Furniture

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

Postmodern famous Lamp "Shogun" wall model. Silver painted model. Two shades are movable which makes impressive shadow on the wall. Light source E27 light bulbs. Using with 100-120V...

Three Mid-Century Modern wall or ceiling lights designed by Sergio Mazza for Artemide, circa 1960s, executed in nickelled brass and pressed glass.

1960s Gino Sarfatti metal and Seguso glass pendant for Arteluce. This larger version measures 5.9" in diameter and is priced as a pair. This orig...

Exceptional pair of iconic vintage 'Shogun' Table Lamps by architect and designer Mario Botta (1943) for Artemide 1986. Straight from the first owners, these table lamps have always...

Dioscuri table or floor lamp with a diameter of 42 cm made of blown opaline etched glass and a steel and thermoplastic resin base. Unusual and striking, the lamp provides diffused, d...

Italian modern glass brass chandelier Triclinio Vico Magistretti Artemide, 1970s Ceiling lamp or chandelier mod. Triclinio, with structure composed of three lights with rounded cylin...

1960s Gino Sarfatti metal and Seguso glass pendant for Arteluce. This version measures 4.72" in diameter and is priced as a pair. This original p...

The Vicario armchair was designed by Vico Magistretti at the end of the 1960s for Artemide. Made of ABS plastic, this chair features flowing shapes and a perfect balance of design, f...

Gino Sarfatti Model #10 sconce in black for Arteluce. Executed in black painted aluminum and custom fabricated period styled brass backplates designed to mou...

Stunning three-light wall lamp model 238/2 by Gino Sarfatti for Arteluce 1950s. In excellent original condition. The brass wall plate with arms bent to form circles houses translucen...

Beautiful Italian modern frosted glass pendant in warm coconut white with blue circular perforations around the base. Model "Halloween". B...

Very rare table lamp Mod. 'Pileino' designed by Gae Aulenti for Artemide in the 1970s in Italy. Adjustable aluminium shade in the shape of a helmet and rotating round white plastic b...

Rare, signed Tizio table or desk lamp from the first production run of silver and red color scheme. Only 3000 lamps were produced and the lamp is numbered 1043. Fully adjustable an...

The Accademia lamp, designed by Cini Boeri in 1978, is a lamp version of the popular table lamp created for Artemide. This lamp is an impressive example...

A set of 4 original Memphis style "Jill " Arteluce wall sconces by Perry King and S. Miranda, available for purchase per piece. The design is clearly a postmodern nod to the Art Deco...

Iconic blue model "Aurora" pendant designed by tPerry King and Santiago Miranda for Arteluce. The Aurora pendant provides direct and diffused light with three halogen, led spotlights...

A grey, vintage Mid-Century Modern Italian table lamp made of hand crafted brushed aluminum, designed by Riccardo Blumer and produced by Artemide, featuring a one light socket in good condition. This desk light is a discontinued model, the base has still the original label. The wires have been renewed. Wear consistent with age and use. circa 1960, Italy. Measures: Base: 0.5" H x 8.5" W x 8.5" D Shade: 2.75" H x 4.5" W 5" D Riccardo Blumer is an Italian designer, architect, professor and a choreographer born in 1959, in Bergamo, Italy. Blumer graduated from the Polytechnic University of Milan, the largest technical university in Italy. In 1966, he designed laleggera for Alias, which won the ADI Compasso d’Oro in 1998. Since 2006, Blumer works at the University of San Marino, Italy. Artemide is an Italian design-oriented manufacturer, founded in 1960 in Pregnana Milanese, Italy by the Italian engineer Ernesto Gismondi. The company Artemide is well-known for their excellent design, for example the Tizio desk lamp...

Gino Sarfatti Model #26b Yellow and Brass Wall Lamp for Arteluce. Executed in yellow aluminum with a brass backplate. Double ball jointed arm allows flexible shade adjustments and m...

The Vicario armchair was designed by Vico Magistretti at the end of the 1960s for Artemide. In production from 1970 until the mid-1970s. Made of ABS plastic, this chair features flow...

Model Pergamo 38 Single Sconce by Angelo Mangiarotti for Artemide, 1980s, Italy Glass is thick and heavy This lamp works with 2x E27 light bulbs. Measurements: Height: 22 cm Widt...

A white acrylic and black-enameled metal flush mount designed by Gino Sarfatti and produced by Arteluce, Italy, 1950s. Overall Dimensions (inches): 5” H x 25” W x 14” D  Bulb Speci...

Mario Botta is a Swiss architect born in Mendrisio, Ticino on April 1, 1943. He went to the Art College in Milan for his baccalaureate, and then to Università Iuav di Venezia for his...

