Living Room Sets

Dimensions - (Settee) H: 44 3/4in W: 58 1/2in D: 30in SH: 17 3/4in Arm Chairs - H: 42 1/2in W: 24in D: 24in SH: 17in This 19th Century French Louis XVI Style Gilt Wood Aubusson Parl...

This magnificent and finely carved suite comprising of one sofa, two armchairs, two single chairs, Two window benches and four benches with original gildi...

A magnificent 19th century French Louis XVI five piece carved walnut parlor suite richly upholstered in exceptional and rare handwoven Aubusson tapestries. The set includes four armc...

Salotto, 2 poltrone e divano 3 posti, Modello OKAY, Adriano Piazzesi, 1970 Divano e poltrone disegnato da Adriano Piazzesi per la ditta 3D. Struttura in acciaio cromato Stile Vintag...

Organic modern living room set consisting of a settee and an armchair featuring chinoiserie style blue and white ginger jar motif fabric. Crafted from rattan frames covered with woven wicker. The set has generous seating areas topped...

Set of rare Paul Frankl inspired child-size "1949er" two-strand rattan living-room set including a pair of lounge chairs with a matching sofa. Both the chairs and the sofas feature t...

A vintage Mid-Century Modern pair of Italian lounge chairs and a kidney shaped ottoman, stool made of hand crafted polished Walnut, designed by P...

This iconic sofa was designed by Willy Rizzo in 1969 and is published in many of the interior design journals of the period. This design was illustrated in Casa Vogue's feature on Rizzo's own home in St Tropez,France in their October 1974 issue. The sofa is finished in brown suede. We have a further selection of these Willy Rizzo sofas...

'Aqueduct' Sofa by Poiat Setup 1 (Corner 1620 L + Open End 1620 L) Dimensions : H. 77 cm x W. 264 cm x D. 162 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhun...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair is designed in the like...

The Flexform Happy Armchair & Footstool by Antonio Citterio epitomizes contemporary elegance with a minimalist edge. Crafted with a sleek, tubular metal frame, the chair features lux...

Hug grey sofa by Rejo Studio Dimensions: D 315 x W 95 x H 76 cm Materials: Wooden structure, with Velvet Also available in different colours. Long comfortable hug. The hug sofa...

- Czechoslovakia, around 1970s - beautiful space age design - dimensiosn of chairs : height: 80cm, depth: 67, width: 63cm - the set is predestined to be newly upholstered in new tex...

Moss 1800 sofa by Artu Pavel Vetrov Dimensions: W 180 x D 82 x H 76 cm Materials: Wood, Upholstery Other colors and materials available. Soft, flowin...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning fully restored Mid Century Modern circa 1960’s De Sede DS44 armchair with matching ottoman whi...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Salotto in bamboo e rattan composto da un divano curvo due poltrone ed un tavolino con piano in vetro. Design Italiano, anni 50. CONDIZIONI: In buone condizioni, presentano segni d'...

This elegant, minimalistic sofa set features a classic patinated elmwood frame that beautifully complements the soft, ecru upholstery, creating a timeless, sophisticated aesthetic. ...

Living room set, France, circa 1870. Very good condition, after renovation and replacement of upholstery. Wood: oak dimensions : sofa height 100 cm seat height 39 cm width 171 cm...

Art Deco Set of Sofa and Armchairs in Solid Wood and Tapisserie 1930 This is an incredible museum worthy set of art deco armchairs and sofa in solid wood and tapisserie, made in the...

A palatial scale Louis XVI style salon set comprising four arm chairs and a matching sofa. The deeply carved frames are finished in gold leaf and upholstered in antique turquoise Ita...

Afra & Tobia Scarpa “Soriana” easy lounge chair for Cassina, Black Leather, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia an...

6 pieces, from "The Far Horizons Collection" by John Wisner. Measurements listed further down. All purchased together and identical wood and finish...

Vintage design sofa Sofa model no. 35 designed by Arne Wahl Iversen, manufactured by Komfort, Denmark, 1960. This comfortable sofa with impressiv...

An exceptional pair of 2-seater sofas (designed in 1966) by Afra & Tobia Scarpa, manufactured by C&B Italia, the predecessor of B&B Italia. The high-quality cognac-colored leather bo...

