Living Room Sets

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and an armchair. It features o...

As pioneer and master of the Modern, Otto Wagner seized the then rather new technique of bending wood for his furniture designs. Occasionally These furniture are attributed to Koloma...

These chairs are brought to Denmark from Africa - more specific Cameroon or South eastern nigeria. Both chairs have decorative carved embellishments - a lizard and a woman. the ch...

American Victorian filigree carved & laminated rosewood 5 piece salon set (STANTON HALL pattern, J & JW MEEKS) (Available individually: settee 044029A: 66...

Italian Baroque sofa and armchairs, 1970s A richly carved wood sofa set consisting of a sofa and two armchairs in Baroque style. Italian, 1970s T...

A wonderful Vienna Secessionist parlor suite by Josef Hoffman, manufactured before 1920 by J & J Kohn, Vienna, Austria. The suite comprised of a settee and pair of armchairs or club ...

A very fine and palatial French 19th century Louis XV style giltwood carved five-piece salon suite, comprising of a canapé (Settee) and four fauteuils à la reine (Armchairs), all of ...

Set of 9 Russian Neoclassic mahogany and carved parcel gilt trimmed living room / salon set (19th Cent) (loveseat, 6 arm chairs, 2 side chairs)

Early 20th Century Venetian Rococò armchairs and sofa by Atelier Cadorin Venice in hand-carved walnut and leather upholstered, wax polished Al...

Twelve feet long! Custom made Dunbar sofa designed by Edward Wormley. This was reupholstered 10 years ago and has seen very little use since. We have refinished the base since these ...

Paysage I Landscape XL sofa - Hans Hopfer - Roche Bobois Very stylish & rare ‘Paysage’ or ‘Landscape’ modular sofa. The new reupholstery was carried out with careful consideration for the original stitching and overall character of this beauty. Designed by Hans Hopfer for Roche Bobois France 1978; This sofa features lines that evoke the beauty of flower petals, representing both elegance and sophistication while encouraging relaxation. Its name translates to "Landscape" in French, reflecting its organic contours and design. Created by Hans Hopfer, renowned for his signature Mah Jong and Dromadaire sofas...

A beautiful sofa and two lounge chairs designed by Florence Knoll, purchased from Knoll Associates in the 1960s. Reupholstered in Knoll fabric in 2005. The textured fabric is a heat...

“Down” sofa set by Carlo Bartoli for Rossi di Albizzate, 1970s Italy. Part of the Down series this set consists of one 3-seater, one 2-seater and a coffee table. Satin black lacquere...

Marzio Cecchi was an Italian designer of great talent and innovation who left an indelible mark on the world of design. He was an assiduous participant in the artistic and cultural movements of his time, and unfortunately died prematurely in a tragic car accident in New York. Prominent among his most iconic and futuristic achievements is the Serpente sofa prototype with certificate, a work of art consisting of several modules held together by a tube and totally swiveling. This sofa is extremely rare and has reached high quotations in the world's most important auction houses. We are dealing with a piece of exceptional importance, as it is a prototype that never entered the market and always belonged to the designer's family. The sofa is certified and documented and has a certain provenance. Moreover, it is in perfect original condition, never restored and carefully preserved in its original condition. A unique and extraordinary piece of historic Italian design of the 1900s, with great historical importance and with room for growth even at the investment level. The sofa is made of leather and consists of 6 modules for a total of 6 seats. It is a work of art of Italian...

On offer on this occasion is one of the most stunning, museum quality, rattan wicker suite you could hope to find. In original and unfinished condition. O...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

This extraordinary and finely carved and gilt -wood 6 piece suite comprising of one sofa, four armchairs and two single chairs with original gilding. Upholstery is in very good condi...

Danish 1970s low rosewood and leather sofa and armchairs by Komfort of Randers Komfort of Randers were a small quality Danish maker who used various designers such H.W Klein as Arne ...

Vintage natural wood set of three chairs and one bench. All parts were sanded and treated with a special oil. The hight of all items is 83 cm and depth is 45 cm. The width of the be...

circa mid 20thC MidC French Bamboo Rattan Swinging Egg Chairs Price for x1 chair x1 chair available sku 1318B W76 x D50 x H110 cm

Stripped away from all excess, this hanging chair has a circular frame with the seat made of leather hanging loose within it, to create a sleek, sexy, and oh so comfortable experienc...

