with a walnut wood finis...

Mel Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Mel armchair, named after nature’s purest and sweetest gift, brings forth the comforting e...

Armona Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Let’s talk custom. It could be as simple as tailoring the scale of this Rectilinear Mirror to fit a specific environment, or designing something entirely new. The beauty of Richard...

Really beautiful Florian Schulz double posa pendant lamp with one E 27 / model a bulb in polished brass. Each lamp and newly wired.

A Mid-Century Modern style dining chairs in walnut finished frame. Backrest in natural woven cane and seat upholstered in black faux leather. Dimensions: 23.2" W x 22.8" D x 29.1" H ...

The Sofa inspires itself nature where green is the predominant element and where valleys and hills prevail. The item’s details allow it to be the perfect statement piece for any cont...

The primal coffee table is part of the Primal collection designed by Egg Designs and manufactured in South Africa. This high end, contemporary and...

The Giro (Portuguese for spin) minimalist floor lamp fixture plays with the concept of movement and function. It presents a side table that spins around the stem fixed into a concret...

Pair of rounded larch cornerboards, northern Italy, 1800s. They feature two doors and 1 central drawer. They lend themselves to being bleached or lacquered. Measurements: 72 cm cor...

Decorative and practical sidetable in birch and canvas from BRDR Furbo. The furniture is in a good used condition. One small spot in the canvas.

Condition: Great Vintage Condition Dimensions: 41.25” Dia x 19” H Description: A gorgeous vintage teak coffee table with a cane lower shelf. In great vintage condition. A few small...

A handsome set of armchairs with light brown tufted wool upholstery. Fluted wood legs with brass wheels. Tufted cushions on slightly rolled backs. No obvious markings on the bottom ...

Large colorful funky Astoria plant holder by Pesthidegkút Ceramic manufacture. A playful, rough, lovable modernist creation from the 1965-70s. Hand-painted, glazed ceramic bowl. Its square shape, the side cutouts, and the perforated colored glaze make it light. So funky, so cool! About Pesthidegkút Manufacture The ceramics factory in Pesthidegkút first presented itself at the Budapest (Hungary) Industrial Fair in 1962. The designer of the decorative items made in the factory was Margit Csizmadia...

Brass style rose design, has been professionally polished, there are some marks, dents and ware. Material: Brass Measurements: 20cm high, 10.5cm diameter base Postage via Austra...

Henri BARGAS (XXth C., France) : "Polar bear" Original patinated terracota Signed : "H. BARGAS" France, Art Déco period circa 1930 Dimensions Height = 9.5 cm Width = 19 cm Dept...

This exquisite modern hand-knotted rug from India offers a delightful sensory experience, captivating both touch and sight with its luscious hand-loomed design. A unique blend of woo...

Paolo Venini's 18th century enspired apothecary jars, Compotes. Model 4740 (red): 46 cm high with acid stamp signature and original papèr label. Model 4742 (grey): 46 cm high. Model...

A good and impressively sized mid 19th Century finely turned Mahogany tobacco box with intricately turned lid. This most decorative and unusual piece is raised on three bun feet tur...

Splendid bookcase dating from the late 18th or early 19th century, featuring a rich artistic style typical of church and convent furnishings. The cabinet shows special attention to t...

Newspaper table + side table from france the 60s. This table was made on a small production. The top are black tiles and the frame has a beautiful oak ...

A large charred wood bowl will become a centerpiece on your table and a perfect vessel for all your fruits or vegetables in the kitchen. Hand-carved from one solid piece of wood char...

Adorned in a luxurious petrol green upholstery, this unique set by georges van rijk for beaufort exudes a cool, confident vibe that’s both retro and refreshingly contemporary. The vi...

A pair of architectural constructivist oak accent chairs. These well constructed solid oak chairs feature peg joinery and architectural angels.

A stunning set of antique Victorian pine dividing doors painted on both sides. Though dating back to the Victorian era of circa 1890, these tall, elegant doors incorporate Georgian a...

Two fine handmade copper holders with lit, signed, circa 1750 Meaurements: H. 19-22 Dia. 22-23 cm. H. 7.4-8.6 Dia. 8.6-9 in.

A table crafted from solid wood featuring a perforated powder coated metal screen. The Beddingham frame, top and shelve are available in oak finished with a matt lacquer. Design by S...