Frine Table lamp by Studio Tetrarch (composed of designers: Adelaide Bonati, Silvio Bonatti, Enrico De Munari and Carla Federspiel) for Artemide, in 1968. The lamp consists of three...

Ceiling or wall light Mod. "Sigma" made of nickel-plated brass two-light pressed opaline glass by Sergio Mazza for the Artemide Company in the 1960s Born in Italy in 1931, Sergio Maz...

Bring a refined touch of Italian modernism to your space with this pair of wall lights designed by Sergio Mazza for Artemide in the 1960s. Characterized by their iconic double glass ...

Model Delta Large Ceiling Lamp by Sergio Mazza for Artemide, 1960s, Italy Lampshade is in very good vintage condition. Original canopy. Painted aluminum, raw aluminum and clear sand...

Italian-made Vintage Artemide Adone Floor Lamp from the 1980s with a Modern metal design and stone base.

Desk lamp with color half transparent body. It was released in late 90s by Artemide. It's obvious that it was influenced from first generation iMac released in 1997. Color is red. I...

Shogun floor lamp with black and white lacquered metal stem, adjustable diffuser in painted perforated plate steel, and a base in cast iron designed by Mario Botta in 1986 and produc...

"Bo" Table Lamp BBPR Artemide, 1962 Nickeled Brass Glass Shade Excellent Condiction Perfect Working Order Bibliografia: Gramigna G., Repertorio del design italiano 1950-2000, Alle...

Set of twelve (12) minimalistic Mid-Century Modern recessed ceiling lights. Model 'SP 13'. Designed by Gino Sarfatti, 1958. Manufactured by Arteluce, Italy, 1970s. Manufacturers labe...

Model 235 Wall or Ceiling Lights by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mounts with a concave socket housing, receiving a chro...

Rare green floor lamp by Ernesto Gismondi for Artemide, 1970s, Italy Lamp is in very good vintage condition. This lamp works with E27 light bulb. Max 100W Wired and suitable t...

ampada piantana Oracolo Grande designed in 1969 by Gae Aulenti for Artemide. Brown painted metal tubular frame with perforated steel mesh band and large spherical white glass diffuse...

Arcadia 100 low coffee table with a rectangular shape (the squareshaped model 80 also exists) designed in 1969 by the famous Italian designer Vico Magistretti and produced by Artemide starting from 1970. The coffee table is made of reinforced resin. More exactly the material used is called GRP (Glass fibre Reinforced Plastic), a very resistant thermosetting plastic material consisting of a thick meshwork of glass fibres impregnated with polyester resin. The item is characterized by its S-shaped legs typical of the Magistretti's design poetics (shapes used in many other furnishings from the Selene chair to the Chimera lamp...

Pair of table lamp Alfetta by Sergio Mazza for Artemide in Italy in the 1966. The lamp uses Holophane glass. The term "Holophane" is used in a general sense to describe transparent m...

This rare table lamp was designed by Vico Magistretti for the Italian manufacture Artemide during the 1960s, it is one of 2 that we currently have in stock. The lamp is made from one main piece of white plastic. Dalù is one a wonderful expression of Magistretti’s design ethos and reflects his belief that beauty and everyday functionality should be equally important in the object. Vico Magistretti was born in Milan. He attended Parini High School before he enrolled in the Regio Politecnico Faculty of Architecture in Milan in the fall of 1939. In 1943-1944 he moved to Switzerland, where he attended several academic courses at the Champ Universitarie Italien in Lausanne. It was then that he spent time with Ernesto Nathan Rogers, who had a key influence on his intellectual education. In 1945 he returned to Milan, where he graduated from the Faculty of Architecture at the Polytechnic University. He immediately started working for his father's company, the architect Piergiulio Magistretti, in via Conservatorio. The 1950s were a very busy and fruitful period for the young architect, who came up with many innovative ideas and very quickly became one of the most outstanding representatives of the third generation. Over the next few years he worked as a designer as well as an architect, creating furniture and objects that will always be classics of contemporary production. It was then that he was awarded the Golden Compass for the Eclisse lamp (1967).He then started working with important companies such as Artemide, Campeggi, Cassina, De Padova, Flou, Fontana Arte, Fritz Hansen, Kartell, Olivari, Oluce, Poggi, Schiffini Mobili Cucine and Gebrüder Thonet Vienna. His design works are in the permanent collection of MoMA - Museum of Modern Art in New York and in many other museums in America and Europe. In the field of architecture, it is worth mentioning his nomination as an honorary member of the Royal College of Art in London, where he was also a visiting professor. He also participated in exhibitions and conferences in Europe, Japan and the USA. Established in the 1960s, Artemide is one of the most famous lighting brands in the world. Known for its philosophy, The Human Light...

