Hand-Painted Wall Decorations

Sinbad with the old man of the sea on his back original illustration oil painting, 19th century. A fine oil illustration from the Tales of the Ar...

Depicting napoleon and titled on the road from Waterloo to Paris. This museum-quality work is recorded by the royal academy as an exhibition picture by stone, see photos. Has recently been professionally cleaned and restored to excellent condition. Measures: 50 W x 40.75 H overall in frame. 35.75 W x 26.75 H visible area. Stone was a British painter and illustrator best known for his realist depictions of garden parties, literary scenes, and sentimental portraits, as in his hallmark painting In Love (1888). Notably, Stone also produced illustrations for books by Charles Dickens and Anthony Trollope. Born on July 4, 1840 in London, United Kingdom, he was trained from a young age by his father, the renowned painter Frank Stone...

This is an original oil on canvas painting from Denmark attributed to artist Gerda Lund (1905-1996). Gerda Elisabeth Lund was a Danish artist residing in Aalborg, Northern Jutland. ...

"Amontonamiento 06" by Alejo Palacios (Argentina, 1989) is a striking contemporary artwork created in 2022 using acrylic on handmade paper. This original piece showcases Palacios' un...

Beautiful tile mural with the "THE LAKE" motif finely painted. Tile mural size: 53.1"H x 106.2"W (135cm x 270cm) Tile size: 5.9"H x 5.9"W (15cm x 15cm) Origin: Portugal Producti...

Custom Kitchen Tile Backsplash - Hand Painted Portuguese Tiles Any design, size or colour. Please message us with your requirements. - Our murals...

Copy of a Dutch Flemish still life painting showing a table set with meats, wine, fruits and crystal

Vintage Oil on Canvas: Jones's Diner, New York This stunning vintage oil on canvas captures the iconic Jones's Diner in New York City, showcasing a vibrant urban landscape filled w...

A charming late 19th-century oil on board painting depicting two King Charles Spaniels nestled in a richly appointed interior, painted in the manner of Sir Edwin Landseer. Executed c...

A French pastel still-life painting from the 19th century depicting a bouquet of tulips on grey background, in gilded frame. A lovely French pastel still-life painting from the 19th ...

Copy of a painting titled "Beach Scene" showing a town along the waterfront with people by the breakwater at low tide, children with their mothers on horses, carriages in the distance

Framed mid-century watercolor painting depicting an abstracted crowd of figures in bold, layered washes of color. Signed in the lower right, Jean Ramstad (1913 - 2006). Framed in br...

Antique framed oil painting on canvas by E. Halleux dated 1940 captures the timeless scene of a village's fishing fleet venturing out of the harbor in search of the day's catch. Halleux has captured a particularly calm morning...

This monumental antique oil on canvas painting was created in France, circa 1790. Set in a carved gilt frame, the large artwork depicts a pastoral scene with the port of Marseilles in the background; it features people playing cards around a table, one lady napping with a dog beside her, another woman with her kid carrying flowers, a man courting a young beauty sitting on a bench, and horses in movement. The inscription on the rider's flag reads "Liberte de L'Escaut 1793," likely referring to the Battle of Raismes (also known as the Battle of Conde or St. Amand) which took place on 8 May 1793, during the Flanders Campaign of the Wars of the French Revolution. It was between the French Republican army and the Allied Coalition army, and resulted in an Allied Victory. A possible signature is not legible in the lower left corner of painting. The important painting is in excellent condition with lots of wonderful and interesting details, and embellished with an elegant frame! Place this huge artwork...

An exceptionally well painted antique oil on board painting by Belgian artist Felicien Rops whom lived and was active during the 19th century. The painting is a landscape scene depi...

Outstanding 1940's oil on board painting in original custom shadowbox wood frame with distressed finish. The figural painting depicts an indigenous people...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin-based painter Otto Nagel became his mentor and taught him first craft skills and painting techniques. In 1954, he began his traineeship as an artist metal worker and between 1959 and 1961, he studied at the University of Arts in Berlin. When the Berlin Wall was built, he lost contact with his mentor Otto Nagel and from the early 60s on, Keil started to spend more and more time abroad. During his studies at the University of Arts in Berlin, he came in contact with numerous other artists who later became influential artists of their generation, like for example Georg Baselitz, Eugen Schönebeck, Markus Lüpertz and Joachim Schmettau. During his time in Mallorca, he also met with Joan Miró in his studio several times. From the early 60s on, Keil established studios in Paris, London, Berlin and in the US. Today he mainly lives and works in Zimmerau (Bavaria, Germany), Berlin and Los Angeles. This painting is painted on newspaper. It was painted in Palma Mallorca...