Exceptional high quality set that consists of a large sofa, four arm chairs And one side chair. The carving on this set is extraordinary, with a beautiful Wreath positioned at the c...

Discover the ultimate in seating comfort with our Ivory Bouclé Modular Lounge Chairs "Velasquez", straight from the 1970s. This set of two lounge chairs, produced by Mimo Padova in Italy, offers a unique combination of vintage charm and contemporary comfort. The chairs have been carefully reupholstered in a stylish ivory-colored bouclé fabric, which provides a soft and luxurious seating experience. The polished chrome outer frame adds an elegant, modern touch to the whole. Whether you place them separately or together as a compact sofa, these modular chairs are an enrichment for any interior. Advantages: Unique modular design from the 70s Reupholstered with high-quality ivory-colored bouclé fabric Flexible in arrangement: as separate chairs or together as a sofa Elegant chrome-plated outer frame for a modern look Good to know These lounge chairs have been reupholstered by hand and may show slight variations, making each pair unique. The chrome frame is polished for a mirror shine that will stand the test of time. Resume Vintage design meets modern comfort in these Ivory Bouclé lounge...

7 Piece American Victorian upholstered living room set including 1 settee, 2 armchairs and 4 side chairs with elaborately carved mahogany wood frames, with mythological motif pedimen...

Rare! Magnificent Art Deco living room set in the Leleu style made by the famous Henryot & Cie house composed of two "Normandie" model bergères and a 2-seater "Normandie" sofa. Cover...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

Set of 3 Austrian Bentwood (Secessionist) beech wood salon set with slat design & upholstered seat & back. (J&J KOHN paper label under seat) (2 arms; loveseat)

Mid-Century Modern Rattan Seating Set, Italy,1970s

Brazilian company Celina Decorações manufactured this sofa in the 1960s. The piece is composed of a solid Rosewood structure, with cushions upholstered with leather. This three-sea...

Lovely French Art Deco salon set from Paris. The frames are constructed in walnut with carved fluted details, with original fabric. Dimensions: Chairs: W: 28″ H: 25″ Seat height: 13″...

The cube sofa was designed by Jorge Zalszupin (1922-2020) in the 1970s. The elegance, a feature of Zalszupin designs, on this piece does not come from sculpted wood details or the...

Simple, fluid, and comfortable—that's the essence of our incredible collection. Our modular seats, equipped with backrests and legs made from Flexyskin, provide a versatile seating s...

Timelessly iconic Le Corbusier LC2 set of 3-seater sofa and armchair in chrome tube steel and black leather. Made in Italy by Alivar, a highly collectible licensed / authorized produ...

Absolutely gorgeous bentwood seating set by Thonet Austria, designed by none other than famous Austrian architect Josef Hoffmann, wellknown from the world renowed Wiener Werkstaette....

Vintage Comfort Designs Inc. Pencil Reed Love Seat & Lounge Chair Set Adrian Pearsall designed for Comfort Designs Inc. but could not determine if these were his. Loveseat 52” wide x 32" deep x 26" high Lounge Chair 28” wide...

Danish Lounge Chair and 3 Seater Sofa by Ole Wanscher for PJ Møbler, 1960s. Scandinavian Mid-Century Modern living room set designed by professor Ole Wanscher for Poul Jeppesens Mø...

Incredible suite of Mel Smilow ( Smilow - Thielle ) furniture to include 2 daybed, lovseat sofas, 1 armless lounge chair, and the coffee, side table which can double as an ottoman if...

In his designs, Percival Lafer sought ergonomy and comfort. The MP-61 sofa and armchair, from 1973, was the first two pieces designed by Percival Lafer that used a visible fiberglass...

Long bench in burnt wood designed and handmade by the cabinetmaker Vincent Vincent in his workshop in Lyon. This bench can complete the collection already present on our gallery (tab...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning Art Deco green leather and Walnut three piece suite Please note the delivery fee listed is j...

Ann-Margret is a 60s captivating actress, singer and dancer who started her career with a fresh and independent spirit, always recognized by her flaring beauty and sexiness. The Marg...

Located in Arches National Park in Utah, USA, Double Arch is a grand natural formation which results from an underground sandstone pocket where water and wind erosion gradually sculp...

