Art

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

Barbara Neijna (American, b. 1937) Joined Figures, 1958 Bronze Initialed on base 14 x 5.5 x 3.5 inches Neijna, who earned her BFA from Syracuse University and studied at the Academia Belle Brera in Milan, Italy, is known for her large-scale, outdoor geometrical sculptures...

Medium: lithograph (after the original lithograph poster for the Exposition Vallauris). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the a...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Very finely painted 1940 American modernist portrait painting. Oil on canvas. In excellent original condition. Signed. Handsomely framed in a period giltwood molding. Excellent...

Pablo Picasso The Ballet Dancer, 1954 Lithograph on paper 32 x 24 cm - sheet 49.5 x 37 cm - Framed unknown edition size Printed signature Reference: Bloch 767 Frontispiece for the b...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Lilian Hanson sunbathing by a pool at the Bürgenstock Resort Lake Lucerne in Canton Nidwald...

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Pla...

Henri MATISSE (1869-1964) Paris : Saint Michel Bridge, 1927 Original etching Printed signature in the plate Limited to 225 copies On BFK Rives vellum 25 x 33 cm (c. 9.8 x 12.9 in)...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

Closed Doors, 1957, polymer tempera on Masonite, signed lower right, 20 x 40 inches, inscribed verso “Zerbe Closed Doors June 1957,” label verso reads: “Artist Karl Zerbe / No. T / T...

Clare Leighton, 'Snow Shovellers, New York', 1929, wood engraving, edition 45, Boston Public Library 146. Signed, titled, and numbered '29/45' in pencil. A...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Forest Landscape - an Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 36 x 24 inches F...

Signed fauvist oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view a river winding amongst wild flowers fields in...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Joseph Solman Figure Study, circa 1959-60 Signed with initials lower left Gouache on Racing Form newspaper Sight 9 x 7 inches Provenance Private Collection, Montecito, California Pr...

Portrait of a Young Boy signed and dated 1928 (indistinct signature) oil painting on canvas, framed framed: 31.5 x 22 inches canvas: 26 x 16.5 inches Provenance: Private collection,...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...

Oil on hardboard signed R. QUEYRIE, France, 1950s. "Walking the streets". With frame: 55x47 cm - 21.65x18.5 inches - without frame: 46x38cm - 18.1x15 inches. 8F format. Signed "R. Qu...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Signed lower left, 'G. Ames Aldrich' for George Ames Aldrich (American, 1872-1941) and painted circa 1915. One of the best known Indiana landscape painters of the 20th century, Geor...

Vintage American modernist landscape oil painting by Frank Barry. Oil on board. Signed. Framed. Measuring 27 by 31 inches overall and 18 by 22 painting alone. Nicely framed in a wood...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

The Swan Dance by Einar Forseth, (1892-1988), oil on canvas. A very colorful and decorative painting by one of Swedens most influential artists of his time. Forseth had many talents ...

Original vibrant and colorful oil on canvas painting of La Rambla in Barcelona, Spain attributed to the hand of Jordi Freixas Cortes the Barcelona born artist. Signed lower right (F....

We are pleased to offer an exquisite painting by Finnish artist Reino Partanen (1889–1972), titled Birch Trees and Snow-Laden Spruces. Created in 1927, this impressive work measures ...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

European Painter (dated 1925) - Mountain landscape. 62 x 41 cm. Old oil painting on canvas, without frame. - Work signed indistinctly lower left. - Autograph inscriptions and dat...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

3982 Children riding a giraffe oil on board set in a painted oak frame Image size 15.5x19.5"

Jean MARTIN (1911-1996) Man with scarf, circa 1950 Graphite on paper Monogrammed “JM” lower right 16,5 × 14 cm A self-taught painter born in Lyon in 1911, Jean Martin developed a st...

Original oil on masonite painting of the Black Crater in the state of Oregon by the American artist Marcel K. Sessler. Signed and dated lower right, 1955. Condition is excellent....

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

**Technical Details** - Author: Josep Puigdengolas Barella (1906-1987) - Title: *Landscapes of the Pyrenees and Mallorca* - Technique: Oil on panel (painted on both sides) - ...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Si...

Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, 1953. Published by A...