Early 20th century Dutch oil portrait of a young mother and child by David Bautz (Dutch, 1884-1955). A fine oil portrait, circa 1920s. A young mother breast feeding...

Bold eye-catching Haitian acrylic painting on canvas executed in a distinctive playful naive technique depicting boats and palm trees against a flaming sunset. Signed M. Mar in the l...

William Scharff, painting. "Nude Woman". Modernist painting, Danish art. Signed. Measurements without frame/with frame (cm): H 63/75, W 52/63.  

19th Century China Trade Seascape with a Junk, by Lee Heng, circa 1870, an oil on board seascape with large Chinese Junk under full sail in the fo...

Decorate a office or study with this set of antique lithographs. Hand painted in France circa 1920 by E. Guerin, each print is set in the original gilt wood frame adding a touch of elegance and preserving the artwork. These framed illustrations showcasing detailed and vibrant depictions of birds perched on branches. The lithographs are expertly crafted, highlighting the intricate details of the birds and surrounding foliage. Guerin's work is known for its accuracy and artistic finesse, often used in botanical and ornithological studies of the time. These pieces reflect the era's appreciation for nature and artistry, making them valuable collectibles for enthusiasts of vintage illustrations and natural history. Ernest Pierre Guerin (1887-1952) was a French artist born in Brittany; he educated at the Rennes School of Fine Arts, where he studied under Félix Lafond and Jules Ronsin. His work vividly depicted the customs and harsh realities of Breton life, drawing inspiration from the region’s landscapes, religious festivals, and traditional culture. Influenced by the Pre-Raphaelite movement and medieval illumination...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Stretched canvas painting by madmen commercial artist, David Halpern.

Large Vintage Abstract Panting by Gloria Allison Cuban American Artist Offered for sale is a large and colorful figurative abstract painting by Cuban...

An exceptional and one of a kind large-format work by Esteban de la Foz, undoubtedly the most representative and influential figure in abstract art in Cantabria. Titled "Children's ...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

An exquisite and rare 17th century double sided Palazzo door from Venice, Italy. This sensational door is constructed with a wooden frame, canvas sides and its iron hardware. Two dif...

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas horse.

Handcrafted Moroccan hand-painted glazed ceramic plate with a yellow background and adorned with geometric black Moorish designs. Signed in the back in Arabic “Safi", which is the ci...

Maximilian Pfeiler (active Rome, circa 1694-circa 1721 Budapest) Still life with peaches, grapes, figs and pomegranate Oil on canvas, Measures: cm H 63,5 x W 47. With frame cm ...

This contemporary sculptural set of four metal minimal corner shelves are perfect for any space be it a living room, office, or bathroom. These Minimalist shelves, whether installed...

Huge French Oil on Canvas, circa late 1930s of a Delahaye Automobile. We cannot decide if this was painted in a large-scale, only to be reduced for an ...

A fine hand-colored etching showing Paris Town Hall (Hôtel de Ville de Paris) in 1860 : a picturesque and charming depiction of mid-19th century seen from quai de Corse, with a lot o...

Very early abstract assemblage wall sculpture by listed artist Joseph Kurhajec, circa 1963. The assemblage is signed in the lower corner and then on th...

George Watson Barratt 1884-1962 was a prominent New York illustrator in the first half of the 20th century. This painting is of an artist, his easel and ...

19th century oil portrait of a young man Original oil on canvas. Dimensions: 27.5" wide x 39.25" high. Signed lower left "Samuel"

This striking vintage Balinese Kamasan painting, rendered on handwoven cotton, beautifully captures the timeless elegance of classical Wayang-style st...

Pan's conquest of Selene original oil painting, 18th-19th century Magnificent antique oil painting of the conquest of Selene by the god Pan. In ancient Greek religion and mytho...