Beautiful iron bench with curved and looped base painted in a matte black finish. Rectangular cushioned seat upholstered in a green linen fabric or can be COM. Multiple available, so...

Exceptional English Oak Tavern Table, late 18 th Century, the table has a beautiful blond Oak patina and shine, the feet saw the signs of nails with which the table was fixed to the...

This beautiful Mahogany Foundry Lamp pair was created in 2024 by Artig Lighting using vintage Mahogany Foundry molds from the 1920s. -New brown woven UL-listed cords, plug -E26 full...

19th Century Jardiniere with lion head masks and garland detailing decorated with blended rich red majolica glaze.

Serving trolley, anonymous, for DUX, Sweden, 1960s. Rattan and bamboo. H: 78 cm W: 48 cm L: 91 cm

Brazilian style coffee table What an exceptional piece, this piece is a unique piece. It is made of tropical wood, probably this table came from somewhere in South America. The table...

Handwoven in wool, Rug & Kilim presents a 3x12 runner from their innovative new patchwork kilim collection. On the Design: This flat weave technique repurposes vintage yarns in p...

A trio of decorative antique Chinoiserie wall hangings dating from the late 19th century. Varying in size, these three artistically decorated roundels are a stylish addition to inter...

Brutalist, Antique Spanish Olive Jar from The 1930 ies, the Jar has the classic shape and has a beautiful aged Patina, there are 4 handles, Yellow and Green drips of glaze, very deco...

Set of 3 superbly designed rosewood tables designed by Johannes Andersen for CFC Silkeborg, Denmark. The tables feature tapered octagonal legs with chamfered tops and a lovely ros...

Night service in Baccarat crystal signed with gilding 1 round dish, diameter 29 cm 2 decanters 2 glasses 1 candy box Condition of use Decor starfish

Bamana Mask on a custom ebony wood stand.

Early 19th Century free standing mahogany side table Supported on an unusual lyre stretcher base with bun feet Circa 1840 Clean and minimal design perfect for contemporary interiors...

Our modern wall sconce combines symmetry and candle-like geometry to create a striking silhouette suitable for a variety of environments. A narrow shade and single column of luxuriou...

W64 D20 H32 This listing is for the floor model. Made to Order dresser will have to be ordered directly. 4-6 week turn around time for new builds. Handcrafted in house the “ojitos ...

Mahogany Regency Canterbury. Period Regency This Canterbury Stands Upon Turned Legs with Original Brass Castors. Featuring Turned and Fluted Columns. The Canterbury Having 3 Shaped S...

Sideboard restored in the 1970s around 1975/1980 Highboard display cabinet Features: Completely original Asymmetrical fourfold subdivision With smoked glass door, large folding...

A very good quality Victorian period Walnut Jardiniere / side table. Having gilded ormolu mounts, the lid lifting off to reveal the Zinc lined plant holder, raised on elegant cabriol...

On offer on this occasion is the most spectacular, unused Bespoke "Soho Baby Buttoned-Drum" Ottoman/Footstool, dressed in a breathtaking, peerless, top-grade, Mulberry Woven-Wool Fab...

A superb pair of original antique Victorian bevelled mirrors in brass and carved ebonized wood frames. They were made in England, they date from the 1880s period. They have quite an...

On offer on this occasion is a handsome, rare Ralph Lauren “Polo” Chrome-Framed Square Armchair, dressed in a peerless top-grade Tan Suede. As you w...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A Large Pair of Parcel-Gilt and Grey Painted Pedestals. Each pedestal is of square tapering section inset with an Escalette Alpha rose marble top and carved overall with scrollwork,...

Showcase sideboard restored Art Deco midcentury around 1950 vintage oak Features: Two-door model with two sliding door compartments One shelf each on the left and right, one with a drawer underneath Very high quality processing Shelves with inlaid edge Nice veneer pattern...

Light green Floral French Provincial square needlepoint pillow. Made of wool with an ivory cotton cloth backing. It is new and has never been used. Measures: 16 x 16 inches. Kindly ...

Transport yourself to the grandeur of the early 19th century with this exquisite French commode, a masterful synthesis of marquetry and parquetry artistry. Crafted with precision and...

Blush lacquered beech Chiffonier with four drawers. Polished brass frame handle. It is a piece of furniture made by hand by the craftsmen of Moissonnier, a French cabinetmaker sinc...