Art

Original French travel poster: EPINAL. Chemin de Fer de l’Est. Excellent condition. No repairs, no damage, linen backed, A condition. Bright and colorful full lithograph. Linen...

"La Comete" Iconic French Art Deco Silvered Bronze 1920s Female Nude Maurice Guirard-Riviere (1881 - 1947) La Comete Silvered bronze 23 inches wide x 19 3/4 inches high x 5 1/2 inc...

Les Rois des Lègendes, Costume pour femme ésclave from 1919 is a gouache painting on black paper, 10.75 x 9 inches, framed in a custom, closed-corner, Art Deco frame, 24 x 20 inches....

Troisemmè Dame from 1919 is a gouache painting on paper, 12 x 9.5 inches, framed in a custom, closed-corner, Art Deco frame to 20.25 x 18 inches. Signed recto 'Erté' mid lower right ...

SEGUY, E[ugene] A[lain]. Papillons. Paris, [1929]. Superb lithograph by the master of the format. “In comparison with their variety and brilliance, much Art Deco illustration s...

Martha, Act I (Chicago Opera) from 1925 is a gouache on paper measuring approximately 9 x 7 inches and framed in a custom, closed-corner frame. Signed recto 'Erté' mid-right and stam...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

'Demi mondaine à la Mode is a very early drawing by Erté, pencil on card, approximately 6.25 x 4.75 inches and framed in a classic, gold-tone frame. Signed i...

A mythical piece of Daum's legacy, "Horse Carrying Fire" is inspired by legend. This magnificent horse with its fine silver embellishment appears to have stepped straight out of a th...

La Pendule from Au Réveil de Passé was created in 1923 and is a gouache on paper measuring approximately 15 x 10.75 inches and framed in a custom, closed-corner Art Deco...

After Drawings and paintings from Africa. Executed during the Citroën Center Africa Expedition. Second Haardt mission, Audoin-Dubreuil.Paris, Jules Meynial, [1927]. Folio (380 x 27...

SEGUY, E[ugene] A[lain]. Papillons. Paris, [1929]. Superb lithograph by the master of the format. “In comparison with their variety and brilliance, much Art Deco illustration s...

Copacabana presents Erté's vision of fantasy, splendor, and femininity in a statuesque model wearing a cabaret costume. The gown is noted for its luxuriant richness and design. Softe...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Bristol Again This graphite pencil drawing ‘Neo Deco – 03-12-22’ follows after a couple of colored pencil drawings. These were fun to do but I wanted to get back to basics and to me that has always been black and white. There was another reason too. Some months ago I drew ‘Art Deco Nude – 05-08-22’ on Ingres paper, which I didn’t use for a long time. Next to the love for Ingres I was a bit worried how my new Faber-Castell pencils would react on Bristol paper. I did a couple of tests then on demand of Brugman Art who gave me these to try out. Initially they felt a bit sticky on Bristol and a bit too smooth. Today I have to withdraw this statement and replace it with newer and better experiences. Gradients My major concern was whether I could get smooth tonal gradients such as the ones in my Roundism series. Now that I tried to combine Pitt Graphite Matt with Bristol I see I can. The gradients are just fine whereas I can blacken the paper even more than with regular graphite pencil. It is even susceptible for rubbing out. Furthermore it gives me the ability to find heftier expressions, covering the total tonal bandwith from pure black to pristine white. Neo Deco The artistic motif itself was yet another smashing Walter Bird photo...

Medium: original etching and engraving. This impression on wove paper was printed in 1939 and published in Paris by San Lazzaro for the art revue XXe Siecle (issue number 5-6). Size:...

The inspiration for this sculpture comes from Erté's original costume design entitled "Texas," for the 1917 New York stage production of "The American Millionaires." This spectacular...

Optimism and Pessimism, created in 1927, was the cover design for Harper's Bazar in May 1929. This is a gouache painting on board, signed recto 'Erté' lower right in the image, and f...

Moroccan Woman with Girl, Pastel with Gold and Silver on Paper Pastel with gold and silver on paper 47 x 62cm (18 ½ x 24 ⅜ inches) Signed lower right, Manzana Pissarro Painted circa ...

Déméter from Les Idoles, Folies Bergère was created in 1924 and is a gouache on paper measuring approximately 14.75 x 10.5 inches. Framed in a custom, closed-corner Art Deco...

Statue of Liberty (Day). 9886. Seriagraph with embossing and hand stamping. Image: 28 x 20. Series: Statue of Liberty Suite Edition 300, #248. A fine impression printed on the full s...

'1920s Flapper Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cos...

The Treasures of Indo-China, created in 1922, is a gouache on paper, 15 x 11.25 inches and framed in a custom, closed-corner Art Deco frame. Signed rec...

Original vintage travel advertising poster for Germany published by the German State Railway RDV Reichsbahnzentrale fur den Deutschen Reiseverkehr featuring a stunning Art Deco desig...

Le Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Beautiful art deco original vintage poster La Panne from 1932. A chromolithograph with the addition of silver ink makes this original Belgium beach poster...

SEGUY, E[ugene] A[lain]. Papillons. Paris, [1929]. Superb lithograph by the master of the format. “In comparison with their variety and brilliance, much Art Deco illustration s...

SEGUY, E[ugene] A[lain]. Papillons. Paris, [1929]. Superb lithograph by the master of the format. “In comparison with their variety and brilliance, much Art Deco illustration s...

After Drawings and paintings from Africa. Executed during the Citroën Center Africa Expedition. Second Haardt mission, Audoin-Dubreuil.Paris, Jules Meynial, [1927]. Folio (380 x 27...