Decorate a bathroom or bedroom with this elegant oil on canvas painting. Painted in Paris, France circa 1950, and set in the original wooden frame, the artwork depicts a nude beauty sited on a stool. The painting is signed in the lower right corner by the artist, A. Genta. The painting is in excellent condition with soft pastel colors. Listed in the Benezit. (see last picture). Albert Genta (1901-1989) was a French painter. Born in Paris in 1901, he was the son of Joseph Hyacinthe Genta. He studied at the "Academies Libres" in Paris and displayed his artworks at the "Salon des Independants". Francis Albert Genta died on 5 September 1989 in the 20th, Paris. Genta was primarily known for painting females, and colorful landscapes in an impressionist style. He was a female nude painter...

Oil painting capturing a narrow street or alleyway in Brussels, adorned with houses and a small grocery stand featuring two ladies. The artwork is signed by F. Jorwitz, Ferdinand Jo...

We acquired his large mural study out of an old Hudson River valley estate. It had been rolled up for years. It appears to have been cut down on the left side. Clearly a WPA Mural pr...

Copy of a portrait painting titled "Two Girls at a Window" showing two women looking out of an open window

A grand sized 19th century painted wood Southern Indian decorative ceiling panel. This wooden ceiling panel from the Tamil Nadu area features a series of three mandala style paintings appropriated centered within the panel with delicate floral accents bordering the center and at each corner. The inner panel is primarily a deep red with hand-painted accents in blue, gold, and green. The simple outer frame surround is painted black. This exquisite late 19th century Indian ceiling panel...

Mid century abstract oil painting signed by F. Brown. Simple but beautiful in shades of gray, cream, purple and browns. Unframed panting measures 8 x 10

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pré...

SUPERB! EVA VINCENT ORIGINAL ABSTRACT MODERN ART PAINTING! IMPORTANT & RARE FEMALE BAUHAUS ART! FRAMED DIMENSIONS: APPROX 12" BY 24" CIRCA 1923 Eva Vincent was a Hungarian-...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Bettcher (20th c.), Portrait of a Native American Chief, oil on canvas and paper relief, signed "Bettcher" at lower right. An unusual portrait format of a Native American Chief deep ...

The antique neoclassical watercolor drawings are renderings within the same frame of two elongated buildings. The top view shows a center arched opening and two smaller side openings...

This 19th-century oil on board still life by Johan Laurentz Jensen (Danish, 1800–1856) features a stunning composition of flowers. The work is masterfully rendered, with delicately p...

Set of 4 -1940's Asian Hollywood Regency Period Artisan Hand Painted [on a gilt cork ground] .Flowers and Birds depicted. These are beautiful and the set is framed with gilt faux Bam...

Antique Framed Oil Painting on Canvas by Massimo Salvati depicts a quaint harbor of a seaside village in Italy, all from the fisherman's perspective with the village in the backgroun...

Antique parcel gilt and painted porcelain charger plate by Royal Vienna Austrian, late 19th Century Frame: Diameter 53.5, depth 3.5 Plaque: Diameter 49cm, depth 2.5cm This beautiful charger plate was crafted by the famous Royal Vienna Porcelain Manufactory. Royal Vienna was founded in 1718, making it one of the first factories to produce porcelain goods in Europe. Antique Royal Vienna items are today held in important art collections, including the Uffizi in Florence, the Metropolitan Museum of Art and the Frick Collection in New York. This charger is marked with the blue beehive-shaped shield of the Royal Vienna factory. The charger features a central painting, depicting the abdication of Mary, Queen of Scots. Mary was forced to renounce the Scottish throne...

Decorate a wall with this beautiful and colorful painting. Painted on canvas in Paris circa 1890 and set in a thick carved and gilt frame, the artwork beautifully captures the vibran...

1959 Latin American School Abstract Cubist Fish Painting, W. Cabrera Offered for sale is a 1959 abstract painting by W Cabrera of the Latin American School. The work is a boldly-hu...

Oil on masonite depicting a cabin in the woods with firewood stacked beneath the green tonal trees. Unframed. Signed lower left. Inscribed on verso Roches Point, Lake Simcoe. Dimens...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

Mid-Century Modern Breeze Wall Art Piece, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Breeze modern wall decor captures the essence of a massive, crashi...

A wonderful pair of fine quality Japanese Blue + White Arita porcelain chargers, depicting Carp swimming against fast flower water, with a floral boarder to each. Meiji period 1868-1...