Art

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. Thes...

Franklin for KARL MANN ASSOCIATES, New York (American, active in the 1960 's) The boarded up Brooklyn Bridge and the Manhattan Skyline - Oil on ...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

From the estate of Jerry Opper & Ruth Friedman Opper Short Hair c. 1940-1950's Gouache on Paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Unknown American Modernism School Untitled (Kitchen), c. 1930 Pencil on paper Sight size: 10 x 12 in. Framed: 16 3/4 x 20 3/4 in.

Dante's View, Death Valley Gelatin silver print, 1938 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-19...

Jim Leedy “Torso Vessel” (Fish Head Woman) Stoneware Sculpture, Glaze Year: 1979 Size: 34.75 x 16 x 11 Signed COA provided Ref.: 924802-1364 Jim Leedy was a...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

Walasse Ting Nude on Blue Backgroung, 1974 Original Lithograph Poster Printed signature in the plate On heavy paper 63 x 50 cm (c. 25 x 20 in) Created for the artist exhibition in M...

Original signed lithograph print signed by George Elbert Burr (1859-1939) of a winter landscape with snow and trees. Presented in a custom frame with archival materials measuring 15 x 17 ¾ inches. Image size measures 7 ¼ x 10 ¼ inches. About the Artist: Born Ohio 1859 Died Arizona 1939 Ten years after his birth in Monroe Falls, Ohio, George Elbert Burr moved with his parents to Cameron, Missouri, where his father opened a hardware store. Burr was interested in art from an early age and his first etchings were created with the use of zinc scraps found in the spark pan under the kitchen stove. He then printed the plates on a press located in the tin shop of his father’s store. In December of 1878, Burr left for Illinois to attend the Art Institute of Chicago (then called the Chicago Academy of Design). By April of the following year, Burr had moved back to Missouri. The few months of study in Chicago constituted the only formal training the artist was to have. Back in Missouri, Burr heeded his family’s wishes by working in his father’s store. However, he did not abandon his art, often using his father’s railway pass to travel around the countryside on sketching trips. In 1894, Burr married Elizabeth Rogers and the following year he became an instructor for a local drawing class. By 1888, the artist was employed as an illustrator for Scribner’s, Harper’s, and The Observer. In 1892, Burr began a four-year project to illustrate a catalog for the Metropolitan Museum of Art of Heber R. Bishop’s jade collection. After completing approximately 1,000 etchings of the collection, Burr used the money he earned on the project to fund a trip abroad. The artist and his wife spent the years between 1896 and 1901 sketching and traveling on a tour of Europe that spanned from Sicily to North Wales. In 1906 the couple moved to Denver, Colorado, in an effort to improve George’s poor health. While in Colorado, Burr completed Mountain Moods, a series of 16 etchings. His years in Denver were highly productive despite his poor health. Burr’s winters were spent traveling through the deserts of Southern California, Arizona, and New Mexico. In 1921, Burr obtained copyrights on the last of 35 etchings included in his well-known Desert Set...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition of 75. Frame size approx 37 x 29 inche...

Bill Shields "Pink Abstract" 1970's Oil on canvas Artist's wood frame 30"x2"x24" Signed in paint lower right Excellent Condition - Minor wear consistent with age and history. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company, International Business Machines. Institutional: National Aeronautics and Space Administration, United States Air Force, United States Department of the Interior, American Petroleum Institute, New York Stock Exchange, National Broadcasting Company, American Iron and Steel Institute, CBS Broadcasting Company, Vanguard Recording Company, Diners Club, Stanford Research Institute, Victoria Station, Neiman Marcus, Bank of America, Automobile Club of Southern California, Airlines: TWA, British West Indies Airlines, Pan American Airlines...

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

Opper Estate Maroon Abstract c. 1940-1950's Gouache on Paper 15" x 18" Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Edition version – cola grey and black background with fluorescent space splatter insert. Surface – customized light up - wood panel in a frame Edition size – AP Size – panel - 16.5x1...

A superb, richly-inked impression of this early, very scarce lithograph. Signed and dated in pencil, lower right.

Limited Edition Street Art France, 2021 Hardcover Book 10 1/2 × 8 × 2 in 26.7 × 20.3 × 5.1 cm Edition of 3000 This work is part of a limited edition set. Medium Books and Portfolio...

U.S. Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is s...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is str...

