Art

Provence signed by Josine Vignon (French 1922-2022) oil painting on artist paper, unframed paper: 9.5 x 13 inches very good condition provenance: the artists estate, France Josine ...

Linda Clerget's abstract floral paintings are a journey through the plants and nature. With vibrant colors and energy, this painting transport you to a d...

French Mid 20th Century oil on board, fauvist view of olive trees in a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

Landscape with figures in a cottage signed by W.Greaves oil on canvas, framed dated 1909 framed: 10 x 19 inches canvas: 9 x 18 inches provenance: private collection, UK condition: ve...

Drummers were often thought of as young soldiers, joining the Army as young as 12 years old. The idea of young boys marching into battle was loved by the Victorians, and several roma...

"Lavender Below Provence Farm" is an exceptional large vertical oil painted on location in Provence by Maria Bertran, this Contemporary Impressionist la...

Still Life by Josine Vignon (French 1922-2022) oil painting on canvas, unframed stamped verso canvas: 24 x 18 inches very good condition provenance: the artists estate, France Josi...

'Portrait of a woman, half-length, wearing a black dress with lace bonnet and collar' Carl Fiebig, German / Danish 1812-1874 signed oil painting on board, framed framed: 27 x 21 inc...

Louise Jopling (1843-1933) Miss Enthoven A charming portrait of Miss Enthoven, thought to have been exhibited at the Dudley Gallery, London in the winter of 1878 under the title 'Portrait of Nelly - daughter of S Enthoven Esq.' Signed, dated, inscribed verso on the artist’s label and presented in its original kit-kat style frame.. Louise Jopling was one of the most highly regarded portrait artists of her time. Her sitters were the high society glitterati of the late Victorian era. Many examples of her work, for comparison, can be found on the artuk website. I am indebted to Dr Patricia de Montfort, Curator for Whistler Studies at the University of Glasgow for this research and the inclusion of this work in her catalogue raisonné. Credit Wikipedia Louise Jane Goode was born in Manchester, the fifth of the nine children of railway contractor Thomas Smith "T.S." Goode and his wife Frances. She married at seventeen to civil servant Francis "Frank" Romer. The Baroness de Rothschild, a connection of Romer's, encouraged Louise to pursue and develop her art. In the later 1860s, she studied in Paris with Charles Joshua Chaplin and Alfred Stevens, and first exhibited her work at the Salon. She entered works into the Royal Academy shows, 1870–73 (as Louise Romer). After Romer's 1872 death, she married Vanity Fair artist Joseph Middleton Jopling in 1874, who in 1888 was best man at Whistler's wedding to Beatrix Godwin. Of the children from her first marriage only one son, Percy Romer, survived childhood. She had another son, Lindsay Millais Jopling, by her second marriage; the child was named after his two godfathers Sir Coutts Lindsay, founder of the Grosvenor Gallery and John Everett Millais. She achieved fair success in her career: her painting Five O'Clock Tea was sold for £400 in 1874. Her Five Sisters of York was shown at the Philadelphia Exposition in 1876, and her The Modern Cinderella at the Paris Exposition of 1878. Yet she was not immune to the gender discrimination of her time: in 1883 she sought a portrait commission for 150 guineas, but lost it to Sir John Everett Millais, who was paid 1000 guineas for the same project. Jopling exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. She joined the Society of Women Artists (1880) and the Royal Society of Portrait Painters (1891); she became the first woman to be admitted to the Royal Society of British Artists (1901). During the years of her marriage with Jopling, she became the primary earner of the family. It is said that, "She found this responsibility weighty and stressful, necessitating constant production, regular sales and a continual search for commissions and clients. In 1879, despite her own illness and that of her son Percy, she produced eighteen works." Social life Jopling "painted portraits of titled sitters, wealthy financiers and actresses" and, to operate in this social milieu, she maintained a fashionable lifestyle, with a Chelsea studio at 28 Beaufort Street, designed by William Burges. She moved in a social circle that included James McNeill Whistler, Oscar Wilde, Kate Perugini (née Dickens) and Ellen Terry. Augustus Dubourg dedicated his 1892 play Angelica to her. In 1887 the society magazine The Lady’s World described her social circle, One year we have her portrait, magnificently sketched by Millais, adorning the walls of the Grosvenor; next season she figures as the heroine of a ‘society’ novel from the pen of a popular writer. One week we see her salon drawn by Mr. Du Maurier in Punch, with sketches from the life of herself and her friends; the week after she appears under another name as the heroine of one of those quasi-malicious town and country tales which amuse the readers of a society paper… Over the mantelpiece hangs the portrait, by her old friend Sir John Millais...

The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful T...

French School, mid 20th century indistinctly signed lower corner inscribed verso oil painting on canvas, unframed painting: 10.5 x 14 inches provenance: private collection, France co...

