Furniture

A pair of Mid-Century Modern fiberglass swivel armchairs designed by Charles Eames for Herman Miller. The fiberglass molded bucket tub chair with arms, raised on a fixed aluminum X b...

Mid-Century Italian pottery plate by Bitossi with Rimini Blue pattern. The outside surface of the plate is decorated with a printed pattern. The ...

This is an ES-108 Three-Seat Walnut Sofa, initially designed by Ray and Charles Eames for Herman Miller in 1984. This example dates to the 1990s. Its design consists of a solid alumi...

We have eleven original 1960s Eames fiberglass shell chairs with original H bases. Narrow mount. Lovely rich brown color. These have their original finish and are gorgeous, gleaming,...

A fabulous Charles & Ray Eames transitional armchair produced by Herman Miller with Zenith Plastics. The salmon colored LAX chair features a rope edge, X base, large shock mounts, bo...

Sophisticated, chic, voguish pair of lounge chairs designed by George Nelson for Herman Miller circa 1950s. The chairs feature solid maple frames with thick upholstered seats and bac...

Authentic and rare RAR Rocking chair designed by Ray & Charles Eames for Herman Miller. This rocking chair was manufactured in the 1960s. The rocking chair is in original vintage con...

Verner Panton "Panton chair" original edition Herman Miller in enamelled fiberglass circa 1960 wear and minor losses.

This is an original Eames Lounge Chair and Ottoman, model 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1964, per its label. The shells ...

This is an Eames Aluminum Group Management Desk Chair, model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples date to 2007. Th...

This is an Eames Aluminum Group Soft Pad Executive Chair, Model EA437, initially designed by Charles and Ray Eames for Herman Miller in 1968. These examples date to 2002. The listed ...

Contemporary Eames office dining, bistro, side, or end table. Rendered in durable white laminate wood top with a two tone aluminum and white powder coated base. This table has an ext...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precis...

This is a single (multiple chairs are available, though sold individually) Eames Aluminum Group Management Desk Chair, designed by Charles and Ray Eames for Herman Miller in 1958. Th...

Extremely rare combination of wenge wood veneer and dark eggplant frame. No veneer chips. Special custom order. Chair is in very good condition. Collector's item. Maintains black med...

Bitossi for Berkeley House ashtray, brushed gold, signed. Medium scale textured ashtray with one cigarette rest. The Bitossi factory mixed 24-karat gold to achieve the luster in their gold glazes. Retains original paper label on the underside which reads: "Handmade Berkeley House Italy...

This striking DAX rope edge fiberglass Zenith shell chair, designed by Charles and Ray Eames for Herman Miller Co., dates back to the 1960s. Featuring a fiberglass shell with origina...

This is a Steel Frame No 4000 Series Dresser, initially designed by George Nelson for Herman Miller in 1954. Its model number is 4013. It features a frame of white powder-coated bent...

These are Eames Aluminum Group Soft Pad Management Desk Chairs, Model EA435, designed by Charles and Ray Eames for Herman Miller in 1969. These examples date to the 2010s. The listed...

Modernist majolica bowl or ashtray features distinct white, yellow, and orange leaf decor in the middle of the bowl with white and teal rim decor. Significant part of the bowl is le...

This striking vase has a simple, rectangular shape, highlighted with a brass strip at the bottom and two different solid finishes, one large strip in pink and a vivid red top. The pi...

Uncommonly seen 1940s dining / entry table designed by Gilbert Rohde for Herman Miller. The table has a beautiful marquetry design inlaid into the top and is accompanied by one leaf....

This striking Mid-Century Modern ceramic ashtray was designed by Aldo Londi for Bitossi in the 1950s. Featuring a richly textured surface with a deep brown and white glazed finish, t...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1962. The shells on this set ar...

These are Eames Aluminum Group Management Desk Chairs, model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples date to the 2010...

c. 1950s. USA. Reupholstered in Pierre Frey “Bourail” Jacquard fabric. Refoamed as well. White laminate side tables with metal frame.

"La Fonda" Charles Eames & Alexander Girard by Hermann Miller, circa 1960s. Ivory fiberglass shell seat Aluminium base.

Fabulous vintage Mid-Century Modern golden brown Italian pottery Rimini Ambra Series table lamp by Aldo Londi for Bitossi & Raymor with new off-white faux silk drum shade. This piece...

