Landscape Paintings

By Bartolome Sastre A serene green pond scene with water lilies and pink flowers. This piece is reminiscent of many works by Claude Monet. 51" x 38" Oil on Canvas About the Artist:...

Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: Sunset in the Scottish Highlands Medium: signed oil painting on canvas, framed framed: 17 x 25 inches painting: 1...

View of St. Mark Square is an original old master artwork realized in the late 18th century by artist of the School of Giovanni Antonio Canal (Canaletto). An impressive old master a...

This piece is a pertinent example of Jacques Weismann's most sought after works, depicting a Garden view with flowers by an elegant building in the background. As an American Impres...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Large scale abstract landscape of a city inspired by graffiti painted in the style of Abstract Expressionism. Signed by artist in lower right corner. Currently unframed, but framing ...

Dorothy Johnson Image Size: 12 x 16 Frame Size: 14.5 x 18.5 Medium: Oil "Prickly Pear"

Shizico's unique approach to paintings, erasing, rewriting, and destroying the landscape in the background through bold strokes of gold leaf on the top layers in this series, works o...

Pair the gentlest blue gray with soft shades of white and tan and you are on the journey to appreciating the morning surf in this contemporary realist marine landscape. A natural par...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

The Announcing Angel Carlo Maratta (Camerano, 1625 – Rome, 1713)Workshop Oil on canvas 63 x 75 cm. - Gilded wood frame 89 x 75 cm. Excellent condition, restored, 19th century ...

Acrylic and offset lithograph on archival paper. Paper Size: 30 x 24 inches. Inscription: Hand signed, as issued. Notes: Published by Via Max, New York; painted by Peter Max, New Yor...

Neapolitan painter (18th century) - Allegory of America. 76.5 x 64.5 cm without frame, 83 x 69.5 cm with frame. Antique oil painting on canvas, in a lacquered and gilded wooden fra...

Watching the Fireworks [November 2022] original Oil Paint on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Watching the Fireworks is an Original Painting by Eleanor Woolley. The faces of the crowd are illuminated by the explosive scene in front of them. Purple and pink reflections lighting up the dark sky, the little lights of the village in the distance. The artist has used impasto technique, creating a lovely textured surface. Interior room images courtesy of vanitjan of freepik. Eleanor Woolley was born in the Channel Island of Jersey, and moved to Gloucestershire where she was drawn to the outdoors, always taking walks in the landscape. Her first true love for painting came from an inspirational Art...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Coral Peonies June 2" by Robert Lemay is a captivating origin...

Francois Tattegrain This painting is named and listed in Benezit It was painted for the Paris Salon in 1911 and then sold in auction in 1919 (ref Benezit). For many years it hung i...

Dutch/English artist Abraham Hulk the Younger (1851-1922) is most known for landscapes of the British countryside. This work is one of a pair (the second work is also available by s...

French Master (18th century) - Allegory of the Arts. 53 x 72 cm without frame, 63 x 83 cm with frame. Ancient oil painting on canvas, in a gilded wooden frame (not signed). Condi...

Reach For the Light by Sophia Chalklen [2022] original and hang signed by the artist Oil on box canvas with Embellished with 24ct Gold, copper and bronze leaf. Image size: H:51 cm x W:61 cm Complete Size of Unframed Work: H:51 cm x W:61 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I wanted to create a painting with the light as a focal point. An image which is beautiful, uplifting and has an ethereal feel to it. The painting is quite textured and needs to be seen in real life to fully appreciate the beauty of the gold leaf glistening through the leaves. Contemporary artist Sophia Chalklen sold online and in our gallery at Wychwood Art. Sophia has always had a strong passion for Art ever since she was a child. Sophia studied at Winchester school of Art where she completed a BA specialising in Textile design. After achieving her BA she went on to become a Freelance Printed Textile designer for a small company in London. Shortly after that she managed to get a job as a Fine Jewellery Designer for the Crown Jewellers, Asprey and Garrard Bond St. Sophia became a specialist in designing high end Jewellery, accessories, and ornaments for English and Middle Eastern Royalty and the Elite. She also designed a great variety of items including rings, Jewellery Suites, watches, cufflinks, Jewel incrusted clocks, tiaras and precious ornaments. Her eye for detail leant well to her career in jewellery design and she became an expert in her field. Once she decided to start a family she went back to main her love of fine art, drawing and painting and started her own business running Art...

A large, dynamic Mid-Century summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figurative w...

Oil on cardboard sold with frame Total size with frame 55x59 cm

This is a beautifully framed contemporary floral still-life oil painting of pink and white peonies in a sterling vase in a traditional style by Pennsylvania artist Sharon Henderson. ...

This painting combines the pure beauty of nature with an impressionistic view of spring. Blooming can't just be seen, it can be felt. This art work vibrates with the ener...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

A Vibrant, Colorful Modern Watercolor, "Garden in a City Park" by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, most likely depicting a city garden in Europe, Mexico o...

Orange Horizon- The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco...

Signed post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring day. There ...

Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition. Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

Title: Mid-20th Century Pastel of Castel Sant'Angelo and St. Peter’s Dome in Rome by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11.75 inches ...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Echoes of Fall, Size: 30" x 24"...

This harbor scene oil painting is by noted Massachusetts artist Albert Rufus Thayer. Thayer was born in Concord in 1878 and studied in Boston and New York before returning to his hom...