Original 1976 July 4th in Old New York vintage Bicentennial festival vintage poster. The poster is copyrighted by Macy’s New York. Artists were: Griesbach and Martucci. Arc...

Michael Eastman (American, born 1947) "Candy Counter" Chromogenic color print (C Print) Bears label en verso hand signed, titled, dated, edition 3/5 Depicting a classic Americana candy counter, candyland at an Art Deco theater, Dimensions:. sight h. 36", w. 26.5". Frame h. 46.375", w. 37", d. 2". Published in book 'Vanishing America' by Michael Eastman of abandoned, derelict places in California and elsewhere. Vanishing America includes haunting images of the insides of iconic architectural buildings, such as Main Street cinemas, French Quarter houses, and Memphis hallways. Michael Eastman has established himself as one of the world's leading contemporary photographic artists. The self-taught photographer has spent five decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architecture forms and the textures of decay, which create mysterious narratives about time and place. Eastman's photographs have appeared in Time, Life, Art in America, Art News, Art Forum, Communication Arts and American Photographer, and they reside in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf). Select Group Exhibitions Edwynn Houk Winter Show Lillian Bassman, Valérie Belin, Sebastiaan Bremer, Zana Briski, Elinor Carucci, Lynn Davis, Michael Eastman, Elliott Erwitt, David Maisel, Abelardo Morell, Vik Muniz, Matthew Pillsbury, Jessica Wynne...

Original American Airlines St. Thomas / St. Croix vintage trave poster. Archival linen backed in very good condition, ready to frame. Later edition o...

Jack Stuck (1925-1993) "Abstract Landscape" 1960 Collage oil paint, charcoal, paper and canvas laid down on masonite 48"x46" natural wood frame 51" x 49" Si...

Diane Arbus (1923-1971) is one of the most influential and daring photographers of the 20th century. Arbus is best known for her unique form of documentary portraiture. She explored the uncanny, the marginalized, and the idiosyncratic characters who defied mid-century conformity. Her work has influenced some of the most renowned photographers of our time including Nan Goldin. While her career launched in the fashion world, it was years after quitting commercial photography (circa 1956) that she found her voice as an artist. With camera in hand, she followed her fascination with the eccentric individuals and oddities of New York City. Ultimately rejecting her affluent, sheltered upbringing and the mainstream fashion industry to create her own definitions of beauty. Arbus’ portraits were considered incredibly provocative for their bold representations of sexuality, chaos, and grit. She fully immersed herself within the queer and alternative communities she documented, engaged with a curious balance of mystery and homage. Shot in 1966, "Groom Kissing His Bride" is a prime example of her uncanny ability to capture even the most traditional moments (a wedding) through a lens of surrealism. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York. Today, Arbus' work is celebrated in many major museum collections including the Art Gallery of Ontario, Art Institute of Chicago, National Museum of Modern Art (Tokyo), and Centre Pompidou (Paris). "Groom Kissing his Bride, NYC" USA, 1966 Gelatin-silver print Printed by Neil Selkirk Stamped 'A Diane Arbus photograph...

Basketball Player Gouache on card stock, c. 1940 Signed by the artist in ink lower center A study for the fresco mural in the Social Security Buildin...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

# 1 of 8 Signed, dated and numbered Howard Schatz gave up a career as a retinal surgeon and a clinical professor to follow his passion for photography. Schatz first established a following in the 1990s with two collections of underwater photography, Water Dance and Pool Light...

Spray Paint and Bronze Patina on Wood Panel Framed 60.125 x 45.5 inches

Original Jobs, Peace, Freedom. 20th Anniversary of the Historic 1963 March on Washington. August 37, 19983. Lincoln Memorial, Washington, D.C...

