Sculptures

Art Deco leaping deer bookends by Max Le Verrier. The sculptures are executed in patinated metal and mounted on Portor marble bases. France 1930.

Made in Italy, 1930s. This fig is made by Napoleone Martinuzzi for Venini in Murano glass. This item might show slight traces of use since it's vintage as a chip on the top, but it ...

Art Deco elephant sculpture on marble stylized base. Spelter metal with ivoroid ( synthetic) tusks, in the lucky position of going upward. This is a great piece, showing style and mo...

Roger Fabian Ceramic Art deco Ram head Artist Roger Favin Ceramic sculpture Art deco Ram head Circa 1930 Origin France Very good condition- Small restoration on one horn but very wel...

A rare and exquisite set of 1930s metal birds by Just Andersen. A true testament to Just Andersens exceptional craftsmanship. * A set of small metal birds * Designer: Just Andersen ...

Elegant dance couple, performing a long dance step to the side: the leading figure with a black hat, red jacket with wide sleeves and matching red breeches hugs the dance partner from behind in a strapless, black and white lace dress...

Art Deco Birds Statue by Rochard is a unique treatment of two pheasant birds in contrasting positions. Both figures are mounted on a beautiful base that ...

Rare and excellent Goldscheider art ceramic figure of the 1930's: Young standing Japanese woman in traditional kimono with wide sleeves and colored floral decoration on dark blue ba...

Limousin Art Deco sculpture named "A Woman and her Two Dogs" was created circa 1930s. This very attractive sculpture by the French Art Deco master...

Black panther on oak base signed L. Houzeaux Original Art Deco, France 1930s width: 65 cm Height: 20 cm Depth: 12,5 cm

Large expressive, naturalistic Art Déco sculpture "panther with cobra" by Felix Guis, 1930s. Signed by the artist F.Guis. The artist Felix Guis ( 1887 to 1972 ), born in Tunesia ha...

European porcelain maker. Porcelain figure. Seated dachshund. 1930s / 40s. Measures: 23 x 17 cm. In excellent condition. Stamped.

Beautiful sculpture of a chinese girl. Signed by the french artist " Géo Maxim". .

The Cobbler working on Boots and the Nobleman protecting his Money. Bookends by “Max Le Verrier”, signed Original French Art Deco, 1930s Bookends made in “Régule” (spelter) S...

Bookends Pierrot and lady with fan White bronze with original patina on a base of Portor marble Original Art Deco, France 1930s Dimensions: Width: 22 cm Height: 19 cm Dept...

Art Deco girl figure with faun made with patinated metal, mounted on checkered marble base. Made in France, c. 1930's by Paul Sega *Signed on the girl's le...

Art Deco lamp standing nude with ball by Max Le Verrier. This figural table lamp is the smaller version of the famous Clarté model. The statue is executed in Art metal with green pat...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Beautiful pair of vintage Art Noeveau bookends by Verona. This set in beautifully aged cast iron reminiscence of the art noeveau era with its use of arches and curved forms. In this ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Very Rare Goldscheider Ceramic Art Figure from around 1930: Standing young lady with a brunette bobbed haircut in elegant sportswear: comfortable, short-sleeved waistcoat with a low...

Sculpture of a girl with a bird by Jacques Limousin Régule, with original colorful patina Marble base Original Art Deco, France 1930s Measures...

A spectacularly glazed Japanese Kutani model, okimono, of a pheasant, Showa era, early 20th century, Japan. The okimono, or decorative sculpture, in the form of a magnificent phea...

Dark Reflections a sculpture by Mac Whitney (b. 1936) a respected Texas artist most widely noted for his monumental sculptures. The piece is a black polish...

Austrian Art Deco Sier Kunst Bull Wood & Brass Sculpture in Haguenauer Manner ca. 1930 DETAILS Marked ‘SK’ in a triangle for Sier Kunst and ‘Made In Aus...

Excellent art ceramic figurine from the 1930s: Striding young lady with a cropped, delicate top and a large hat, holding up the long, wide skirt with a stylized floral pattern with both hands. On a black oval base, artist's signature 'Dakon' on the bottom. Based on the film 'The Blonde Dream', starring Lilian Harvey. Lilian Harvey (1906 - 1968) was a British-German actress, singer and dancer. From 1923 she attended the ballet school of the German State Opera and received first paid appearances as a dancer in Hungary and Austria. She made a total of 12 films with Willy Fritsch, and in 1930 came the decisive breakthrough with the romantic comedy film 'Liebeswalzer'. 1931 the film 'The Congress Dances' appeared, in which she appeared in a scene 'Christels Song', better known as 'Das gibt's nur einmal' that today still exists as an Evergreen. During the Nazi era in Germany Lilian Harvey's career stopped because of her opposition to the regime and she emigrated first to southern France and then to the United States. After the war she returned to Europe and took turns living in Germany and France, where she died in 1968. Designed by STEPHAN DAKON...

IRENEÈ ROCHARD Horse heads in motion, titled "Vers le But", edited by Reveyrolis Paris, Bronzier d'Art. Important and rare 1930s sculpture in terracotta with bronze effect finish, ...

