Canvas Wall Decorations

Exceptional size antique 19th century oil on canvas painting of The Assumption in original carved gold-leaf frame.

"La Fée aux Griffons" (The Fairy with Griffins) by René Buthaud, after the original by Gustave Moreau. Artist Bio: Rene Buthaud was seen as the most accomplished and important Frenc...

ANCHOR PENELOPE - 'Peony' - Vintage floral needlepoint tapestry - 100% wool - vertical or horizontal placement - padded and mounted to a Mas...

An interesting still life, signed, illegibly, ca' 1930's-30's. Oil on canvas, nicely done in a gild wood frame.

Experience the dynamic energy of Leesa Sandys-Lumsdaine's 'Greyhounds Running'! This captivating oil on canvas, signed by the artist, embodies grace and motion in every stroke. Leesa...

This is a antique portrait artwork, antique portraits proposes a young woman elegantly dressed, Oil painting on canvas, of the 19th century. French ancient painting. XIXcentury.  ...

Antonio Fuertes 1986, oil on canvas painting of Moroccan fishermen.

Oil on canvas probably representing a theater actress in Antiquity. She seems to be wearing a staff and a mask of Hercules wearing a lion's head, a rich necklace with a Medusa head a...

Early 19th century Neoclassical carved and gilded wall brackets realized with a white ivory color majolica demi vase of the Italian manufacture Gi...

A fine half length portrait of a powder wigged 18th century French aristocratic gentleman simply dressed in a brown waistcoat over an embroidered buttoned vest in which he has placed...

Sven Havsten-Mikkelsen 1912-1999 "Summer Night" (Danish: Sommernat). Oil on canvas. Dimensions of the artwork without frame: 73 cm x 100 cm. Painted in many layers. Signed SHM, 1950s. Fantastic colors Sven Havsteen-Mikkelsen's painting "Summer Night" is one of his main works, inspired by Jørgen Sonne's painting "Midsummer's Eve. Sick People Asleep upon the Grave of St. Helena at Tisvilde" which is part of the permanent art exhibition at SMK - The National Gallery of Denmark. The painting is depicted on the cover of the book "Havsteen" (Linell Ipsen, Malene - 2012) and on page 79, with the painting by Jørgens Sonne...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Hector Ubertalli (American, b. 1928), "Images - Japan 2", 1974, acrylic on canvas, signed and dated lower right, titled with artist details on verso. The painting depicts a serene, ...

Richard Geiger Large Oil on Canvas Master Painting Scene of the Commedia dell’arte. The Commedia dell’arte is an early form of theater in Italy. Various performers in the troupe w...

This antique stunning portrait of Madonna in Sorrow came out from a Palazzo in Florence and an absolute eye catcher. The colors and details are incredible and very typical for an Ita...

A fine quality circa 1780 oil on canvas portrait painting of a gentleman in powdered wig, coat, waistcoat, and frilled shirt housed in a period giltwood frame having bead and lamb's tongue design. Red wax seal collection...

Early 19th century “Portrait of a Man in a White Shirt”, from the French school. Showing a young gentlemen classically dressed for the p...

Large original oil on canvas painting of Christ and the Samaritan woman at the well (based on Biblical passage from John 4). Just under 7' tall with frame. Has craquelure, retouches ...

An early 19th century French Louis XVI style trumeau mirror with a large painting depicting Diana, the goddess of the hunt. Oil on canvas with vivid color, heavy craquelure, with som...

Modern Oil Painting, Urban Landscape by Joseph RAUMANN, France 1960s. Picturesque scene of a French village, with its typical buildings and street corners. Oil on canvas with very ...

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: * E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...

Antique French painting Impressionist oil painting "Landscape with flowering heather" executed by Gaston Anglade in the late 1800s.The author was born on September 29,1854 in Bordea...

Giant Disney movie poster printed on linen canvas measuring 7 ft. square. Walt Disney production distributed by Buena Vista with stamp, circa 1960....

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...

A large decorative world map – named our earth, impressive wall chart decoration, published by Justus Perthes. Colorful print on paper reinforced with canvas. Measurements: Width 210 cm (82.68 inch) Height 126,50cm (49.80 inch) The measurements shown refer just to the canvas and do not include the poles. Background information on the history of school wall charts: The idea to upgrade every day school life by using pictures was supported in the late 18th century by Johann Bernhard Basedow. In 1774 he published a four-volume book "Elementarwerk" which combined pictures, text and information with merely hundred copperplates. Modern printing methods enabled the spread from rich private schools to rural grade schools. From 1820-1836 the oldest mentioned series of wall charts were published with the range of six booklets including 63 large sized charts...

