Living Room Sets

The Curva Lounge Set was designed in the 1960s for Tenreiro Moveis e Decoraçaos. Its width and inviting form provide great comfort. From every angle the seat offers a graceful profil...

Very nice lounge group designed by Sigurd Resell in Norway during the 1970s. Four loung chairs in leather and wood with a glass table. Flat box packing available.

This extraordinary and finely carved and gilt -wood 6 piece suite comprising of one sofa, four armchairs and two single chairs with original gilding. Upholstery is in very good condi...

This beautifully restored, stylish Paul Frankl-inspired six-strand Square Pretzel rattan living room set features an intricate six-strand pretzel arm sofa and lounge chair set with s...

Located in Arches National Park in Utah, USA, Double Arch is a grand natural formation which results from an underground sandstone pocket where water and wind erosion gradually sculp...

Stunning bentwood seating set designed by the famous austrian architect and founding member of the world famous "Wiener Werkstaette", Josef Hoffmann. This fantastic salon suite processed by J&J Kohn in the very early 20th century, circa 1903 in Vienna, consists of two timeless designed armchairs and a bench. The ornate bent beechwood set was trimmed to the legendary nut wood look and newly upholstered with finest original Art Nouveau fabric from the renown Backhausen manufacture. These amazing chairs as well as the bench bear the peerless hallmarks of Josef Hoffmann. A rare Art Nouveau seating set...

Excellent quality Mid-Century Modern bamboo and rattan lounge set of Italian design. The oversized lounge chairs and matching two-seat sofa feature the traditional four strand bentwo...

Vintage adjustable sofa made of wood, metal and leatherette. It was a part of high class furniture called 'Belmondo', made in Czechoslovakia by Novy Domov in Spiska Nova Ves (marked)...

Mid-Century Modern Sofa in Hardwood and Leather by Lineart Móveis, Brazil 1960s. This large four-seat sofa by the Brazilian manufacturer Lineart Móveis...

Afra & Tobia Scarpa “Soriana” Lounge Set for Cassina, Italy, Burgundy Velvet, 1969, Set of three. Although technically designed in the 1960s, the "Soriana" model by the Italian duo ...

Vonkli Sofa is a modern round sofa with a chaise longue.This statement curved design sofa will provide a classic-chic vibe to any living room project...

Set of 5 Bentwood Austrian Secessionist stained beechwood living room / salon set with rounded corners & vertical slat design and upholstered seat & back (2 arm: 23"w x 22¼"d x 30½...

Created by Michel Ducaroy in 1973 for Ligne Roset, the Togo is one of the most versatile icons of Mid-Century Modern and Organic Modern design. Extremely lightweight, it is designed ...

Beautiful buttonback sofa and 2 armchairs circa 1900. We have just undertaken a full re-upholstery project on this suite and covering it in warm grey moleskin to suite the modern an...

On offer on this occasion is one of the most stunning, living room suite you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece whic...

Salotto in bamboo e rattan composto da un divano curvo due poltrone ed un tavolino con piano in vetro. Design Italiano, anni 50. CONDIZIONI: In buone condizioni, presentano segni d'...

This extraordinary and finely carved and gilt -wood 6 piece suite comprising of one sofa, four armchairs and two single chairs with original gilding. Upholstery is in very good condi...

Danish 1970s low rosewood and leather sofa and armchairs by Komfort of Randers Komfort of Randers were a small quality Danish maker who used various designers such H.W Klein as Arne ...

living room sofa and armchairs piano Norman design luciano frigerio from Desio '68 "Piano" wood structure, suede leather upholstery The sofa measures 230 cm in length, 103 cm i...

DANISH MID-CENTURY SCULPTED TEAK SOFA AND ARM CHAIR EN SUITE Circa 1960s, in original upholstery Item # 304YFP27P A very nice Danish Mid-Century Modern sculpted teak matched sofa a...

Inspired by the candid and sophisticated Audrey Hepburn, Ottiu created the Audrey Mid-Century Modern stool. She was recognized as a film and fashion icon during Hollywood’s golden ag...

- wooden parts made of beechwood has been refurbished and finished by shellac - original springs - needs to be reupholstered - made in Czechoslovakia - labeled by producer

Beautiful pair of "Chiavarine" high-backed chairs, expertly made in the 1950s in Chiavari by S.A.C. in the style of Gio Ponti. Made with French-polished beech wood in mahogany color ...

