Art

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

A palimpsest of jagged marks and spontaneous signs and symbols on a loose orange and yellow background. There is calmness in the chaos. Unstretched - ship...

Vintage American modernist abstract signed oil painting. Oil on canvas. Signed. Framed.

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Lyrical Abstractionism is an original artwork realized by Giorgio Lo Fermo in 2012. Oil on canvas. This contemporary painting is a beautiful example of abstract art. The scene was ...

This is a print of an original contour drawing. It is nicely matted and signed by the artist on the back. It is limited edition 1/1. Shipping options are available.

Jane Skingley paints seascapes and landscapes in oils. Her first exhibition was a huge success and since then she has gone from strength to strength exhibiting in galleries and art s...

Smooth surfaced, black granite has been engineered and sculpted into an elegant and classic depiction of a human figure by Jeremy Guy. The formalist play of positive and negative spa...

Poppy & Daisy Flurry [2022] original Acrylic on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:1.5cm Sold Unframed Please note that i...

This is an original, framed mixed media work (hand painting on top of a photogravure print)) by artist Nazanin Moghbeli. The abstracted calligraphy text in her "Words from My Mother...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

In this painting, I've unleashed a vibrant symphony of emotions, blending acrylic, oil, and ink to create a cascading spectacle of color and form. Inspired by the raw beauty of natur...

Hard Conversations by Murray Duncan, 2023 Mix media on artist board Size - 48" x 60" x 2" Unframed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expre...

This painting captures a view from the east end of the garden, looking towards the west gate where old giant trees frame wildflower areas on both sides. Shizico Yi used the colour bl...

"The Way Things Change" Abstract Composition in Oil on Linen Abstract geometric composition by "Tara" (20th Century). This piece has several rectilinear forms, punctuated by sporadi...

Gertrude A. Larter (1878-1954). Looking Across Oak Bay in Puget Sound to Mt. Baker taker from our bedroom window at Old Charming Inn, Victoria B.C. Canada. August 8th 1946 Waterco...

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

This is an exciting mixed media piece that is charming, and laden with bright color. There is a strong theme of geometric forms that break up the the composition of the piece, adding...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

I cannot make anyone understand what’s going on inside of me, I cannot even explain myself but now I’m experiencing the sense of calm after legging go of my unnecessary concerns. Sh...

"Valerio Adami (Italy, 1935) 'L´Univers j´aimé', 1979 Original poster from 1979 lithograph on paper 29.2 x 21.1 in. (74 x 53.5 cm.) Unframed Ref: ADA100-203 Valerio Adami Italian p...

#1538 (Abstract Painting) Oil on Canvas/Wood - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that w...

This framed, 33" x 26" oil on canvas painting was completed by Robert Bonaparte in 1980. The painting presents a composition dominated by dark hues, creating a nocturnal atmosphere a...

"Pomegranate Music 1" is a painting, oil on canvas by Maestro Natalia Yampolskaya. The painting is framed. Her paintings bring emotion of happiness, love, energy and beauty represe...

Paper size is 12 x 9 inches. Letraset, ink and pigment stick on handmade paper. Framed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before ...

Abstract Torso About the Artist: Beth Barry was born in New Bedford, Massachusetts in 1955 and started making art as a young child. Exposed to love of making things by her father, she used to make furniture and clothing for her troll dolls...

Seated Woman (20) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 15 in. x 12 in. (38.1 cm x 30.48 cm)

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist based in Los Angeles, California. Born in Yugoslavia, Vasa has lived in Los Angeles since his arrival in the United States in 1960. He is an academically trained painter and was a professor at the University of California, Los Angeles UCLA in the Department of Design and Media Arts. He taught theories of color to understand interdependence and interaction of color and form, color and quantity, color and placement, and after-image. In the 1960s, Vasa developed techniques for working with cast laminated acrylic forms based on simple Euclidean shapes. These prisms of luminous construction are created by composing colored planes within these geometric forms. To fully appreciate these works of art, it is essential to observe them from different angles―the sculptures dimensionality contributes to an ever-changing appearance. Now retired as a professor emeritus, Vasa focuses on his conceptual art practice. His studio, designed to accommodate the technology required for his work, is located in the heart of Los Angeles. He makes laminated acrylic sculptures that reflect and refract light. He has had solo exhibitions at galleries in the United States, Japan, Italy and Serbia, including the Museum of Contemporary Art, Belgrade, the San Diego Museum of Art, and the Palm Springs Desert Museum. Vasa is best known for his sculptures made from colored pieces of the plastic, poly(methyl methacrylate), which is also known as acrylic and by the brand names Plexiglas and Lucite. Untitled from 1975, in the collection of the Honolulu Museum of Art, demonstrates the effect of these minimalist sculptures. His work straddles the West Coast Light and Space art movement, Artists such as Robert Irwin, James Turrell, John McCracken, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, and Lita Albuquerque...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and ...

Terra Incognita (Le Pavé de France 5) (Abstract Painting) Oil on linen stretched on panel - Unframed. Snow sees her work as a constant play between order and chaos, logic and emoti...

"Untitled" geometric abstract multi-color serigraph and collage by artist Max Bill from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitalized with cancer. Hand-numbered 66/100 in lower left corner. Hand-signed bill...

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: “I was influenced by [Robert] Rauschenberg, Keith Sonnier, Robert Smithson...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

Vibrant Shoreline - Abstract Impressionist Landscape in Oil on Canvas Gorgeous, vibrant abstract impressionist shoreline landscape by artist Kristin Cohen (American, b. 1963). The s...

Peter Stephens Quadrivium 78, 2024 acrylic and collage on paper 30 x 22 in image size:16 x 16 in (ste028)

This delicate composition in black and tan features layers of sheer brushwork, inky daubs, and thin lines. Mark Tobey, one of the founders of the American Mystical school of painting...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather tha...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Robert Natkin (American, 1930-2010) Untitled, 1978 From the Intimate Lighting series Color lithograph on wove paper Signed, dated and numbered in pencil lower left Edition 47/75 Prin...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very good, a few min...

SIZE FRAME: 157 X 57 cm (61.81 x 22.44 in) you can request a wood frame Sophie Dumont is a professional painter whose work is collected worldwide and is known for her deep explorat...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Roger Koenig, the talented abstract painter, resides and creates his magnificent...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Tony Agostini (French, 1916 - 1990) Large oil painting on canvas depicting a still life scene with flowers on a canvas and easel titled "L'Atelier". Hand signed to lower right and ...

In this vibrant and expressive landscape "My lovely Provence in summer" painting, the artist employs bold, impasto brushstrokes to bring the scene to life. Energetic swirls of vivid ...

Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 29/90 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : [Mourlot 203, page 26] 38.00 cm. x 56.50 cm. 14...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

In crafting this piece, I was swept away by the raw emotions of human resilience and vulnerability, expressed through bold strokes and calming hues. The chaotic yet soothing interpla...

Artist: Gene Davis Title: Zebra Portfolio: Series II Medium: Screenprint on canvas laminated to board Date: 1969 Edition: 110/150 Frame Size: 30 1/2" x 36 1/2" Sheet Size: 24" x 30 1...