A fantastic Japanese Aote type Kutani incense burner, koro, in the form a phoenix, Showa era, circa 1930's, Japan. The censer, koro, gracefull...

We is delighted to offer for sale this absolutely sublime, very rare and original 1930’s Liberty’s London, Omersa brown leather hand dyed, extra large Pig stool...

Clock Man - Wind-up clock with key - Spelter, hand-painted We prefer to sell our items in 'uncleaned' condition so that the new owner still has the choice to remove the patina (si...

Bimini glass exotic cartoon bird from the Art Deco period, circa 1930's. With a Disneyesque look and striking stance. Delicate hollow blown construction in vibrant colorations. Excel...

1930s finely carved soapstone statue - all soapstone including base.

Great example of a western stagecoach in original paint. Colors are still vibrant. C1930 with precise castings. In excellent vintage condition with minimal wear.

Large ceramic sculpture with cream colored glaze Elephant and panther Original Art Deco, France 1930s Dimensions: Width: 54 cm Height: 37 cm Depth: 21 cm.

Scottie dog perfume lamp in the form of a terrier puppy and mother/father attributed to Carl Scheidig Grafenthal, Germany. Made from glazed porcelain. Restored electrical parts wit...

Franz Hagenauer Male and Female “The Couple” 1930. Rare sculpture highly stylized and unique piece made in Vienna, circa the 1930s. Recently restored in gleaming chrome patina portra...

1930s Gorgeous Art Deco Woman Sculpture in Ceramic, Made in France.

Patinated Plaster Bust of woman by Herbert McRae Miller Signed: H. Mcrae Miller/32 Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under J...

Patinated plaster Bust of Woman "Carmencita" by Herbert McRae Miller Signed H. McRae Miller and bearing a paper from Art association of Montreal 60th anniversary exhibition 1933 . H...

This beautiful nutcracker in the German Black Forest style is decorated with a hand carved sculpture of a man's head with a hat. His mouth opens and closes to crack the nut. Dimensi...

Art Deco sculpture depicting a stalking panther, France, circa 1930 Green patinated régule panther on a rectangular, profiled pedestal of white veine...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Large Art Deco sculpture of hunter and panther (or lion) by the famous sculptor Demetre H. Chiparus. The Art metal sculpture has a beautiful green verdigris patina and stands on an angled green/white/black multi-color marble base. Excellent condition and inscribed on the base “D.H.Chiparus”! Original bronze spear and patina. Very large in size and would look incredible in your entryway, living room, mantle or buffet, or just about anywhere you have 36 inches wide. Chiparus of course the master sculptor, arguably the most important artist for statues of the Art Deco period. He always had a way of rendering both men and women in a most natural and desirable way. A very important piece, pictured in many books on Art Deco...

This beautiful nutcracker in the German Black Forest style is decorated with a hand carved sculpture of a gnome. His mouth opens and closes to crack the nut. Dimensions: height 22 c...

A fabulous pair of vintage hand forged black iron rooster sculptures having terrific details and crowing poses.

Art Deco sculpture author G. Arisse Origin France Circa 1930 Materials: white metal (patinated) Very good conditions Natural wear.

Wayland Gregory, Porcelain zebra sculpture, glazed, signed, 1930s, USA. New Jersey, circa 1935, high glazed ceramic, incised signature, Measures: 4 5/8" W x 1 1/2" D x 5 1/2" H Exhibitions: Waylande Gregory: Art Deco Ceramics...

Large ceramic figurine. Designed by Johannes Hansen (1903-1995) and manufactured by Knabstrup ceramic factory in Denmark. Boy playing harmonica. The figurine are made of dark cham...

This impressive Art Deco sculpture was produced in France in the 1930s by Uriano. Signature on the marble base.

Most unusual French Art Deco hand forged iron sculpture depicting 3- dimensional silhouette of body builder, weight lifter / boxer, stage with drapery. Sh...

1930s Cubist sculpture of a climbing and growling panther on the prowl. Art Deco design with the artistic facet-like details are imaginative and convey a ...

A remarkable depiction of a strong, muscled nude male figure bent over in a monumental effort to move a large stone, this sculpture was made by the Hungarian-American sculptor Henry Schoenbauer. By the 1920s, many sculptors had created some version of "Man Against Nature," typically a an exaggeratedly strong male figure, often nude, working to lift a rock, pull a rope, or labor against impossible odds. Schoenbauer's "Stone Lifter...

"Jeune femme aux colombes" "young woman with doves" By Armand Godard. Beautiful sculpture with beautiful patina Art Deco period representing a woman sitting feeding birds on oval terrace in black marble. Very fine work. Signed. France,  circa 1930 Armand Godard made many chryselephantine statuettes in bronze and ivory in the Art Deco style, especially for the foundry Edmond Etling. In the 1920s and 1930s, he exhibited in Paris in the salons of the Society of French Artists. During the 1937 Universal Exhibition in Paris, he showed a monumental statue 4.5 meters high and a patinated plaster sculpture.

This fabulous French Art Deco patinated terracotta sculpture of a nude male athlete is signed Henri Bargas. This well executed scul...