Space Age vintage authentic modular sofa Le Bambole by Mario Bellini in purple and lavender striped colors from textile fabric 1970s, Italy. A great design icon modular sofa elements Le Bambole by Mario Bellini designed 1972 for B & B Italia consists of two ( 2 ) corner elements and one ( 1 ) seater. Two modular elements show labels, all elements show underneath original jute fabric stamped with company´s name. Beautiful original striped textile fabric in purple and lavender colors. These modular sofa elements gives a lot of options for installing a space and could perfectly create a thrilling contrast with contemporary environments. The condition is fair, it shows signs of age and use like stains, abrasions, fading, damages at the fabric and worn corners. Perfect for design connoisseurs, who love and appreciate preloved authentic design icons. Images are part of the description approx. measures: 2 corner elements: width 90 cm, depth 87 cm, height 71 cm, seat height 44 cm 1 one seater: width 79 cm, depth 87 cm, height 71 cm, seat height 44 cm Mario Bellini ( 1935 ) Italian architect and designer Mario Bellini designed many important furniture designs throughout its organic and complex shapes as Le Bambole Sofa, Amante or CAB Chair. This sofa design Le Bambole features cuddly and organic spirit and helps B & B Italia to earn many awards. Also the provocative advertising campaign with the female model Donna Jordan...

An elegant and grand salon suite set comprising a sofa, loveseat or settee and two side chairs, each finely detailed with a crest rail centering a ribbon-tied berried branch and wrea...

This vintage living room set is a typical example of European furniture design of the 1970/1980´s. It was made by the famous UP Závody company in the 1980´s. The furniture is very c...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.

This five-piece modular set is incredibly versatile and can be confi...

Splendid "sofo" living room, original Poltronova production from the 1960s, designed by the Superstudio team, adolfo natalini, cristiano toraldo from france, roberto magris, alessand...

This 19th-century French Duchesse Brisée exudes timeless elegance and refined craftsmanship, making it a standout piece of Louis XVI-inspired furniture. The set includes two armchair...

A "Modus" living room suite consisting of, three lounge chairs with rosewood frame and original black leather upholstery (removable seat cushion has single button tuft and sling back...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.

This three-piece modular set is incredibly versatile and can be conf...

Antique pair of Dante chairs and sofa in solid ebonized walnut hand carved and shaped , from 19th century. Florentine Renaissance. Period: 19th century Material: solid walnut hand-...

This Rare model” Värend” sofa was designed by Carl Malmsten in the 1940s. The sofa has been reupholstered. Stained elm, back with ribs, loose back cushions and upholstered seat, cove...

19th century Napoleon III ebonized salon suite, sourced from Paris and reupholstered in 'Limerence' velvet, circa 1860. Measures: Sofa H 107 x W 136 x D 55cm Seat height 45cm Chai...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Harvey Probber & Jack Lenor Larsen Happiness corner sectional sofa, lacquer red, 1968-1972. Gorgeous low slung modern sectional seating set of three. This is a truly extraordinary, museum-worthy set. Certain Larsen designs have captured the public’s imagination and are recognized as “signature” pieces. According to company records, the Happiness design was inspired by a Chinese robe and Ming Dynasty embroideries in the collection of the Henry Art Gallery of the University of Washington, where Larsen did his undergraduate work. It was introduced with four colorways – amethyst quartz, Ming gold...

Set of Sofa and 2 chairs. Item Reference LU4154138829682 LU4154138829492 This model” Samspel” sofa was designed by Carl Malmsten in 1956 and manufactured during that time at AB...

A wonderful and very early set of Pierre Jeanneret Rope Back Demountable Chairs and Sofa. These incredible pieces were designed in 1953 and originally made for the personal residence...

Cassete sofa was designed by Alter Ego for Collector Studio. DIMENSIONS W 235 cm 92,5” D 95 cm 37,4” H 77cm 30.3” PRODUCT FEATURES Structure in Smoked Oak wood. Upholstered in f...

Minimalist Brutalist Lounge Chair, Burn Oak Wood Muted Easy Chair by NONO Brutalist chairs boast a strong, yet passive presence with minimalist designs that highlight the rich text...

Brazilian company Celina Decorações manufactured this sofa in the 1960s. The piece is composed of a solid Rosewood structure, with cushions upholstered with leather. This three-sea...

