Art

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

"San Francisco Bay II" is a serigraph print from 2011 emblematic of Soulié's association with the Neo-Post Pictorialism movement of the 1970s. This v...

Watercolor on paper

"Amazing New Discovery" is written in the background. Signed Lower Right. Robert Patterson was born in Chicago and attended the Chicago Art Institute. Among his teachers there and later were Harvey Dunn, Walt Louderback, Ralph Barton...

Abstract Painting. Vibrant Colors. Movement. Acrylic on Canvas. About the Artist: "Growing up in England during the 80s, the influence and love of American sub cultures through TV, and being surrounded by large non-spaces of US air bases around East Anglia, gave me a slightly odd and romantic view of America. I finished the Masters Degree bronze-casting course at the Royal College of Art in 1999 and have pursued my passion for Art ever since. I have built up a body of work that follows the theme of a journey into abstraction, inspired by Robert Smithson, Donald Judd, Fiona Banner, Cornelia...

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Enrique Chagoya Ghostly Meditations (waltzing with the forgotten), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 1...

A joyful moment preserved. A young woman is about to land on earth. She seems very happy about it. Signed, Dated, number Lower left 3/15 recto, unframed, other size available

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

Oil on canvas

Fisherfolk & Children On A Scottish Beach, 19th Century John Adam Houston RSA RI (British, 1812 - 1884) to $75,000 Large 19th Century Scottish beach scene with fisherfolk and child...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

Medium: Ink, Watercolor, Gouache on Paper laid to Paperboad Signature: Inscribed Collier's Cover Weekly/Sept. 1914/Belgian Automobile Troops/Fighting German Dragoons (on the reverse)...

It's the epitome of Art Deco Architecture. The top of the Chrysler Building is lit by golden light in this photograph of a classic New York City scene. Photographer Mitchell Funk s...

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

One piece made of a folder with 50 acrylic paintings on paper, with measures 29.5 x 20 cm each paper.

Mrs Daisy Fellows, c.1930s - Cecil Beaton (Portrait Photography) Inscribed 'Mrs Reginald Fellowes' in unknown hand and stamped with Sotheby's Cecil Beat...

Teresa Eguibar's work is presently in the Museum of Spanish of Contemporary Art of Madrid and in the Museum of Fine Arts of Budapest.

The painting is being offered with a work and authenticity certificate

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #clay #sun #energy #moon #female JUANA MARTÍNEZ (Tlalpujajua, Michoac...

Alan Reid (born 1976) is a contemporary American artist who lives in New York City. His gauzy, colored-pencil representational images of heiresses, bored fashionistas and aquiline b...

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

Medium: Charcoal and Watercolor on Board Signature: Unsigned "Introducing Heidi." Original illustration for page 11 of "Heidi" by Johanna Spyri (Philadelphia: David McKay Company, 1922). Charcoal and watercolor on board. 10 1/2x8 inches, on 20x15-inch board. Unsigned but captioned "Chapter I" in lower margin with publisher's label on verso. an original drawing from smith's final fully-illustrated work. Heidi was "a perfect showcase for Smith's illustrative art...

Leora Armstrong grew up on the West Coast of Scotland surrounded by the sea, hills and Scottish weather. It was this changing light of the West Coast, upon the landscape, which happe...

Confusion

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Meraud Guinness, 1930s - Cecil Beaton (Fashion Portrait Photography) Inkwash signature on mount Stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silver gelatin print m...

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Peter Lodato offers new oils on canvas, whose layers of paint and scumbled surfaces resonate like tuning forks to the soul.

Date: 1976 Medium: Mixed Media on Board Dimensions: 38.25" x 28.50" Signature: Signed Lower Right This artwork was created as a promotional poster for the film, Bugsy Malone...

GEORGES ANATOLOVITCH DE POGEDAIEFF 1897-1971 Pogedaievska 1897 - 1971 Ménerbes (Russian/ French) Title: Five Hollyhocks and Two Peaches / Cinque Roses Tremières et Deux Pêche...

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Medium: Gouache and Ink on Paper Dimensions: 17.50" x 10.75" Signature: Signed Lower Right

Medium: Oil on Canvas Dimensions: 32.00" x 35.00" Signature: Signed Lower Right Story illustration for “Mrs. Parkington” by Louis Bromfield for Cosmopolitan, published November 1942, pages 56 and 57. The full caption reads: “‘And you’re not to tell anyone where you’re going or that you’re going away together,’ Mrs. Parkington said as she told Janie and Ned her plan.” A Native American finding a Raggedy Ann doll...

Omaha Sketchbook: Dog on Hill (Sunrise), Omaha, NE - Contemporary Photography Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the l...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Viviana Zargón constructs a pictorial universe of industrial imagination in the exploration of abandoned and empty spaces. Using photography and painting as starting points, she fol...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

Edition of 20

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Edition of 20

NEON Swimming - Vibrant Noir Abstract Photography. Swimming Pool - Bright Orange and Black Noir. Photography. Edition Print. This Photography work 23.5 inches by 35.5 inches. Pico...

Watercolor on paper

Date: 1910 Medium: Charcoal on Board Dimensions: 25.00" x 35.50" Signature: Signed Lower Right John Newton Howitt (1885-1958), a graduate of the Art Students League (other gra...

"Sylvia Martins is a Brazilian born painter and printmaker whose work often incorporates soft pastels and impressionistic brushstrokes to create luminescent, dreamy images varying in...

An original mineral painting, made with crushed minerals (natural and synthetic), crushed seashells and Sumi ink on Japanese paper, mounted on a wood panel. Natural colors include se...

Medium: Oil on Canvas Signature: Signed Lower Right Collier's Magazine Cover, March 24, 1923

Signed (at lower right): FJK

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Medium: Pen and Ink on Illustration Board Signature: Signed in Various Positions Dimensions: Various different sizes, contact for exact dimensions of each illustration. (17) PEN & ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Acrylic on canvas

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company