Kara Sofa is an art deco-style sofa. Its art deco inspirations are reflected in its shapes, revealing an eclectic, luxurious style. This modern design sofa promises to be the absolut...

Extremely rare & stunning! This fully original ''Minerva seating group'' by Peter Hvidt & Orla Mølgaard-Nielsen for France & Daverkosen 1950. The design & luxurious feeling of this set are just superb. The combination of teak, rattan, wool & chrome are breathtaking. It looks stunning from any angle with the minimalist teak & chrome backrests so you can place it in the center of your room. The set has its original finish & original padded wool upholstery in grey/green. which remains in amazing condition! The FD516 coffee table...

Confidential Living Room Set of 3 Cordovan Leather, Alberto Rosselli, Saporiti, Italy. Includes one Confidential 2-seat sofa, Cordovan Leather and two Confidential Chairs...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

A fine pair of Italian 19th century Rococo style giltwood carved armchairs; the arched upholstered paneled backs with foliate scroll cresting and similar borders, having padded arm s...

This beautifully restored, stylish Paul Frankl-inspired six-strand Square Pretzel rattan living room set features an intricate six-strand pretzel arm sofa and lounge chair set with s...

This majestic giltwood Chateau salon suite is from France and dates to circa 1880. There are four side chairs, two armchairs (fauteuils), and a canapé. All have square baluster legs and volute x-stretchers. All the wood has been richly sculpted and gilded, and motifs include scrolls, foliage, rinceaux, palmettes, beading, acanthus leaves and more. The armrests of the fauteuils and canapé are supported by large lion muzzles. The side chairs and canapé are all supported by cross stretchers, while the bright yellow upholstery is more recent, attached by large brass nailheads. The motifs are musical trophies encircled by foliate and floral motifs. French furniture of this style would have been first produced during the reign of Louis XIV, toward the end of the 1600s. A magnificent 19th century suite...

A French 19th-20th century Louis XVI style giltwood carved three-piece salon suite frames. The ornately carved set comprising of a settee and a pair of fauteuils a la Reine (armchair...

The Curva Lounge Set was designed in the 1960s for Tenreiro Moveis e Decoraçaos. Its width and inviting form provide great comfort. From every angle the seat offers a graceful profil...

This magnificent and finely carved suite comprising of one sofa, two armchairs, two single chairs, Two window benches and four benches with original gildi...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Modern Curved Serpentine sofa in Viva magenta velvet with gold & wood details Giulia Sofa Magenta is a modern mid-century style sofa. ...

Vintage French Bamboo Lounge set, Paul Frankl style, 1960 Vintage French Bamboo Lounge set, Paul Frankl style, 1960 Vintage Franse Bamboe Loungeset, Paul Frankl-stijl, 1960 Vintage ...

