Art

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

Nguyen Quang Huy was born in Ha Tay, Vietnam in 1971 and studied at the Hanoi Fine Arts University as well as participating in residencies in Germany, Australia and the USA. The coun...

‘Tribal Indochine Woman 2’ is a large photorealist oil on canvas painting created by Vietnamese artist Nguyen Quang Huy in 2008. Featuring a captivating white, grey and black palette...

Daniel Sprick's (US based) "Jen Starling" is an original, handmade oil painting that depicts a female portrait with a landscape background colored with pink and blue hues. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Daniel Sprick's (US based) "Sunset Limited" is an original, handmade oil painting that depicts a mountain landscape colored with the orange hues of twilight. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Daniel Sprick's (US based) "Bluebird" is an original, handmade oil painting that depicts a still life with a bird skeleton, a blue jar, a blue bowl and a broken eggshell. Currently on display at the Madden Museum through April 28, 2024, but available for shipping in early May. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Daniel Sprick's (US based) "Matter and Energy" is an original, handmade oil painting that depicts a still life in the artist's studio composed of a white vase with large leaves, a red cup, a blue bowl and floating white roses. Currently on display at the Madden Museum through April 28, 2024, but available for shipping in early May. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand...

Daniel Sprick's (US based) "Lilies" is an original, handmade oil painting that depicts a white and blue vase with white lilies on a blue draped table with a skull. Currently on display at the Madden Museum through April 28, 2024, but available for shipping in early May. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

Contact is content at Seljalandsfoss, Contemporary, 21st Century, C Print C-Print Edition of 100 Each 53 x 42 cm (20 x 16.5 in.) Signed and numbered on adhesive label In mint conditi...

Reka Nyari’s erotically charged photographs engage cultural narratives surrounding gender and sexuality. A master at the art of storytelling, Nyari’s newest series, GEISHA INK, documents Ginzilla, a dramatically-posed young woman whose naked body is lavishly-adorned with tattoos. A champion of feminine fortitude, Nyari has long been fascinated with the art of capturing women without pretense. Recognizing strength in the vulnerability of the nude female form, she chooses most often to photograph women...

Artist: John Baeder Title: Blue Beacon Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 22" x 30" Note: This piece is sold UNFRAMED Condition: Exce...

VMA-012, 2015 Edition / Talla directa sobre marmol blanco de Carrara 36 x 16 x 10,5 cm 14.1 x 6.2 x 41.3 in. The "Tu y Yo" (You and Me) series is based on complementary opposites and contain revealing elements of male and female symbology. As a tribute to his teacher Jesús Soto he introduces direct references to the work of the kinetics in hatched backgrounds of lines to produce the optical vibrations characteristic of that movement. JORGE SALAS...

Escena de recolección de frutas BRY-002, 1937 Edition 1/8 Bronze 200 x 113 x 11.5 cm 78.7 x 44.4 x 4.5 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

Ofrenda CVIII 108, 2013 Unique Piece Acrilico sobre tela 70 x 70 x cm 27.5 x 27.5 in. About the Artist Born in New York on January 13, 1935. In 1941 he moved with his family to Car...

El cuadragésimo cuarto encuentro, 1997 Acrylic on canvas 112 x 132 x cm 44 x 51.9 x 0 in. About the Artist Born in New York on January 13, 1935. In 1941 he moved with his family to...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

'Painter with Pati' is a self portrait of the artist himself and his life model Pati. Pati wears a bright pink ball gown whilst the artist is depicted in a mirror behind her. Highly detailed with an incredible vibrant colour palette, and a work that would make a great addition to any collection. Robert...

"Tangled" is a framed acrylic work on canvas by Ariel Vargassal, depicting a figure in a suit tangled in yarn while also holding aloft a spider monkey. The hyperrealistic style inclu...

"Sugar Heist" is a framed acrylic work on canvas by Ariel Vargassal, depicting a figure in a suit jumping alongside two lemurs holding iced sugar cookies. The hyperrealistic style in...

"The Path Is Made By Walking" is a framed acrylic work on canvas by Ariel Vargassal, depicting a champagne horse with a crow on its back being led by a figure out of frame of the com...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

The son of a known Chinese drama director and a very famous actress, Maleonn grew up in an artistic environment, where he began to study art when only 11 years old. After graduating ...

The son of a known Chinese drama director and a very famous actress, Maleonn grew up in an artistic environment, where he began to study art when only 11 years old. After graduating ...

The son of a known Chinese drama director and a very famous actress, Maleonn grew up in an artistic environment, where he began to study art when only 11 years old. After graduating ...

The son of a known Chinese drama director and a very famous actress, Maleonn grew up in an artistic environment, where he began to study art when only 11 years old. After graduating ...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

JR, Inside Out, Haiti Contemporary, 21st Century, Lithograph, Limited Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 180 70 x 100 cm Signed on the bott...

JR, In the Container Wall, Le Havre, France Contemporary, 21st Century, Lithograph 20 colours lithograph Edition of 180 50 x 70 cm (19.6 x 27.5 in) Signed and numbered In mint condi...

From street artist and photographer JR, this artpiece depicts Charlie Chaplin in the legendary scene from "The Kid" as a celebration of the movie's 100th anniversary in 2021. JR Unf...

JR, JR au Louvre, 29 Mars 2019, 18h08 Contemporary, 21st Century, Print, Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 250 35 ...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...