Furniture

A 1950s model 4872A lounge chair designed by Edward Wormley for Dunbar Furniture. This chair comes from the recently demolished Edward Mccormick Blair House in Chicago Illinois desig...

This is an original model 1094 floor lamp by Gino Sarfatti (1912-1985) which was designed for Arteluce in 1969. It features a carrara marble base with a steel structure wich is chrom...

No. 5482 Armchair by Edward Wormley for Dunbar. Mahogany, brass and fabric. Fantastic model with floating seat and padded armrests.

Edward Wormley, two armchairs, and four side chairs. Dunbar, USA. Mahogany and leather. Signed with applied gold rectangular metal manufacturer's label to the seat bottom [Dunb...

A rare offering from Edward Wormley for Dunbar Furniture. This wing shaped sofa, model 4756, was reupholstered in a moss colored mohair and sits on 10" solid brass stiletto legs. Ele...

Coffee table designed by Edward Wormley for Dunbar, c.1950s, USA. The rectangular table features an ebonized base with six turned wood legs and stretchers that reach the length of th...

A pair of walnut and leather armchairs designed by Edward Wormley for Dunbar. Refinished and reupholstered.

Gino Sarfatti Floor Lamp , model 1045 for Arteluce , Italy designed 1948 Designed in 1948 this example probably dates from the 1950's and shows the rawest version of this famous art...

A set of 4 original Memphis style "Jill " Arteluce wall sconces by Perry King and S. Miranda, available for purchase per piece. The design is clearly a postmodern nod to the Art Dec...

Exceptional, round, rosewood dining table by Edward Wormley for Dunbar features a 2.5 inch thick, bookmatched starburst pattern top with bullnose edge atop a substantial pedestal bas...

Edward Wormley for Dunbar Captain's "Y" chair, ca. 1955. Professionally restored walnut frame with new back caning and new upholstered seat with super soft and luxurious ivory wool f...

The Model 268 lamp designed by Cini Boeri for Arteluce, is the epitome of hyper-minimalistic design. Its cylindrical shape exudes elegance and simplicity, free from any extraneous de...

Beautiful Gino Sarfatti Model 2133 chandeliers, produced by Arteluce in Italy in 1972. These chandeliers are truly unique, featuring a minimalist design that resembles a floating dis...

This Sheaf of Wheat Coffee or Cocktail Table was created in the 1960's and designed by Edward Wormley for Dunbar. The spindel base is crafted from walnut and bound with a brass inter...

An extremely rare pair of early wingback chairs model no. 1038 designed by Edward Wormley for Dunbar, circa 1940s. This set delivers an architectural silhouette - a tall back boasts ...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. Its pu...

SALE ONE WEEK ONLY Rare Mid-Century Rich Royal Blue Alpaca Three-seat Sofa by Edward Wormley for Dunbar sits on square chrome legs. It has one tufted seat cushion and three loose ba...

XL Mod. 252/p Sconces by Vittorio Gregotti, Lodovico Meneghetti, and Giotto Stoppino for Arteluce. Designed and manufactured in Italy, in 1966. Large wall lamps comprising of silver ...

We love these gorgeous chairs by Edward Wormely for Dunbar. A hard to find pair ! They are super comfortable. We have reupholstered these in a Holly Hunt boucle' which is pale gray. ...

1960s Gino Sarfatti Metal and Seguso Glass Sconce for Arteluce. Executed in hand blown bubbled Seguso glass and painted metal. The simplicity of Sarfatti's design and the sculptural ...

A small sofa / settee designed by Edward Wormley for Dunbar. Iconic form with tapered brass legs. Fully restored and upholstered in Designtex / Lambert / Smoke.

A game table with walnut frame and cork top. Designed by Edward Wormley for Dunbar.

Coffee or cocktail Table designed by Edward Wormley for Dunbar. The opening between the top and lower shelf is 6.1". The useable flat area of the top, between the side supports, is D...

Gino Sarfatti for Arteluce, off-white pendant '194/N', metal, wire, Italy, 1950 A beautiful pendant in a natural colored metal made in Italy around 1950. This pendant designed by li...

Adjustable & dimmerable Ring A 400 table lamp by B. Gecchelin for Arteluce, produced since 1979 and no longer in production. Chrome-Plated & grey metal structure. The lamp body is a...

Pair of Dunbar Sheaf of Wheat End Tables with 3/4" thick Italian Carrara white/gray Marble with edge detail on black lacquered oak base that h...

Edward Wormley for Dunbar, sofa, model 5125, fabric, stained wood, United States, 1950s This cubic shaped sofa is designed by Edward Wormley for Dunbar. The sofa features a cubic-sh...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Gino Sarfatti was an Italian designer and businessman born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. Its pu...

Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...

A pair of solid rosewood X-base campaign tables with leathered marble tops. Designed by Edward Wormley for Dunbar.

A beautiful pair of Modern chests by Edward Wormley for Drexel, circa 1947. Expertly constructed in silver elm and finished in cream lacquer. The functional size and scale allow for ...

A party sofa designed by Edward Wormley for Dunbar in original buttery soft light tan leather. Matching pair available. Priced individually.

A sizeable walnut wardrobe or cabinet designed by Edward Wormley and produced by Dunbar, Berne, Indiana, USA, c. 1950s. Interior has glass shelving and backside has round air grids ...

Edward Wormley for Dunbar Mid Century Coffee Table This coffee table measures: 60 wide x 19 deep x 15.25 inches high All pieces of fu...

Black and white lacquered metal, nylon, glasses mod. 2119 ceiling light by Gino Sarfatti for Arteluce. Designed in 1961. Original vintage condition with normal trace of age and use b...

Edward Wormley for Dunbar cane back and brass armchair. Circa 1950's.

A monumental model 2058 chandelier designed by Gino Sarfatti and manufactured by Arteluce, Italy 1954. This large sized chandelier has a disk-shaped reflector with a hole in the midd...

Rare minimalist floor lamp model 1086 designed by Gino Sarfatti and manufactured by Arteluce, Milano 1961. This is the floor lamp version of a series of lights that Sarfatti designed...

This rare and large version of the Gino Sarfatti Model 540 G (G=grande), produced by Arteluce Italy in 1968, is a remarkable lighting fixture that showcases the innovative design sen...

Not often seen, a fully restored sliding door sideboard by Edward Wormley for Dunbar. The cabinet features four sliding doors with loads of interior storage. The top section has two ...

Chandelier model "2097/30" designed by Gino Sarfatti (1912/1985) for Arteluce. Made of polished brass structure. The central rod has forty arms supporting the light bulbs, Italy, 196...

A pair of early teardrop slipper chairs with walnut legs. Designed by Edward Wormley for Dunbar.

An exceptional Mid-Century Modern extension dining table By Edward Wormley for Dunbar Furniture USA, 1950s Gorgeous bookmatched walnut top, with ebonized walnut legs and stretcher...

A rare chest designed by Edward Wormley for Dunbar. Solid walnut construction with exposed joinery and brass pulls with ceramic tiles by greta and Otto Natzler. Matching dresser ava...

Edward Wormley solid walnut cased cabinet with two sliding doors supported on four legged brass frame with walnut caps on the feet. Original Dunbar label on the back.

Parsons style simple console table designed by Edward Wormley for Dunbar furniture company. This classic style is always relevant.

Rare Edward Wormley design coffee table model 5309 for Dunbar Furniture. Iconic mid-century modern coffee table made by the highest quality American manufacturer's from the period. E...

A pair of Sheaf of Wheat side tables designed by the American designer Edward Wormley (1907-1995) for Dunbar. These tables have an abstracted hourglass-shaped wooden base reminiscent...

Edward Wormley for Dunbar by Mobilier Universel, set of eight armchairs, model '5762', lacquered black wood, red brown leather, Belgium, design 1957 These armchairs are designed by ...

Edward Wormley for Dunbar by Mobilier Universel, armchair, model '5762', teak, fabric, Belgium, design 1957 This dining chair is designed by Edward Wormley for the furniture company...

The Italian designer and businessman Gino Sarfatti was born in 1912 in Venice. After studying aeronaval engineering in Genova, he founded the Arteluce company in 1939 in Milan. His w...

Good vintage condition with trace of age and use for this rare early model 2042/3 designed by Gino Sarfatti and produced in Italy during the 60s by Arteluce. Full working with EU sta...

An exceptional Mid-Century Modern extension dining table By Edward Wormley for Dunbar Furniture USA, 1950s Gorgeous book-matched walnut top, with ebonized walnut banding and legs....

Metal chandelier pendant lamp 2133 model designed by Gino Sarfatti and manufactured by Arteluce Italy 1970s. White metal lampshade with black metal lamp holder, where the lampshade s...

Highly rare set of model 608 wall or ceiling lamps designed by Gino Sarfatti and manufactured by Arteluce, Italy 1971. Visible large light bulb. Suppo...

An elegantly detailed and finely crafted set of nesting tables in light walnut.

A classic and hard to find Edward Wormley for Dunbar snack table. Solid brass tripod base, Karelian birch top with typical finial.