Art

Abstract geometric, minimalist three-dimensional wood wall sculpture in grey and dark taupe with paper collage "Stelae", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Artist: Jacques Gaston, French XXth Title: Champs Elysses at Dusk Year: circa 1950 Medium: Oil on Canvas mounted to Wood, signed l.r. Image: 24 x 36 in. (60.96 x 91.44 cm) Frame: 33 ...

Can you imagine life as if it were a gigantic rollercoaster ride of emotions? Just like on a rollercoaster, there are moments when we feel incredibly happy, and there are times when ...

Painted sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery "Experimental dreamer, passionate about graphic adventures, delibera...

Arcadian landscape inspired tapestry. Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Measurements are approximate.

With each dip into the water, the swimmer experiences a renewing sensation, as if every droplet washes away fatigue and brings forth strength. In this fluid motion, an almost etherea...

Offset print with coater varnish Edition of 271 of 300 71 cm (D) (28 in) Signed, numbered and titled on front Mint. Minor imperfections may appear due to the production process. Sold...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

Series: Between light and silence This seascape captures a fleeting, luminous rhythm — where waves rise like breath and the sea reflects not just the sky, but a pulse of emotion. The...

"Snowy Landscape, Italian Alps Village, 1944" Giuseppe Sobrile (Italy 1879-1956) Oil on board Signed lower right and dated "1944" in Roman numerals Dedication on back to Lina Sobrile...

This original lithograph in colours is hand signed in pencil by the artist "Miró" in the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower ...

Black and white Print by Erich Andres, ca 1960. The image captures an iconic view of the New York City skyline in the 1960s, presented in black and white, taken from an elevated road...

This dramatic underwater nude photograph of a young woman transforms the aquatic environment into a canvas of intense crimson and coral tones. The composition captures fluid movement...

High schoolers picnic on the beach at Bonita Springs, Florida, 1955. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Nu...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. Measuring 20 by 27 inches painting alone. In excellent original condition. Handsomely framed in a gold g...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Autumn Field Oil/Canvas 25 x 30 image unframed, 32.5 x 37 framed Ready to hang in untouched condition with moderate deposits of surface dirt and dust, stretcher bar marks around imag...

in excellent condition signed and numbered

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Wilfrid Bailey (fl. 1940s–1950s) was a British painter whose work focused on the landscapes, wildlife, and rural traditions of northern England. Though not widely known nationally, h...

"Coastal Rays" In this best-selling print, the mist of the Pacific Northwest lends a textural effect to the air and light. Experience the photographic journey through the cultura...

Antique American impressionist winter landscape oil painting by Ernest Albert (1857 - 1946). Oil on canvas, circa 1900. Signed. Frame...

Paul Wadsworth captures the hot, spicy colours and warm pastel shades of Kerala in this beautiful Expressionist painting. Fishing from small boats launched from the beach has been tr...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Artwork sold with frame (101.5 x 79 x 5 cm) Costantino Sereno (1829–1893) was an Italian painter renowned for his historical scenes, religious frescoes, and decorative works that en...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Inscribed lower right, 'Kimball' for Harold Kimball (American, born 1929) and painted circa 1975. Born in New York City, Harold Kimball lived for sever...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Jonathan Speed's "Calm Seas" invites viewers into a serene rea...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK The painting "Summer is Almost Over" from the MAD...

Louis is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 50 × 100 c...

Artist: Vahe Yeremyan Title: Mountain View Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 17.5" x 35.5" x 0.8" inch (45 x 90 x 2cm) Presentation: Unframed, Gallery...

Pablo Picasso (after) "Tete De Mort, Lampe, Cruches Et Poireaux" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 318/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate...

Keith Haring Swing Guy (Yellow), 1983 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montreux Jazz Festival Excelle...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Title: Blue Landscape Dimensions: 80x120 cm Artist: Marilina Marchica unique, non-reproducible piece authenticity certificate "Blue Landscape" by Marilina Marchica is a captivating...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: South Bay Size: 30" x 44" x 0.8'' ...

Superb Mid to Late 19th Century Portrait of an Elegant Young Woman The sitter is an elegant young woman in her finest dress and jewelry. Original oil on canvas. Dimensions 22" x 27...

Landscape with Trees Oil/Canvas 12 x 16 unframed, 21.5 x 25 framed Painting is in good condition, signed bottom left margin with craquelure in the clouds as shown. Housed in beautif...

Hand Signed and numbered. Edition of 22/150 pieces. Full margins. Edition Circle d'Art, Paris; Printed by Crommelynck, Paris. Ref. Bloch 1139. Excellent condition.

"Whimsical" is an abstract expression of lyrical joy, a place filled with light and air and dancing leaves. Painting abstract landscapes is one of my most joyous experiences. There...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Summer Field, Size: 44.5" x 37"...

View Of The Haifa Coast Canvas 30x36 inches, 22K gold leaf Motyka frame 39x45 inches, artist signed lower left corner.. One of Sobel best and also early landscape painting, painted...

Artist: Jack Graves III (American, 1988-) Title: "Liberty IX" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2025 Medium: Original Acr...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best k...

In crafting this piece, I immersed myself in the serene yet vibrant essence of winter. Through impressionistic strokes in oil, I aimed to capture the intricate dance of light and sha...

Glass Sculpture Modern Wall Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 2...

Alfred Wheeler British, (1852-1932) Diamond Jubilee with Jockey Up Oil on canvas, signed, inscribed & dated 1900 Image size: 19.25 inches x 23.5 inches Size including frame: 30 inches x 34 inches Provenance: T Richardson & Co, Piccadilly, London A wonderful sporting horse portrait by Alfred Wheeler of the racehorse Diamond Jubilee with Jockey Up. A bay stallion is depicted standing side on in a landscape, most likely Newmarket Heath, with another racehorse and jockey in the distance. The horse’s head is slightly turned towards the viewer to reveal a white diamond shape mark on his forehead running into a line down his face. On his lower forelegs can be seen leg wraps which were used during training and exercise. Research has identified the jockey as being Herbert Jones...

Ms De Pinna was part of the Provincetown modernist art movement and was a student of legendary artist/teacher Hans Hoffman. Vivian (Foster) De Pinna was a su...

Also known as Before the Promenade (1985), this original exhibition poster by Fernando Botero was published by Marlborough Gallery in 1985. Printed as an offset lithograph on semi-gl...

This piece, titled "Wanderer 9" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" and made of collage, charcoal, pastel, acrylic, and gra...

'Venice by Moonlight' by Henry Pether (1800-1880). The painting – which depicts an extensive nocturnal view of the Grand Canal with the Palazzo Pisani Gritti to the left and the Dors...

Masri (Lebanese, born 1965) "Masri" 2023 Oil paint, Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right and back of the painting. Masri’s "Masri" is a striking ...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Jesse F. Santos "Harvesting Rice" Philippine Landscape Oil Painting c.1970 Original oil on canvas Dimensions 30" wide x 24" high Signed and dated lower right Very good vintage co...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

John Urbain, Belgian/American (1920 - 2009) - Blue Moon, Year: circa 1967, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23.75 x 23.75 inches, Size:...