Very nice lounge group designed by Sigurd Resell in Norway during the 1970s. Four loung chairs in leather and wood with a glass table. Flat box packing available.

The Flexform Happy Armchair & Footstool by Antonio Citterio epitomizes contemporary elegance with a minimalist edge. Crafted with a sleek, tubular metal frame, the chair features lux...

Living room consisting of pair of armchairs and sofa bed, in gray-brown fabric, 1970s, Italian design. CONDITION: In very good condition, may show slight signs of wear given by time...

Set of Art and Crafts Wickering Two Seat Sofa and Armchair With Coffee Table By Dryad and Co UK.1920s

Rare “Brasilia” seating ensemble published by SCHMIEDER in Sweden during the 1960s, comprising a sofa and a pair of armchairs. Characterized by their sculptural pyramidal shape and m...

The Stellar bespoke, luxury dining chair is designed by Egg Designs and manufactured in South Africa. This lounge chair is part of the Stellar coll...

DS-450 sofa by De Sede Design: Thomas Althaus Dimensions: D 54 x W 233 x H 97 cm Materials: steel, leather Prices may change according to the chosen materials and size. A m...

Soriana two-seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. It features its original brown leather upholstery. Winner of t...

On offer on this occasion is one of the most stunning, living room suite you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece whic...

Introducing the Florida sofa and armchair, crafted by the designer Johannes Andersen and manufactured by AB Trensums Fåtöljfabrik. Despite their vintage status, they remain in good c...

Iconic Italian set attributable produced in Italy during 1960s. This midcentury set is made of a double seat sofa, two armchairs and a coffee table in rattan and bamboo...

This gorgeous living room set consist of two very rare lounge chairs and matching coffee table. The set was produced in late 1980s by Stol Kamnik. Its modern look is still fashionabl...

Hug Brown Sofa by Rejo Studio Dimensions: D 315 x W 95 x H 76 cm Materials: Wooden structure, with Velvet Also Available in different colours. Long co...

This is a very rare opportunity to buy the couch and chair for a fraction of the price because the set is missing the original cushions. The frames are complete with original strappi...

A highly stylish Art Deco inspired rattan sofa and club arm lounge chair. The set will make a statement on any porch or patio. Measures: Sofa: AH 23.38, SH 11 3/8 w/o cushion Chair: 31.5 H x 27 D x 23.5 W / ah 23.75 / sh 16.5 / sh 11.5 w/out cushion Rattan, wicker, bamboo, stick wicker sofa and...

A "Modus" living room suite consisting of, three lounge chairs with rosewood frame and original black leather upholstery (removable seat cushion has single button tuft and sling back...

French modular sofa from the 70s, set of 9 seats, Entirely reupholsteured in a caramel velvet jab Many shapes are possible You can set it up in ...

This extraordinary and finely carved five piece suite comprising of one sofa, two armchairs and two single chairs with original gilding. It's part of an eleven piece s salon set pub...

Mid-Century Modern French three-seat sofa with original velvet fabric designed by Gérard Guermonprez. The sofa presents some wear consistent with age and use. It can become a set ...

Bonzanini Rudy design for Tecnosalotto Mantova Italy in years 70 Set of 4 armchairs with structure in metal chrome and cushions covering texti...

Fantastic quality antique 19th Century Victorian carved walnut 3 piece suite having a fantastic quality carved solid walnut chaise longue with the original pair of carved walnut ladi...

Original condition.

Original condition.

Gaetano Pesce created La Michetta as a fun conversation between his ideas, skilled artisans' work, and the people who use it. La Michetta is inspired by a simple bread from Milan cal...

De Sede ‘DS-11’ Modular Patchwork sofa in beige leather. Still 100% original. This high-quality sectional sofa designed by De Sede in the 1970s contains one regular elements & ...

Plato Pouf No 3 by Yasemin Toygar. Dimensions: W 92 x D 40 x H 46 cm Materials: Satin Brass, marble and onyx, orange velvet fabric. Plato Collect...

A set of four chairs, designed in the 1960s by Antonin Suman. The chairs are made of beech wood, the backrests are bent plywood with oak veneer. The chairs have been restored - have ...