KAWS Along The Way (Grey). New and unopened in its original box. The KAWS Along The Way figurine is a rendition of the artist's 2013 18 foot wood sculpture originally exhibited at Mary Boone gallery New York. The KAWS Along The Way figurine is a rendition of the artist's 2013 18 foot wood sculpture originally exhibited at Mary Boone gallery NY. Along the Way presents a unique pose for KAWS’s signature Companion characters. KAWS' design features two of his iconic companions leaning on each other for emotional support, hands heavy, and eyes cast downward. Two years later, KAWS supersized the composition, installing an 18-foot-tall wooden version of Along the Way in the lobby of the Brooklyn Museum, which the museum also acquired for its permanent collection. Large scale versions of Along the Way have also been exhibited at the Rijksmuseum in Amsterdam, Yorkshire Sculpture Park in England, the Yuz Museum in Shanghai, and the Modern Art Museum of Fort Worth in Texas. Medium: Painted Vinyl Cast Resin. 10.5 x 9 inches. New/sealed in original box; excellent condition. Stamped on the underside of foot. From a sold out edition of unknown. KAWS: KAWS is an American graffiti artist and designer known for his toys, paintings, and prints. Born Brian Donnelly on November 4, 1974 in Jersey City, NJ, KAWS graduated with a BFA from the School of Visual Arts in New York and went on to work in animation. “When your whole art is based on the lettering you choose, you kinda figure out what ones work together. I just liked the shapes of the k, a, w, s,” he explained of his moniker. Having started as a graffiti artist in New York in the early 1990s, KAWS began reworking advertisements in his distinctive style. Pop Art and culture permeate his cartoonish Companion series of figurines, which share a resemblance to the works of Takashi Murakami. KAWS worked together with Nike in 2017 to produce an Air Jordan 4 shoe and has done multiple collaborations with the clothing brand Uniqlo, continuing to blur the boundaries between fine and commercial art. The artist is known for his large scale public installations, such as 2019’s KAWS: Holiday which was installed in the Hong Kong harbor during Basel Hong Kong. In 2019, THE KAWS ALBUM (2005) sold at auction for a record $14.8 million, breaking his previous record of $2.7 million which was set in 2018. This work is a take on the Beatles' famous 1967 album cover for Sgt. Pepper's Lonely Hearts Club Band, but instead replaced with characters from The Simpsons with the artist's signature Xs drawn across their eyes and skull. After years in the industry, KAWS gained approval from his peers in the street art world and more recently prestige from the museum and gallery worlds. His work today can be found in the collections at the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, and the Rosenblum Collection in Paris. KAWS currently lives and works in Brooklyn, NY. Related Categories Retna. Shepard Fairey. Street Art. Damien Hirst. Art toys. Kaws Companion. Kaws toys...

Edition Details: Year: 2017 Class: Letterpress Art Print Released: 10/10/17 Run: 219/450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered

Shepard Fairey The Shrine 7” Signed VINYL Project Autograph Limited Print Run. Edition of only 500. Signed by the artist in pencil and dated 2018. Ultra rare Shepard Fairey item an...

Bad Reputation (Black) on Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 350. My Obey “Bad Reputation” print is inspired by music graphics, especially punk and new wave album sleeves, t-shirts, and flyers. I love the Xerox machine with spot color approach to a lot of those graphics that married the rough and crude side of financial and artistic limitations with an intuitive and clever ability to craft subversive, eye-catching images. Some of the edges of this imagery and text are intentionally rough and imperfect… if slick and clean are your bag, you might want to skip this one baby! See if you can spot the references to musicians like the New York Dolls...

Original poster: Hey Fellows! Your Money Brings this Book We Need When We Want It. Original World War 1 antique military poster created by...

Inspired by 18th-century aesthetics and philosophy, Josh Keyes paints animals in a style reminiscent of anatomical diagrams. His work is characterized by an attention to detail and t...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

Art critic Hilton Kramer called the Greek-American artist Aristodimos Kaldi's paintings "beautifully executed landscapes in a lyric mode. . . all delicacy and nuance and romance. . . " Kaldis was a New York School painter...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print (Television) TV Head A surrealist image of a window mannequin man with a TV head. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Flowarh$, Archival Paper with dimensions of 24 x 24 in. 6-color screenprint Edition of 93 Signed and thumb printed by the Artist Pop art would not exist without the iconic Andy War...

Signed and dated on the lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed later, Printed on Hahnemühle Fine Art paper. Mitchell Funk is a p...

Ewok Kenner toy from "Return of the Jedi" -1983 These iconic figures have become more then just iconic collectable toys. They encapsulate an era instantly transporting the viewer to ...

U.S. Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is s...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition of 75. Frame size approx 37 x 29 inche...