Oil on canvas by Charles Kvapil, France, ca.1920. "On the edge of the lake". with frame: 78x58.5x6 cm - 30.7x23x2.4 inches - without frame: 65x46 cm - 25.6x18.1 inches. 15M format. Signed lower left "Kvapil" Charles Kvapil was born in Czechoslovakia on November 1, 1884, and died in Paris in 1957. He takes courses at the Royal Academy of Fine Arts in Antwerp. His first works are exhibited in 1908, at the Salon of Antwerp. In 1911, he exhibits in Munich; his works show a definite cubist influence in a well-tempered, organization and simplification bill. Arrived at a young age in Paris, he sets up his studio in Montmartre in the Hamlet of Artists, between Lepic Street and No. 11 Junot Avenue near those of Utrillo and Valadon; it is there that he will die. In 1912, he exhibits at the Salon des Independants. In 1914, he presents his works again in Belgium at the Brussels Triennal. After the war, he lives a very poor life but, with an optimistic temperament, he hopes to break through; he has to work to survive and he paints especially in the evening, especially during his first years in Paris. It is at the Salon des Independants in 1920 that Kvapil is revealed to the Parisian public. He exhibits six paintings: "My campaign", "portrait of woman", "Houseboat", "Poplars", "Bras St. Jean (landscape)" and "Still Life". He is domiciled at 233, rue d'Alésia in Montparnasse." "In the wake of the legendary figures of Montparnasse, in their shadow, and by them held at a relative discretion (the behavior of artists entering many into the brilliance of their career and the exclusive attachment to their production, without extension" social " " condemning them to darkness), is Charles Kvapil. He frequents the Parnassus café [...] and is exhibited there in a small group organized by A. Clergé, "the Company of professional painters and sculptors", which manifests itself in 1921. The preface is written by Romoff. A second follows shortly. It includes 102 participants, including Friesz, Lagar, Zorate Ortiz, Scouëzec, Astoy, Roysen, Loutreuil, Krémègne, Gallien, Goncharova, Lebedeff, Ramey, Kvapil. He remains attached to the folklore of the Bohemian painter whose Montparnasse is the field of exploits and the model of life "(Jean Jacques Lévêque" The Roaring Twenties, 1918-1939 - The Triumph of Modern Art ", 1992). He exhibits at the gallery Colette Weill. In 1923, his works are hung at Marcel Bernheim, then at Dalpeyrat, in Limoges, where he shows mostly landscapes. Subsequently, he participates in the Salon d'Automne; to that of 1941, he presents "Phlox", and in 1944 "At the window". In 1951, at the same Salon, he exhibites "Plaisir d'été" and "Le Goûter". He exhibits during his lifetime in Paris, Munich, Brussels, Geneva, Italy, Stockholm, London and New York. He is now represented in numerous public and private collections, including the Museum of Modern Art in Paris, the museums of Le Havre, Libourne, Rouen, Saint-Etienne, Amsterdam and Tunis. Charles Kvapil is known mainly as a painter of characters, especially for his representations of naked women for which his friend Ginette often served as a model; he painted models in the studio, sometimes in front of his window with the Montmartre hill in the background; often bathers or female nudes placed in groups of characters, in the manner of Courbet and the Impressionists at their beginning. He is also creator of many portraits; but he did not disdain either the still lifes, especially the bouquets of flowers, or the landscapes, which form an important part of his work. He painted many regions, including Corrèze, where he "knew how to grasp the character of the country that is not his, with his usual mastery" (SSHA Bulletin Corrèze), the Mediterranean coast, Corsica, where he stays regularly in the 1920s and 1930s; in Paris he participated in exhibitions of painters of Corsica in 1925 and 1933. In 1939, at a new exhibition of Art Corse, at the Gallery The Team, still in Paris, he presented two paintings titled "Costa Brugiata, Cap Corsica "and" View of Rogliano ". He is also the creator of "On the Island" (1923), "Querciolo, Rogliano" (1923), "Corsican Woman" (1924), "Landscape of Corsica" (1933) (information Cronica di a Corsica). Charles Kvapil was influenced by fauvism and a very temperate cubism; Paul Cézanne and to a certain extent Matisse (as a colorist), also marked his style. The desire of construction of the artists of the group to which Kvapil belongs, "did not lead to distortion, except once or twice at Kvapil" .... Kvapil and his friends "thus engaged in thorough technical studies according to the masters, all without exception have loved the beautiful solid and dense material. Their work is related, moreover, not to the classical tradition of transparent painting, but to that of the opaque painting of Frans Hals, Rembrandt and Chardin, almost alone in force since the beginning of the nineteenth century [...] so they paint all in dense pasta but without excessive excess "... (Germain Bazin," the love of art ", 1934). Charles Kvapil's paintings are original and modern, his nudes and bouquets of flowers are strong and powerful. His palette is rich in cobalt blue and warm colors. His technique is voluntary and powerful. His works in oil are often of modest size, sometimes painted on panels, or on cardboard. He also practiced with great skill the technique of pastel. P. Béran, in a study he has dedicated to him, praises the richness of his material and all that his art owes to the joy of living. "A work modeled on a life totally devoted to the pleasure of painting. (Jean Jacques Lévêque, ibid.) He was an indefatigable worker, and this is what he says: "the painter must speak little, but he must comb a lot" Bibliography Jean-Daniel Maublanc, Charles Kvapil, painter of figures, 72 p. Jean-Daniel Maublanc (preface by Louis Parrot), Perspectives - Marcel Lemar, François Eberl, Marcel Roche, Jacques Villon, Charles Kvapil, Charles Jacquemot, Pierre Bach...

Retro 1950's image featuring Annette Funicello, the beautiful girl next door of the era with a Cadillac de Ville. The child star rose to fame as one of the most prevalent Mouseketeer...

5-2519a Oil on artist board displayed in a painted wood frame Image size 10x12.5"

A large & colorful ca. 1955 watercolor & pastel dock scene of Martha's Vineyard by notable artist Francis Chapin. Artwork size: 19" x 25". Archivally matted to: 24" x 30". Prove...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

Lithograph and stencil on vélin paper. Paper Size: 12.2 x 15 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

3822 Hudson river view landscape 1920 Set in a period frame Image size 12x16"

Seoul, Korea, 1954 - 56, watercolor on paper, signed lower right 21 x 28 inches (sight), Midtown Galleries label with artist’s name and title verso, likely exhibited at Kingman’s solo exhibition, Midtown Galleries, 1956, literature: Gruskin, Alan D., Saroyan, William (introduction), The Watercolors of Dong Kingman and How The Artist Works, The Studio Publications, Inc. in association with Thomas Y. Crowell Company, New York and London (1958), p. 54 (illustrated) (“In Seoul on April 27th and 28th Kingman did some mountain sketching [see reproduction, on page 54, of handsome Kingman painting, “Seoul,” owned by Robert Clary...

American Photographer Leonard Freed travelled extensively and enjoyed Italy - a country he returned to often and photographed throughout his long photographic career. Cats, Naples, I...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

4032 Scandinavian painting of a female bather on cut out wood applied to a painted backround Set in a wood frame image size 8.5x10.5"

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 5 7/8 inch...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...