C Hjalmar Amundsen's 'Boats at Dock' is a Mid-20th Century Oil on Canvas painting depicting a sailing vessel docked next to a couple of wharf buildings. The colors are rich values of...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

A beautiful winter street scene by contemporary artist Paul Bachem. oil on canvas on panel 14 x 11 unframed, 20 x 17 framed in a distressed looking frame. BIOGRAPHY Paul Bachem stud...

Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...

This painting depicts an impressionistic scene of a summer day at the Jardin De Tuileries in Paris with beautiful brushwork and whimsical colors. The work is a following of Jules Her...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come to love and...

Title: Impressionist River Landscape with Pine Trees Bridge and Cottage Reflections By Fanch Les Size: 18.25 x 15.25 inches (height x width) Oil painting on cardboard, unframed Condi...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Street musicians Signed and dated (19)91 Watercolour over traces of pencil 15¾ x 26 25½ x 35 with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

Artist: Slonem, Hunt Title: Bayou Teche Sunset Date: 2024 Medium: Oil on Canvas Unframed Dimensions: 36" x 48" Framed Dimensions: 38" x 50" Signature: Signed verso Edition: Un...

Pierre GARCIA FONS French Riviera : Small Village on a Mountain, c. 1960 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 61 cm (c. 20 x...

Alexandre - Gabriel Decamps 1803 - 1860 was a French painter known for his middle Eastern and North African art subjects. Decamps was one of the first painters to travel to the East...

Lively Paris street. 1973. Oil on canvas. 54 x 73cm Hiro Yamagata was born near Kyoto, Japan, went to Paris to study art, and considers himself an American artist. In his Los Angeles studio, Yamagata paints minutely detailed scenes of Paris streets, cafes and parks. He captures the essence of the naif style by presenting life in simple terms, and the world in the happiest light. His creative synthesis of photorealist and neo-folk techniques has won countless admirers and collectors. Yamagata's vision is unequivocally cheerful and his imagery is endlessly inventive. He works from a palette of over 100 shades of acrylic paints, and renders in exacting detail with brushes with as small as two hairs. Serigraphs of some of Yamagata's most popular paintings...

Mid-Century impressionist oil on board by Italian artist J. Torrelli. This painting of a lakeside at dusk, reminiscent of the 'Barbizon School', showcases impressionist painting tec...

Charming Rural French Village by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 15 x 18 inches condition: This painting is in excellent conditi...

A really charming little oil capturing an idyllic snapshot of farm workers and their family harvesting in the sunshine Attributed to Léon Augustin L'Hermitte (1844-1925) Harvesters ...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated indistinctly oil painting on canvas, unframed canvas size: 39.5 x 39.5 inches condition: ...

Looking out from Ledwell by Rupert Aker [2022] original and hand signed by the artist Oil on Canvas Image size: H:50 cm x W:58 cm Complete Size of Unframed Work: H:50 cm x W:58 cm x...

This piece is a pertinent example of Jacques Weismann's most sought after works, depicting a Garden view with flowers by an elegant building in the background. As an American Impres...

Californian Coastline Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x 17 ...

Signed and titled pastel on paper circa 1970 by French artist Hugues Claude Pissarro. The piece depicts a view of the Viaduct de Clecy - a bridge over the River Orne in Clecy in the ...

Jacob VAN STRIJ (Entourage of) Dordrecht, 1756 - 1815 Oil on panel 46 x 60 cm (64.5 x 79 cm with the frame) Inscription on the back “Van der Eyden? » Very beautiful 19th century frame in gilded wood Very good condition (only a few stains) Our painting is very close to the art of Jacob van Strij studied and may have been painted in the circle of this artist. Jacob van Strij studied at the Academy of Painting in Antwerp and with Andreas Lens. Back in Dordrecht, he became a landscape painter. Both individually and with his brother Abraham, he painted various wallpapers for clients in Dordrecht. According to Jacob van Strij biographer Johannes Immerzeel, “His passion and concern for faithfully imitating nature went so far that Van Strij, as ill as he was (for years Van Strij was plagued with gout) he asked someone to pull his sled along the ice in the biting cold in order to make sketches for his paintings, which he then executed in his workshop ”. Van Strij used these sketches for various paintings. He was inspired by 17th century old masters, in particular Albert Cuyp...

Title: French Impressionist Oil Painting of Fishing Boats in a Harbor By Fanch Lel (French b. 1930) Size: 9.5 x 13 inches (height x width...

Title: French Coastal Oil Painting of Small Rowboat at Sea Under Dramatic Sunset Sky By Fanch Lel Signed: Yes Size: 13 x 16 inches (height x width) Oil painting on board, unframed Co...

Jane Maria Bowkett British, (1837-1891) Gathering Blackberries Oil on canvas, signed with monogram Image size: 22.75 inches x 34.75 inches Size including frame: 28.75 inches x 40.75...

Spring Farm Study oil/panel 8x12 image unframed, 13.38 x 17.8 framed, Spring Farm is a beautiful impressionistic landscape oil painting that I did on location near my studio in 2016....

20th Century New York Cityscape W/ Figures & Flags by Sebastian Oil on canvas Dimensions 20" wide x 24" high The frame measures 22.75" wide x 26.75" high Signed in the lower left...