Wall or ceiling fixture, No. 235/b, designed by Cini Boeri and manufactured by Arteluce in 1971. The lamp consists of two parts: the cylindrical outside and the inside (a reflector)...

Stunning "Delta" wall lamp designed by Sergio Mazza for Artemide in Italy during the 1960s. This large and unique adjustable sconce is made in a gorgeous combination of steel, gloss...

Mario Bellini Flush Mount Lamp Area 50 by Artemide, Italy, 1976 Originally conceived as a table lamp, we altered this rare ceramic lamp so it can be attached to the ceiling. It has ...

The 'Shogun' table lamp, designed by Mario Botta for Artemide in 1986, embodies the visionary architect's signature style of geometric precision and functional artistry. Crafted in I...

1 of the 5 impressive pairs of Postmodern style wall sconces designed by Steve Lombardi for Artemide Italy. Model Filicudara designed in the 1980s. A wonderful shape. Real statement ...

Vico Magistretti for Artemide "Stadio 80-ARA" Fiberglass and Composite Table, in white, embossed mark "Artemide USA / Burlington House International / Stadio 80-ARA / Vico Magistrett...

“Tetraclio” chandelier by Sergio Mazza for Artemide. Designed and manufactured in Italy circa the 1960s. Polished nickel parts hold etched glass diffusers. The lamp comprises of four...

Particular table lamp model Accademia designed in 1978 by Cini Boeri for Artemide. The Lamp is triangular in cross-section with a metal frame and a wide fabric diffuser. The Lamp ...

'Shogun' Table Lamp by Mario Botta for Artemide. Originally designed in 1986, the authorized re-edition of this table lamp is still made in Italy today using only the finest quality materials and scrupulous attention to detail by Artemide. 'Shogun' is part of the Artemide masterpieces collection and is featured in the collections of museums like the Metropolitan Museum of Art in New York. The lamp remains an icon, and a stunning work of contemporary design. Its adjustable shade marries functionality with design eloquently. Mario Botta was born in 1943 in Mendrisio, Switzerland. In his work he took inspiration from such masters as Le Corbusier, Louis I...

Rare pair of “Visor” wall sconces by Italian designer Vittoriano Vigano, published by Arteluce in the '60s. Structure and lampshade in lacquered metal (original paint), possibility o...

Nice black Sintesi desk lamp designed by Ernesto Gismondi and produced by Artemide in the 1970s. The lamp is in original paint and comes with a E26/E27 socket. The lamp is in in full...

Mod. 2065 F lucite lamp, Arteluce, circa 1950-1955 Gino Sarfatti mod. 2065 F. UFO pendant lamp produced between 1950-1955. (good condition with signs of wear) three e27 (EU) or e2...

A pair of heavy and thick Seguso Murano unusual oval shaped glass pendant lights with chrome fittings, by Gino Sarfatti for Arteluce, Milano only 1 pair available. price is for the p...

The wall lights version from the PAO light series by Matteo Thun. The Pao lights impress with their characteristic diffuser made of matt glass. However, the material combination mad...

Wall Sconce Vico Magistretti "Mania," Made in Italy, 1960s. Two Murano opaline glass shells, enameled metal frame, and brass hooks. The 'sconce lights up with 2 bulbs each.

PAO, tall floor lamp made with a satin glass base, ebonized wood stem, and an opal glass oval-shaped diffuser that emits a beautiful, warm light, gently diffused through the white gl...

Italian modern Green plastic Chairs Gaudi by Vico Magistretti for Artemide, 1970s Set of 6 iconic and fantastic chairs mod. Gaudi in green plastic ...

Elegant pair of Artemide Shogun Parete wall lamps designed by Mario Botta for Artemide, Milano, Italy in 1980s. Marked on the frame. Mario Botta is a postmodern Swiss architect and designer, renowned for his striking geometric forms. Artemide is a Italian manufacturer founded by Ernesto Gismondi and Sergio Mazza in 1960. The design of the lamp is based upon the form of a samurai’s visor. The two perforated silver enameled steel sheet shades are adjustable, which creates a great light / shadow effect. The Shogun wall lamp...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genoa, he founded the Arteluce company in 1939 in Milan. Its pur...

Iconic Pausania Table Lamp by Ettore Sottsass for Artemide, Italy, 1980s. In the 1980s, the Italian designer Ettore Sottsass collaborated with Art...

'Cetra' hanging lamp by Vico Magistretti for Artemide, 1960s. A pair available.

Early and very rare extandable counterweight suspension designed by Gino Sarfatti in 1938, Mod. No. 2007. Manufactured by Arteluce in the 1930...