Striking brutalist sofa set with ebonized wooden frames and thick camel brown leather cushions. A nice detail are the leather strips to attach the cushions to the frames. Notice t...

Mid to early 20th century bench / settee and arm chair. Made of oak featuring Mission and arts & crafts styling with squared design, spindles and tapered legs. Dimensions: chair 20...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

De Sede ‘DS-11’ Modular Patchwork sofa in beige leather. Still 100% original. This high-quality sectional sofa designed by De Sede in the 1970s contains one regular elements & ...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

Nice set of matching Nuvolone chairs & coffee tables in a new bouclé-style fabric. This modular sofa was designed by Rino Maturi for MiMo Padova Italy -...

One of a kind seating set completely re-upholstered and restored. Cushions filled with goose feather's. 17 meter's of green relief velour was use...

Attributed to Eugène Gaillard Eugène Gaillard, born January 31, 1862 in Paris, where he died January 27, 1931, is an architect and furniture designer. He was one of the most renowne...

Art deco living room consisting of a two-seater sofa with two matching armchairs. The structure is in mahogany-stained beech, marquetry on the fro...

Set of 5 French Art Nouveau walnut living room / salon set with floral carving on back & purple moire upholstery (settee, 2 armchairs, 2 side chairs)

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

Streamline Art Deco rattan living room set, which includes one lounge chair and a matching three-seat sofa. Each seat features rounded three-strand rattan arms with three decorative ...

Vintage Comfort Designs Inc. Pencil Reed Love Seat & Lounge Chair Set Adrian Pearsall designed for Comfort Designs Inc. but could not determine if these were his. Loveseat 52” wide x 32" deep x 26" high Lounge Chair 28” wide...

Iconic Italian set attributable produced in Italy during 1960s. This midcentury set is made of a double seat sofa, two armchairs and a coffee table in rattan and bamboo...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning fully restored Mid Century Modern circa 1960’s De Sede DS44 armchair with matching ottoman whi...

Modular two-seater sofa, "Baia system" model, designed by Antonio Citterio and Paolo Nava for B&B Italia, 1970s Structure in polyurethane and upholstery in padded and completely r...

MAISON JANSEN …From a villa decorated by Jansen around 1940 in the south of France… Suite of: - 1 settee; - H 108cm(42“) H assise 43cm(17") / L 140cm(55“) / D 53cm(21“) - 2 armch...

A fine set of four French 19th century Louis XV Rococo style giltwood carved Fauteuil à la Reine armchairs, the arched upholstered paneled backs with foliate scroll cresting and simi...

A fantastic bentwood set seating group designed by Marcel Kammerer and manufactured by Thonet, Austria, circa 1910. The set contains of two armchairs and ...

Set of two Safari chairs with table as part of the 'Farmer' series designed by Gerd Lange in 1965, and produced by German manufacturer Bofinger. Solid oak wood frame, natural linen t...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

French giltwood and tapestry five-piece salon suite Louis XVI style, circa 1890. Comprising a canape and four fauteuils upholstered in French Aubusson tapestry's depicting children a...

Kaare Klint freestanding two-seat sofas on six-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with black horsehair. Executed by Rud. Rasmussen, Copenhagen.

DS-76 Sofa / Bed by De Sede Dimensions: D 66 x W 188 x H 53 cm, with bed extension W 225 Materials: Belted spring suspension on seat frame made of solid beec...

Elegant French Louis XVI Parlor or Salon Set with a sofa and a pair of side chairs, meticulously crafted to add a touch of elegance to any living space. The set showcases the timeles...

Josef Hoffmann "Fledermaus" bat seating group. Suite. Thonet. Consisting of four chairs and matching table. The seating group is still in its original ...

Mario Bellini "Pianura" two armchairs, three-seater sofa and squared coffee table for Cassina, argilla fabric and wood, Italy, 1972, set of four. The “Pianura” living room set is a ...

A five piece suite of Art Deco Rattan furniture,C.1929, American, Heywood Wakefield Co. Gardner, Ma.This set of rattan is also known as stick...

This tufted sofa in the Chesterfield style includes over 250 buttons. The sofa features a luxurious deep, low seat and upholstered in rich yellow velvet. The frame is made from real...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofa with pair of lounge chairs and coffee table, model 'Blop', original ve...