Large modern abstract oil on canvas 'Sound Wave' by Carlo of Hollywood.

Our Stock # 24729 This is an antique river landscape painting. A Scottish, oil on canvas in gilt frame, dating to the late 20th century, circa 1900. Appealing oil painting from the...

Oil on canvas painting depicting East 78th St in the upper East Side of Manhattan in New York City. James B. Duke House is noted on the left. Gorgeous depiction of the sun's touch an...

Antique Oil on Canvas Landscape Painting of a Mountain Lake Seated in Giltwood Frame, C1890 Measures- 24.25''H x 31.5''W x 3''D; 24'' x 17.5'' sight

A wonderful still-life by French painter Rodolpe Fogé (1890-1976). He lived and worked in the Alsace region in north-eastern France and is mostly known for his local landscape painti...

This is a Little Seascape Painting representing Antibes on the French Riviera "Côte d'Azur" in winter. This oil painting on canvas has a Wood lacquered frame. This landscape artwork, early 20th Century, the signature is not legible, french painter.  we can insert this beautiful painting of the sea close to the Impressionist school. The oil on canvas painting dates back to the twentieth Century . The carved and lacquered lego frame and the painted canvas have been restored and cleaned. Impressionist painting French painting Early XX Century...

Good early 19th century Swedish folk painted wall panel depicting a flowering urn with perched bid, surrounded by several scroll-painted borders, all in pleasing blues, grays and ora...

We present you this oil on canvas, circa the early 19th century, with a portrait of a lady, in profile, holding a baby on her arm. The condition of this piece of art is good. Howeve...

Beautiful abstract large painting by Armenian American artist Barbara Yeterian , {1939-2019] , Title Hospital room unframed well excecuted piece nice colors .

"Boy with violin" painting. - Oil on canvas, signed lower right - Unframed.

A charming oil on canvas genre painting depicting the innocence of youth, the subjects of this scene are two young children on a cherry farm. A young girl with light brown hair in pi...

European Oil Painting of an Artist. Mid-20th Century. Impressionist piece in dark hues and blues. Unsigned and untitled. Oil on canvas. Europe, circa mid-20th century.

Painting by Guillaume Wintz (1833-1829), shepherd with his flock, oil on canvas 36.34 x 28.93 inches (92.5 x 73.5 cm), signed and dated 1883. The painting ships from Germany.

Interno di Chiesa, opera italiana dell'artista lombardo Achille Cattaneo, Dipinto ad olio su tela dei primi decenni del 1900, firmato in basso a sinistra, A.Cattaneo da Achille Catt...

Kathi Robinson Frank, Abstract Expressionism, Contemporary, Acrylic, Oil, Large Abstract Painting, USA, 21st c. Bridge" (2024) by Kathi Robinson Frank is an acrylic and oil abstract painting on canvas, featuring a dynamic palette of grays, blacks, whites, and subtle accents of purple, green, rose, ochre, and mauve. The black linear marks across the faceted planes of color evoke a roadmap, symbolizing the artist’s journey of overcoming obstacles. As Frank states, the bridge represents her metaphor for connecting opposing sides and conquering life's challenges. Kathi Robinson Frank, a New York City native, began her artistic journey at The Art Students League and Bard College. Influenced by Helen Frankenthaler, Robert Rauschenberg, and Larry Rivers, she has exhibited at renowned venues including the Provincetown Art Association, Byrdcliffe Kleinert/James Center, The Gallery at 200 Lex, and now Greenwich Living Design...

Abstract oil on board painting by Robert Chapman. In the artist's hand made frame. As the assistant to Willem de Kooning for the last decade of de Koon...

James F. Giampaoli (active late 20th century) is an American painter whose bold and playful acrylic compositions capture cabaret-style and social scenes—such as tapas‑bar gatherings—...

A wonderful pair of seascape paintings of fishing boats attributed to William Mcalpine (British 19th century) titled 'Beached Fishing Vessels' and 'Sh...

The Vintage Regency 19th Century Portrait of a Gentleman is an exquisite piece of art that captures the elegance and refinement of the Regency era. This finely detailed portrait feat...

Hungarian painter and artist Radák Eszter is a vibrant force in the contemporary art world, known for her mesmerizing use of colours and bold artistic expressions. With a career span...