Artist: Michael Torquato deNicola Title: Moon Beam Surf Board Print Edition Details: Archival pigment print on 100% Agave/Cotton sustainable fine art paper, signed and numbered in the margins by the artist, and released in the following exclusive worldwide edition: 24x18, edition 70, $300. 32x24 sheet, edition 30, $780. Michael Torquato deNicola (know as Torquato) is an award winning professional surfer, visual artist and filmmaker. His work has shown in museums and galleries in the US and Europe, including shows at the Amstel Gallery in Amsterdam and Florida, Chase Edwards Gallery in the Hamptons, Art Project Paia on Maui, The Misfit Gallery in La Jolla, and The Laguna Gallery of Contemporary Art, as well as showcased at The Museum of Architecture and Design,The Surfing Heritage Museum and the California Surf...

Spray Paint and Bronze Patina on Wood Panel Framed 56.25 x 42.25 inches

Contents Under Pressure (2022) Chris RWK bronze sculpture, Robots Will Kill PO BOY character in cast bronze. Street art, graffiti, aerosol art, street artist, Staten Island, NY, New York, NYC, iconic character, robot, robots will kill, metal sculpture, spray can art. Character art, character design. This piece is based on a drawing that the artist did years ago that turned into things like paintings, pins, patches and stickers. He has now brought it into the 3-D world via this bronze sculpture. It shows the robot confined inside the spray can. There is a ball and chain around his ankle that represents the rattle ball inside of all aerosol cans...

Neal Slavin (American, b. 1941) World Body Building Guild (W.B.B.G.) Brooklyn, N.Y. Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of people...

Signed lower right: AH Gorson

Original Alhambra Theatre Maurice Chevalier vintage lithographic poster. Artist: Charles Kiffer (1902 - 1992). Size: 19.25" x 27.25". Archival linen-backed antique vintage poster; ready to frame. An original lithograph was done for the inauguration of the new Alhambra Theater, featuring Maurice Chevalier. Over the years; Kiffer designed 13 for Chavalier from 1927 - 1963. (Kiffer also designed for Josephine Baker, Edith Piaf, and many other performers.) Today this version with the text of the Alhambra Theatre Maurice Chevalier is a rare poster. Mid-century-modern. The Alhambra was a music hall located at 50, rue de Malte in the 11th arrondissement of Paris. It opened on August 11, 1866. This image with the familiar tilted hat is a recognized image associated with several different poster designs created for the actor Maurice Chevalier. In addition to the images created for the French cabaret; a similar image is also associated with the liquor poster...

Stripes Shipping price can change depending on location Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream,...

Hijack, You're Never Too Young To Dream Big. 18 x 18 inches. Sold out limited edition. Hand signed and numbered by the artist. The son of Mr. Brainwash, Hijack has had created his ...

For Giving (2022) Chris RWK 32.5 lb bronze sculpture, Robots Will Kill PO BOY character in cast bronze. Street art, graffiti, aerosol art, heart, street artist, Staten Island, NY, New York, NYC, iconic character, robot, robots will kill, metal sculpture. Character art, character design. 24 × 10 × 9 1/2 in 61 × 25.4 × 24.1 cm 32.5 lbs Bronze / Graffiti and Street Art...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...

Neal Slavin (American, b. 1941) The Wheelman, Swarthmore, PA Bicycle Riding Club. Antique Highwheeler Penny Farthing Bike club riders. Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of people from Britain, commissioned by the National Museum of Photography, Film and Television in the UK. It was published as a book in 1986 and exhibited at the International Center of Photography (ICP) in New York and at the National Museum of Photography, Film and Television that same year. His photography has been seen in publications and magazines, including The Sunday Times magazine, Stern, Town & Country, Esquire, The New York Times magazine, Life, House & Garden, and Geo Magazine. His photographs can be found in the Museum of Contemporary Photography in Chicago, USA. His work encompasses a professional career of over 40 years, during which he has photographed a myriad of subjects including such celebrities as Steven Spielberg, Harrison Ford, Barbra Streisand, and Phil Collins. He is most known for his group portraits, which have been a significant focus throughout his career. He recently created a group portrait for T Magazine of film celebrities that have their roots in NYC, which includes Willem Dafoe, Glenn Close, LaTanya Richardson, Ed Harris, and Loretta Devine, among others. Slavin has received a number of grants and awards. He was one of the first Fulbright Fellows in Photography. He received US National Endowment for the Arts grants and a number of awards from Communication Arts Magazine. In 1986, he was named as the Corporate Photographer of the Year by the American Society of Magazine Photographers. He was also awarded the 1988 Augustus Saint-Gaudens Medal and the 2005 President's Citation by his alma mater, the Cooper Union. He is among the first generation of photographers, along with William Eggleston, Stephen Shore, Richard Misrach...