Exceptional and rare living room set composed by a table with four chairs, and sofà, a Book cabinet and Pedestal by Ludwig Alter, Darmstadt, Germany, 1908 circa. Part of a living room ordered and executed in 1908 by Ludwig Alter for a noble family from Hesse-Darmstadt, Germany. Original unrestored condition and step by step restoration detailed photo documentation available. Macassar, solid and veneered. Amboyna, Macassar, abalone and white mother of pearl inlay, surface professionally repolished, solid Macassar support pillars mounted on Macassar veneered table base, twin Macassar spheres as legs, central pillar executed to the artistic level, highest quality cabinet making from Ludwig Alter, supplier to the Court of Ernst Ludwig IV the Grand Duke Hessen-Darmstadt and the famous Art Colony, Mathilenhöhe.” Furniture is in excellent condition. Ludwig Alter, between others was also commissioned by: Count Erbach-Schönberg in Schönberg, Count Solms-Laubach in Laubach, Count Isenburg zu Meerholz in Meerholz, Castle Gettenbach, Baron von Riedesel in Stockhausen, Baron von Riedesel zu Eisenbach in Eisenbach. In the beginning of the 20th century, Darmstadt was an important centre for the art movement of Jugendstil, the German variant of Art Nouveaux. Annual architectural competitions led to the building of many architectural treasures of this period. Provenance: private ownership, Darmstadt, Germany. Sizes: Table 70 x 70 and 77 cm high 2 Armchairs 57 x 49 cm and 102 cm high. Seat height 47 cm. 2 chairs 44 x 44 cm and 94 cm high. Seat height 47 cm. Book Cabinet/ Bookcase/Vitrine : 106 wide, 46 deep and 200 cm high. Sofa : 155 wide, 70 deep and 47 cm seat hight. Pedestal : 43 x 27 and 130 high. The Grand Duke Ernst Ludwig founded the “Mathildenhöhe Artist’s Colony” in 1900 and called the most important people of the time to Darmstadt and result was the collaboration between artist and artisan, between creative will and the technical ability of the workshops, an extremely fruitful work. The exhibitions of the artists' colony in 1901, 1904 - which were followed by more exhibitions in 1908 and 1914 - made a decisive breakthrough into something completely new and paved the way for a new furnishing art and for the first time directed the attention of the whole world to the growth of the young German art. The joyful willingness to make sacrifices of the companies and workshops that took part in this ideal task, the breakthrough in German Interior art towards independence, is reflected in the story and will always be remembered. And the chronicler will not forget the high share of the Ludwig Alter family in this service. Together with the artists: Patriz Huber...

A set of four French 19th century Louis XVI style giltwood carved and Aubusson (worn) tapestry upholstered fauteuils a la reine armchairs. The banded oval back surmounted by a carved...

Vintage adjustable sofa made of wood, metal and leatherette. It was a part of high class furniture called 'Belmondo', made in Czechoslovakia by Novy Domov in Spiska Nova Ves (marked)...

An elegant and grand salon suite set comprising a sofa, loveseat or settee and two side chairs, each finely detailed with a crest rail centering a ribbon-tied berried branch and wrea...

Stunning sculptural ABCD set, designed by Pierre Paulin for Artifort in 1968. This amazing set consist of one 2-seat sofa and one 1-seat sofa's. The sofa's are composed of three se...

A fine and large French 19th century Louis XV style carved walnut three-piece salon suite. The high back intricately carved frames with floral and wreath design, comprising of a thre...

A fine French 19th century Louis XV style giltwood carved three piece salon suite, comprising of a canapé (Settee) and two fauteuils à la reine...

Located in Arches National Park in Utah, USA, Double Arch is a grand natural formation which results from an underground sandstone pocket where water and wind erosion gradually sculp...

I offer a set of four folding chairs model B751 designed at the beginning of the 20th century by Thonet, manufactured in the early 1960s at the Thonet factory in Radomsko (central Po...

Beautiful pair of "Chiavarine" high-backed chairs, expertly made in the 1950s in Chiavari by S.A.C. in the style of Gio Ponti. Made with French-polished beech wood in mahogany color ...

Mid-Century Modern "Cubo" Armchair by Jorge Zalszupin, Brazil, 1960s Created by renowned Brazilian designer Jorge Zalszupin circa 1960, th...

Beautiful buttonback sofa and 2 armchairs circa 1900. We have just undertaken a full re-upholstery project on this suite and covering it in warm grey moleskin to suite the modern an...

MAISON JANSEN …From a villa decorated by Jansen around 1940 in the south of France… Suite of: - 1 settee; - H 108cm(42“) H assise 43cm(17") / L 140cm(55“) / D 53cm(21“) - 2 armch...

Salotto in bamboo e rattan composto da un divano curvo due poltrone ed un tavolino con piano in vetro. Design Italiano, anni 50. CONDIZIONI: In buone condizioni, presentano segni d'...

Mid-20th century Italian living room. Sofa and two shell-shaped armchairs attributable to Gio Ponti, Casa e Giardino production, with fabulous lines and pleasant furnishings. Finishe...

living room sofa and armchairs piano Norman design luciano frigerio from Desio '68 "Piano" wood structure, suede leather upholstery The sofa measures 230 cm in length, 103 cm i...

Elegant Swedish lounge set from the 1940s, attributed to Carl Malmsten. Featuring the original wool upholstery and traditional spring seat construction, now reinforced with new webbi...