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 5 1/2 x 8 3/4...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Italian School, late 20th century oil on board, framed framed: 16 x 18 inches board: 11 x 14 inches Provenance: private collection Condition: The painting is in overall very good and...

Artist/ School: signed Guy Benard (French, contemporary) Title: 'Nature Morte' Medium: oil on canvas, unframed and inscribed verso Canvas: 18 x 21.5 inch...

JANET AMENT DE LA ROCHE (American 1916-2000) "Still Life of Table with Lemons and Vase of Flowers," Oil painting on canvas wrapped board in carved gilt wood frame Hand signed L/R, "de la Roche," and signed verso Provenance: Private Collection, Pearland, Texas. Dimensions: framed 15 X 19.5 sight 12 X 16 Janet Ament De La Roche (1916-2000) was active/lived in California. She is known for Post impressionist, abstract figurative painting. This painting while clearly figurative bears the influence of the emerging Abstract expressionist movement. Janet Ament De La Roche was born in Hollywood, CA on December 31, 1916. Janet first studied in Los Angeles at Otis and Chouinard art institutes. While studying at Jepson Art Institute in 1947, she met and soon married artist, Victor Di Gesu. Janet de La Roche was often called one of the last Bohemians. She was an artist as well as an avid Flamenco dancer. The couple spent four years in Europe and further studied in Paris at Académie de la Grande Chaumière and Andre Lhote Institute, and in Barcelona at Escuela de Bellas Artes de San Jorge .She also studied with the artist, Ejnar Hansen. as well as with Earl Kerkam, Yves Brayer, Jean Aujame, Edouard Goerg, F.Tolles Chamberlin and George Stanley. Upon returning to California in 1956, they settled on the Monterey Peninsula and built a home in Pacific Grove. She exhibited widely and with much success, including at the Salon d'Automne (1954), the Salon des Artes Decoratifs, Museum of Modern Art, Paris, (1955), the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. She was the winner of the Prix Othon Friesz. She was included in the exhibit at the Pacific Grove Art Center, A Salute to 14 Major Artists, (Other “Legacy” artists include, Janet Ament, Carolyn berry, Joan Savo, Justine Weber, Virginia Conroy, George Degroat, Eldon Dedini, Sam Colburn, Alex Gonzalez...

Medium: lithograph. Medium: lithograph. Printed in 1939 by Mourlot Freres and published by Teriade for Verve (Volume 1, Number 5-6). Size: 13 3/4 x 10 1/8 inches (347 x 257 mm). Ther...

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

Interior Still Life scene with garlic and wine on table by Josine Vignon (French 1922-2022) stamped verso oil painting on artist paper, unframed paper: 14 x 17.5 inches very good co...

Joan Beltran Bofill (1934-2009) - three women having tea - Oil on canvas Oil measures 73x100 cm. Frameless.

Magical golden light skims off a 19th-century cobblestone road that appears to lead into an equally antique-looking lower Manhattan skyline illuminated with golden light. As a proge...

A beautiful oil on canvas painting by French artist, Anatol Bouchet. Bouchet was an French painter known for his colorful cityscapes depicting the times of his generation. This paint...

"Troupe de M'lle Eglantine" 1974 reproduction of an 1896 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum...

Artist: John James Audubon (American, 1785-1851) Title: "Brown Pelican" (Plate 424, No. 85) Portfolio: The Birds of America, First Royal Octavo Edition Ye...

Artist/ School: British School, late 20th century, signed by the artist Spencer Coleman Title: The Scottish Highland Loch in the Summer Medium: oil o...

A large and striking female portrait titled "Red Umbrella" by Timoleon Marie Lobrichon (French, 1831-1914) This darling young woman portrait wearing an early 1900's light pink and green satin dress. Her delicate and beautifully rendered hands reach into the light as her face and upper body are carefully shaded by the lush greenery around her. A half moon brooch...

Street Photographer Mitchell Funk uses of a 500mm telephoto lens to capture the two subjects lost in thought. Selective focus throws the background out of focus and creates a dreamy...

John Strickland Goodall John Strickland Goodall was born in Heacham, Norfolk on 7 June 1908. He was the son of a famous heart specialist who boasted seven generations of medics, and...

Artist/ School: Scottish School, early 19th century Title: The Highland Valley Medium: oil on canvas, unframed Painting: 28 x 36 inches Provenance: private collection, UK Condit...

Henry Redmore British, (1820-1887) Trading Schooners & Dutch Luggers on the Humber Estuary Oil on canvas, signed & dated 1873 Image size: 23.5 inches x 37.5 inches Size including frame: 31.25 inches x 45.25 inches An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor. Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist. He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...

