Prints and Multiples
800
to
999
6,053
2,878
749
5,032
5,352
4,268
51
7,521
1,327
492
158
177
Overall Height
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4,446
443
195
118
76
22
17
16
16
2
1
6,028
3,080
2,176
1,837
1,744
1,296
1,282
766
681
630
615
589
450
323
313
312
305
292
260
256
4,791
8,995
53,513
29,850
740
998
2,037
2,425
2,363
4,611
7,281
12,413
6,806
3,912
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314
136
124
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5,182
2,527
1,164
953
793
Prints and Multiples For Sale
Period: 19th Century
Period: Early 1900s
"Etude de Femme" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. Printed on Marais...
Category
1890s Prints and Multiples
Materials
Lithograph
Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Complete Kite
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on his red jacket, ready with his kite at ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Eclogue 2 (after) Samuel Palmer
Located in Henderson, NV
Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
"Winter Song" original etching
By Charles West Cope
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 3 1/2 x 5 inche...
Category
1860s Prints and Multiples
Materials
Etching
Terriers No. 2
Located in Columbia, MO
Terriers No. 2
1883-84
Chromolithograph
8.5 x 11 inches
Category
1880s Naturalistic Prints and Multiples
Materials
Lithograph
The Curly Coated Retriever
Located in Columbia, MO
The Curly Coated Retriever
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"A Country Lane" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was published in London in 1868 for P. G. Hamerton's "Etching and Etchers". Plate size: 7 1/2 x 5 1/4 inches; 190 x 132mm. Sig...
Category
1860s Prints and Multiples
Materials
Etching
Deck of a Man o' War / Le Vauban (cuirassé)
By Paul Leon Jazet
Located in Middletown, NY
Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in penci...
Category
Late 19th Century French School Prints and Multiples
Materials
Handmade Paper, Lithograph
The Thibet Dog
Located in Columbia, MO
The Thibet Dog
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Dog and Fox Cross
Located in Columbia, MO
Dog and Fox Cross
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
The Esquimaux Dog
Located in Columbia, MO
The Esquimaux Dog
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"Dundreary, " a Blue Tan Terrier
Located in Columbia, MO
“Dundreary,”a Blue Tan Terrier
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"Cheval de halage devant Notre-Dame" original lithograph
By Paul Jouve
Located in Henderson, NV
Medium: original lithograph. This impression was printed in 1901 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 5/8 x 5 1/8 inches (195 x 130 mm). Sign...
Category
Early 1900s Prints and Multiples
Materials
Lithograph
"Tete de jeune fille" original etching
By Henri Guerard
Located in Henderson, NV
Medium: original etching. Published in Paris in 1897 by Gazette des Beaux Arts. Catalogue reference: Sanchez & Seydoux 1897-13. A lovely impression in sanguine ink printed on cream w...
Category
1890s Prints and Multiples
Materials
Etching
"The College from the River" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 x 5 3/4 inches. Signed in t...
Category
1880s Prints and Multiples
Materials
Etching
(after) Samuel Palmer - "The Brothers under the Vine"
Located in Henderson, NV
Medium: photogravure (after the watercolor). Samuel Palmer had always admired the work of John Milton, and executed a suite of watercolors which were made into photo-engravings for "...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
Eclogue 6 (after) Samuel Palmer
Located in Henderson, NV
Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
Eclogue 4 (after) Samuel Palmer
Located in Henderson, NV
Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
Eclogue 10 (after) Samuel Palmer
Located in Henderson, NV
Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
Eclogue 3 (after) Samuel Palmer
Located in Henderson, NV
Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...
Category
1880s Realist Prints and Multiples
Materials
Photogravure
"Port d'Auteuil" original etching
By Ernst Walter Zeising
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in 1907 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/4 x 9 1/2 inches (160 x 24...
Category
Early 1900s Prints and Multiples
Materials
Etching
"Liseuse" original lithograph
Located in Henderson, NV
Medium: original lithograph. This impression was printed in 1902 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 3/4 x 7 inches (245 x 178 mm). This wor...