Paul Frankl style Rattan living-room set including a matching sectional sofa and lounge chair. Both feature the famous six strand square pretzel side arms and stacked rattan base ori...

DANISH MID-CENTURY SCULPTED TEAK SOFA AND ARM CHAIR EN SUITE Circa 1960s, in original upholstery Item # 304YFP27P A very nice Danish Mid-Century Modern sculpted teak matched sofa a...

This 19th-century French Duchesse Brisée exudes timeless elegance and refined craftsmanship, making it a standout piece of Louis XVI-inspired furniture. The set includes two armchair...

Produced in the 1960s by the Brazilian company Móveis Cimo, this sofa structure is entirely made of solid imbuia, including the wooden partitions on both the armrests and backrest, s...

Modern pink velvet sofa cactus shape with gold swivel base polished brass Ajui Sofa Pink is a contemporary design sofa that features an artsy inte...

- wooden parts made of beechwood has been refurbished and finished by shellac - original springs - needs to be reupholstered - made in Czechoslovakia - labeled by producer

Splendid "sofo" living room, original Poltronova production from the 1960s, designed by the Superstudio team, adolfo natalini, cristiano toraldo from france, roberto magris, alessand...

An Impressive French 19th-20th century Louis XVI style five-piece giltwood carved salon or parlor suite, comprising of a canapé (settee) and four fauteuils à la reine (Armchairs) uph...

Set of 5 Moorish (19th Cent) walnut spindle and ball carved living room / salon set with pearl inlay & kilm seat (settee 56"w 21¬O"d 52¬º"h, 2 arm chairs 22"w 19¬O"d 44¬O"h, 4 side c...

Very stylish & rare ‘Paysage’ modular sofa. The new fabric type and color closely resemble those of the original cluddy velvet upholstery. Additionally, the original sketches and the purchase receipt is available. The reupholstery was carried out with careful consideration for the original stitching and overall cluddy character of this beauty. Designed by Hans Hopfer for Roche Bobois France 1978; This sofa features lines that evoke the beauty of flower petals, representing both elegance and sophistication while encouraging relaxation. Its name translates to "Landscape" in French, reflecting its organic contours and design. Created by Hans Hopfer, renowned for his signature Mah Jong and Dromadaire sofas...

The Flexform Happy Armchair & Footstool by Antonio Citterio epitomizes contemporary elegance with a minimalist edge. Crafted with a sleek, tubular metal frame, the chair features lux...

Very nice lounge group designed by Sigurd Resell in Norway during the 1970s. Four loung chairs in leather and wood with a glass table. Flat box packing available.

Living room consisting of pair of armchairs and sofa bed, in gray-brown fabric, 1970s, Italian design. CONDITION: In very good condition, may show slight signs of wear given by time...

This magnificent and finely carved suite comprising of one sofa, two armchairs, two single chairs, Two window benches and four benches with original gildi...

Antique pair of Dante chairs and sofa in solid ebonized walnut hand carved and shaped , from 19th century. Florentine Renaissance. Period: 19th century Material: solid walnut hand-...

Very stylish & rare ‘Vagues’ or ‘Waves’ modular sofa. The new reupholstery was carried out with careful consideration for the original stitching and overall character of this beauty...

Excellent quality Mid-Century Modern bamboo and rattan lounge set of Italian design. The oversized lounge chairs and matching two-seat sofa feature the traditional four strand bentwo...

Mid-Century Modern Sofa in Hardwood and Leather by Lineart Móveis, Brazil 1960s. This large four-seat sofa by the Brazilian manufacturer Lineart Móveis...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

This Rare model” Värend” sofa was designed by Carl Malmsten in the 1940s. The sofa has been reupholstered. Stained elm, back with ribs, loose back cushions and upholstered seat, cove...

A fine French Louis XVI style 19th century giltwood carved three-piece salon suite, comprising of a three-corps settee and...

Cassete sofa was designed by Alter Ego for Collector Studio. DIMENSIONS W 235 cm 92,5” D 95 cm 37,4” H 77cm 30.3” PRODUCT FEATURES Structure in Smoked Oak wood. Upholstered in f...