Waterlilies, Original Post-Impressionist Landscape Painting 39" x 39" x 1.5" (HxWxD) Oil on Canvas Hand signed by the artist. This large-format square oil painting by artist Lee Campbell...

'The Century Atlas. Oklahoma and Indian Territory' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse co...

This painting features vibrant hues of green and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Langdale Pikes, The Lake District English School, mid 19th century Circle of Samuel Bough, RSA (British, 1822-1878) oil on canvas, framed framed: 12 x 15 inches canvas: 9 x 11 inch...

The Mourne Mountains by DENIS THORNTON (1937-1999) Irish signed oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches the painting is in...

Artist/ School: Suzanne Crochet (French c. 1930 female French Impressionist artist), signed Title: The Old Provencal Village Medium: oil on board, un...

RIVES Antony (19th Century) Landscapes with characters in pair Two Oils on wood panels signed lowright and left Annotation on the back : " Banks of the Aude River near Carcassonne in August 1904" Stamp from Senelier, famous hardware dealer settled in Paris Framed by Gault (Paris) DIm wood panel (each) : 24 X 33 cm Dim frame : 38 X 47 cm RIVES Antony (19th Century) French 19th Century born in Carcassonne Painter of Landscape Antony Rives was a pupil of Jean Jalabert and Adolphe Yvon...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

This is an in-camera manipulated photograph from 1970. It depicts soft light caressing trees as they are mirrored in the water. The image is filled with nuanced blue-magenta color. ...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wardle'. Title: Falling Tree...

Signed lower right, 'P. Bisiaux' for Pierre Bisiaux (French, born 1924), and with number and limitation, '250/275', lower left. Accompanied by a Certificate of Authentication from th...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

This is an Aubusson style flat weave hand woven wool tapestry. This is from the George Goldstein Atelier in Jerusalem. (Originally known as Nazareth Tapestries) They produced genuine handmade Gobelin tapestries in Israel). This does not bear a label and is not signed, (it might be one of a kind) It might have been a study for a larger piece. It is based on a painting of a fisherman. In 1964 the first French style weaving studio was inaugurated in Israel, in the new city of Nazareth Ilit. With the encouragement of master Jean Lurcat, woven upon several contemporary masters’ original sketches, such as Jean Lurcat, Hans Hartung, Adolph Gottlieb, Karel Appel, Yaacov Agam, Mordecai Ardon, Reuven Rubin, Danny Caravan, and more. Some of these tapestries encountered their moments of glory during the international exhibitions, such as in the Museum of Modern Art (NY), “Expo Montreal” (Canada), Biennale of Lausanne (Switzerland), and others. In 1967, after the Six-Day War, Nazareth’s workshop closed its doors and returned to Jerusalem, where I opened a new studio with a young team made up of eighteen artisans, dedicating their work more specifically towards Israeli artists. The tapestries are woven upon the original sketches of Yohanan Simon, Naftali Bezem. They can be seen on the walls of the Israeli President’s residence, the Yeshiva University of New York, the University of Haifa, New York Bank Discount, as 60-square meter tapestries for the Shaare Zedek Medical Center, Jerusalem, and in ceremonial art. Tapestries for Parochet and Torah mantles are seen in Washington, Bet-El Springfield, Babson College, Boston, Bet-El Univ. Andover, Bet-El Highland Park and the Strasbourg Great Synagogue in France. Along with Itche Mambush in EIn Hod these were the fine, Gobelin style modern art tapestry...

Golden rays rim light a single figure sitting on a Central Park Bench. He becomes more of a shape than a specific individual and, as such, blends i...

By David Gamero 29" x 29" Oil on Canvas

Loch Tay, Perthshire Scottish School, late 19th century indistinctly signed oil painting on canvas, framed framed: 11.5 x 17 inches canvas: 10 x 16inches prov...

A beautiful c.1930 English post-impressionist / pointillist oil on canvas depicting two young men at a table. The work is superbly executed with a wonderf...

Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 32 x 26 inches very good condition provenance: from the artists estate, France Josine ...

William Luker Snr British, (1828-1905) Sheep in a Sussex Lane with Pevensey Bay in the distance Oil on canvas, signed & dated 1875 Image size: 17.25 inches x 25.25 inches Size including frame: 23.25 inches x 31.25 inches A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond. William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition. By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution. He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905. Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: private collection, Derbyshire...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection, England condition: overall...

in this Shabby Chic painting the artist takes as his subject matter an inanimate object, a vase with flowers. The artist uses controlled brushstrokes, and emphasizes on quality over ...

Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...

Joan Joseph Garí (1922) - landscape with bell tower - Oil on cardboard Oil measures 33x45 cm. Frame siza 46x59 cm. Painter born in Granollers in 1922. Trained in his hometown and at...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...