This is an Eames Aluminum Group Management Desk or Side Chair, model EA-108, designed by Charles and Ray Eames for Herman Miller in 1958. These examples were produced in 2012. The li...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Late 1950’s - early 1960’s Aldo Londi Rimini Blue Water Jug for Bitossi, Italy. Label on base. Decorated with the typical geometric pattern with a turquoise and cobalt blue colouring...

This is a Swoop Plywood Lounge Chair, designed by Brian Kane for Herman Miller in 2010. The listed price includes one chair, and we have several chairs available for purchase. Their ...

Bitossi Rosenthal Netter Vase, Ceramic, Onion, Yellow, Orange, Brown, Signed. Small to medium scale cylinder vase decorated with Op-Art style onion pattern and glazed in colors: oran...

Environmental Enrichment Panel by Alexander Girard for Herman Miller "GEOMETRY" Re-relesed in 2000s,, This panel has been dis-continued,, No longer being produced,, Great original condition. Hand delivery avail to New York City or anywhere en route from Buffalo NY Girard Environmental Enrichment...

This is an Eames Aluminum Group Soft Pad Executive Desk Chair, Model EA437, initially designed by Charles and Ray Eames for Herman Miller in 1969. These are newer examples, dating to...

Ray and Charles Eames’ iconic folding screen, FSW-10, for Herman Miller takes the inspiration for its undulating shape from the folds of heavy drapery. Composed of articulated panels...

Gorgeous early Herman Miller edition Eames DCM chair. Molded seat and back with walnut finishes. Dates to the 1950s, with solid steel rod frame, with original plating. Metal in good ...

Bitossi Lacrima Bowl, Ceramic, Blue, Signed. Large low bowl decorated with a relief pattern of impressed teardrops from Bitossi's Lacrima Decor. Minute...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to ca. 1958. The shells on this se...

Arthur Umanoff for Howard Miller 1970s wall clock, model #588. Made of a walnut case, original red back, brushed aluminum clock face, brass Roman nu...

This is an ES-108 Three-Seat Teak Sofa, initially designed by Ray and Charles Eames for Herman Miller in 1984. This example dates to the 1990s. Its design consists of a solid aluminu...

iconic Italian modern ceramic candleholder from the Rimini Blu series designed by Aldo Londi for Bitossi Italy. It is in beautiful original condition. The Italian Ceramic Artist Aldo...

Nice vase from Bitossi by Aldo Londi. The pattern is Stambecchi or Caprone (goat), designed by Aldo Londi. A sgraffito and glazed pattern of goats in grey, brown and orange on a brus...

Charles Eames for Herman Miller Mid Century upholstered shell office chair This chair measures: 25 wide x 22 deep x 32 high, with...

Vintage Eames Herman Miller MCM Aluminum Group 4 Prong Contract Base White Laminate Top Table Handsome vintage Eames for Herman Miller mid-century modern Aluminum Group 4 prong chro...

An Early Vintage example of a Herman Miller Time Life Lobby Lounge Chair by Charles Eames. This is the wider version. The seat width alone is 24". A vintage chair with vintage wea...

The George Nelson-designed round pedestal side table for Herman Miller features a timeless and sleek design. Crafted with meticulous attention to detail, it boasts a circular table s...

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi flower vase fo...

Mid-Century Modern Pair of table or bedside lamps in blue enameled ceramic terracotta Rimini decor, by the italian designer artist ceramist Aldo Londi for the manufacture Bitossi. In...

Aldo Londi Bitossi Safety Pin Bowl, Ceramic, Blue, Gold, Signed. Large stoneware bowl with an interior and exterior of gold glazed, "Punk Rock", safety pins layered over a rich "Rimi...

A nice pair of rolling office or desk chairs By Herman Miller USA, 2000s A nice pair of rolling office or desk chairs By Herman Miller USA, 2000s Measures: 18" W x 19" D x 3...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames in 1956. This set dates to circa 1990 and has Brazilian rosewood shells. The...

This is an Eames Aluminum Group Management Desk Chair, model EA335, initially designed by Ray and Charles Eames for Herman Miller in 1958. These examples date to 2012. The listed pri...

Charles Eames for Herman Miller fiberglass DSX shell chair. Circa 1970. Retains all it's plastic glides. Shock mounts are in good condition with no visible drying or cracking. Struct...

A stylish Mid-Century Modern coffee table By George Nelson for Herman Miller USA, 1950s White laminate top, with walnut trim, and brass finished steel hairpin legs. Measures: 28....

Iconic LCM lounge chair by Charles and Ray Eames for Herman Miller. Unique edition as it has been issued with the wood finished with red aniline dye and covered in black Mongolian la...