Erté is largely credited with creating the look of the Jazz Age. The 'Roaring Twenties' is a phrase used to describe the 1920s, principally in North America, but also in London and P...

Original vintage advertising poster for Fabrique Nationale Motorcycles featuring an Art Deco design by the Italian artist Marcello Nizzoli (1887-1969) depicting a motorbike rider as ...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Original vintage travel poster for Mar Del Plata El Gran Balneario / The Great Spa featuring a dynamic Art Deco design by the Argentine painter Ernesto Scotti (1901-1957) depicting t...

The Rue Faubourg St. Honoré is a famous street in Paris's 8th District. While narrow compared to the Champs Elysées, it is considered the capital of Haute Couture due to the presence...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: An Evening in 1922 Year: 1982 Medium: Bronze Edition: 61/250 Numbered, 12 AP, 9 HC Size: 17 inches Condition: Excellent Inscription...

'Lucille (1940s Female Bust Fashion Rendition)' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while neve...

'Paths (Contemporary)' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic costume throug...

Original vintage poster: La 18 ch Peugeot. Archival linen-backed art deco early antique French automobile poster. Notable artist Rene Vincent. Excellent condition. Black and white lithograph on natural unbleached paper. Ready to frame. This is a full-size poster and not a magazine ad. From our research, it has been almost a decade since the last copy of this poster was available. Rare Rene Vincent automobile poster. Black and white posters are a rarity as far as vintage posters are concerned. The original idea was to catch the attention of passersby in every possible way. Color was an essential tool in advertising when posters were an essential source for name-brand recognition. The absence of color gives these auto posters a touch of class. They can also be compared to old photographs. Either way, you're looking at something special. This one is incredibly cool since it came from the talented artist Rene Vincent. If his name doesn't ring a bell, his poster "Porto Ramos" probably will if you look it up on our site. You will find that he also created automobile posters as early as 1905, which are all extremely rare and hard to find. Don’t let this excellent-condition vintage poster pass you by. Vincent only got to devote a little time to posters once he was in his forties, after working for many years in various publications--mainly humor and fashion magazines--and in decorative design. However, once he made the switch, he produced prolifically posters, even using additional pseudonyms. He preferred sleek automotive posters...

Sisters was inspired by a gouache painting from 1921 entitled 'Les baisers pervers ou la brune et la blonde' and is a wonderful example of an invention of Erté's from the early 1920s...

'Ode to Mineko Iwasaki (1970s Japanese Geisha)' is an original charcoal drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful ...

Chinchilla Sleeves is based on a 1924 fashion design for Harper's Bazaar that showcased Erté's stunning new wraps and gowns for the upcoming season. A velvet gown edged with chinchil...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

L’Orientale à la Mandoline by GEORGES MANZANA PISSARRO (1871-1961) Mixed media with gold on paper 31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches) Signed lower right, Manzana Executed in 1910 T...

'Female 1540s Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cost...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 145/375 Size: 19.75 x 18.13 x 5.75 inches Condition: Excellent Inscription: Incised wi...

'Male 1540s Fashion Rendition' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless maintain...

"1950s French Male Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless m...

'Contemporary Fashion Rendition' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless mainta...

Originally executed as a fashion illustration for Harper's Bazaar, The Wave presents an anthropomorphic vision of feminine beauty borne from the sea while paying homage to Hokusai’s ...

"1950s French Female Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. In this drawing, the artist clearly features the strong shoulders and the nipped-in waist silho...

This original vintage poster was created in 1920 by renowned poster artist, Leonetto Cappiello. It is printed in an oversize format with English text using stone lithography. The fin...

On the Avenue was created originally as a gouache and presents a female figure wearing a typical 1920's flapper outfit. During the 1920s, fashion for young women focused less on the ...

Wonderful art deco style still life of yellow and lavender tulips in vase with sugar bowl by Hamlin (American, 20th Century), circa 1935. Signed lower right "Hamlin" Condition: Good;...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Cabaret, so evocative of cabaret-style shows, was a costume design for a 1940 production entitled 'Dream Waltz' by Oscar Strauss, based on a novella from 1905 by Hans Müller-Einingen...

An early 1940s fashion study featuring an advertisement for Lilly Daché Perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Instit...

Erté, considered by many as the “Father of Art Deco,” often acknowledged that his love for the theater was a great source of creativity and inspiration. He conveyed in his art a drama with which he lived his life – a dream that came from the very innermost expression of his soul. Just like theater has two faces - comedy and tragedy - Erté was a brilliant showman, as well as a quiet man who sometimes would prefer to be left alone. From a young age, he was immersed in the world of opera, ballet, and theater. When he designed costumes and sets for theatrical productions, it was a lifelong desire that he was fulfilling. “Broadway’s in Fashion” is a fitting tribute to the legendary Broadway from a man who pursued the theatrical in everything he did. In 1978, Erté was honored by the Eugene O’Neill Foundation at a gala celebration in New York entitled “Broadway’s in Fashion” for which Erté designed the poster. This led to a CBS-TV film on Erté narrated by the legendary Diana Vreeland, and an exhibition of his costume designs at the Boston Center of the Arts. This sculpture, in scarlet and black, with white gold embellishments, incorporates the elements for which Broadway is best known. Her elegant and confident posture reveals her costume, which is itself an homage to Broadway – the scarlet robe with gold tassels evokes the stage curtain as it rises to reveal the first act, the male and female dancers, energetically giving their all for each performance, and the Greek masks of comedy and tragedy...