Antique (19th century) oil painting on canvas depicting a seated woman glancing toward the view, penning a letter. Mounted in a period giltwood frame, 32 x 27 7/8 inches. Apparentl...

Impressionistic oil painting idyllic autumn landscape signed. 20th Century. Oil on canvas landscape in autumn. 20th Century wooden frame gilded. Si...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Large oil on canvas by Pearl Rebhun.

Robert Swain Painting, Abstract, Acrylic on Canvas, Pink, Blue, Green, Signed. Medium scale optical grid painting in a spectrum of colors by Manhattan artist, Robert Swain. Mr. Swain...

Oil on canvas 13 by 16 in. W/frame 20 by 23 ½ in. Provenance: Mme Emile Dupuis collection, Fontainebleau

Overscale 1970s Rosalie Atkins Abstract Oil Painting on Canvas "Red Sky" Offered for sale is a 1970s over-scale Rosalie Atkins oil painting on canvas titled "Red sky". This graph...

Signed, dated, 1959, oil-on-canvas painting by listed, well-exhibited, French, Lyrical Abstraction painter, Pierre Fichet (1927-2007). Select group exhibitions: Paris Biennale, Franc...

Military portrait Oil on canvas Colonel William Flint 1731-1795 Dimensions are of frame This 18th-century portrait captures Colonel William Flint, a distinguished gentleman and o...

One of a kind, original oil on canvas, with trompe l'œil effect of curling figures. Signed lower right; unframed. 50.25ʺW × 1.25ʺD × 40ʺH Piece has a whimsical Surrealist feel and ...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

Italianate landscape, Manner of Claude Lorrain Very good Quality oil on relined canvas in the Manner of Claude Lorrain, cargo ships on the banks of the river Po Italy. 📜 Provenance – Italianate Landscape after Claude Lorrain, England or Italy, circa late 18th–early 19th century This finely executed oil on canvas is an accomplished historic copy after Claude Lorrain’s celebrated Italianate river landscapes, specifically related to his Landscape with Merchants (c. 1630s), held at the National Gallery of Art, Washington, D.C. The composition also bears a close resemblance to the 1769 engraving by Boydell and James Mason, after a painting once in the distinguished collection of Robert Trevor, 4th Baron Trevor, later 1st Viscount Hampden. The scene features cargo ships along the tranquil banks of the River Po, enveloped in the soft, atmospheric light for which Claude Lorrain (1600–1682) is universally revered. Executed in the idiom of the Grand Tour period, the painting exemplifies the classical Arcadian themes sought by aristocratic collectors travelling through Italy in the 18th and early 19th centuries. This work is a particularly elegant example of the period's taste for Claudean compositions, balancing architectural elements with expansive vistas and golden, diffused light. The canvas has been professionally relined and restored, housed in a contemporary frame that complements the work’s scale and palette. Minor craquelure and darkening to areas of the blue and green pigments remain consistent with age, enhancing its historic charm. Ideal for integration into neoclassical, traditional, or transitional interiors, this work represents an opportunity to acquire a piece of decorative art with a strong visual lineage and academic relevance — a testament to Lorrain’s enduring influence across centuries of landscape painting. Very similar to the Landscape with Merchants in the National Gallery of Art, Washington, D.C. Our version could be after the engraving by Boydell and James Mason on 1st January 1769. Interestingly, the source painting for the painting was once in the collection of Robert Trevor, 4th Baron Trevor (from 1764), and subsequently (from 1776) 1st Viscount Hampden. 18th-Century Italian Landscape in the Manner of Claude Lorrain This exquisite 18th-century Italian Landscape in the manner of Claude Lorrain captures the essence of Italian Baroque landscape painting, showcasing the serene beauty and harmony of the classical countryside. Drawing inspiration from the Golden Age landscape painting, it reflects the elegance and detail characteristic of Claude Lorrain-style artwork, featuring sweeping vistas, balanced compositions, and an idealised landscape scene that exudes timeless charm. A Classical Italian Countryside Painting...

American folk art style late 19th century flat track horse race with sulky painting by California artist Edward Burn. Oil on canvas in gilt wood frame. Titled: Sunol 3 year old Reco...

Early 17th century French landscape painting. Unframed.

Antique painting of Frederick II/Frederick the Great after Anton Graff Oil on canvas painting of King Frederick II or better known as Frederick the Great of Prussia. Original black ...