Category
Early 1900s Prints and Multiples
Materials
Lithograph
"En Picardie" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 4 1/2 x 7 1/2 i...
Category
1860s Prints and Multiples
Materials
Etching
"Le Charpentier" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed by A. Salmon and published in Paris by L'Art ca. 1880. Size: 11 x 8 3/8 inches (image) -- 280 x 212 mm. Signed in ...
Category
1880s Prints and Multiples
Materials
Etching
"Lady, " an English Terrier
Located in Columbia, MO
"Lady, " an English Terrier
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"Cader, " a Deerhound of the Pure Glengarry Breed
Located in Columbia, MO
"Cader," a Deerhound of the Pure Glengarry Breed
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"A Cottage" original etching
Located in Henderson, NV
Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. This impression on laid paper was printed from Weirotter's original plate. Plate size:...
Category
1860s Prints and Multiples
Materials
Etching
"Au cap d'Antibes" original etching
Located in Henderson, NV
Medium: original etching. Printed in 1902 and published in Paris by Gazette des Beaux Arts. Image size: 5 3/4 x 8 1/4 inches (145 x 210 mm). Signed in the plate, not hand-signed.
Category
Early 1900s Realist Prints and Multiples
Materials
Etching
The Actor Nakamura Shikan - Woodcut by Utagawa Kunisada - Mid 19th century
Located in Roma, IT
The actor Nakamura Shikan, color woodcut, probably from the series "9 Dances", Mid-19th Century, realized by Utagawa Kunisada (1786-1865).
Dimensions. 38x26.5cm, unframed, mounted...
Category
Mid-19th Century Modern Prints and Multiples
Materials
Woodcut
Portrait de Mlle L... (Portrait of Miss L...) /// Old Masters Figurative Lady
Located in Saint Augustine, FL
Artist: Paul Rodolphe Joseph Dujardin (French, 1843-1913)
Title: "Portrait de Mlle L... (Portrait of Miss L...)"
Portfolio: Gazette des Beaux-Arts
*Signed by Dujardin after Lehmann i...
Category
1890s Victorian Prints and Multiples
Materials
Intaglio, Laid Paper, Etching
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Prints and Multiples
Materials
Lithograph
Balaclava - The target in sight -
Located in Berlin, DE
Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp.
- slightly darkened, fixed and mounted
- The target in sight -
About the artwork
The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle.
Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image.
About the artist
Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...
Category
Early 19th Century Realist Prints and Multiples
Materials
Etching
Pair of antique color lithographs, birds, ornithology, zoology, nature.
Located in Berlin, DE
Pair of antique color lithographs, birds, ornithology, zoology, nature.
Dimensions WITH frame in cm EACH Work: 36 x 45
Category
19th Century Prints and Multiples
Materials
Lithograph
"The Old Marble Hall, Venice" lithograph 1905
Located in Henderson, NV
Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe...
Category
Early 1900s Prints and Multiples
Materials
Lithograph
The Boarhound
Located in Columbia, MO
The Boarhound
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
The Spanish Pointer
Located in Columbia, MO
The Spanish Pointer
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Retriever Crossed with a Setter
Located in Columbia, MO
Retriever Crossed with a Setter
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"Bellman, " an Otter-Hound
Located in Columbia, MO
"Bellman, " an Otter-Hound
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
"La Danse à la Campagne", 2nd plate by Pierre-Auguste Renoir
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"La Danse à la Campagne", 2nd plate
(The Country Dance (second plate))
Delteil 2, Stella 2
Soft-ground Etching in black ink, c. 1890
Only State...
Category
1890s Art Nouveau Prints and Multiples
Materials
Etching
Henri Toulouse Lautrec, Original Lithograph 1897
Located in Saint Augustine, FL
Artist: Toulouse Lautrec (1864 -1901) French
Title: The Chestnut Vendor
Medium: Lithograph,
Year: 1897
Signature: Signed in Plate (TL) Lower Left
Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed
A lithograph of a Toulouse Lautrec drawing...
Category
Late 19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
"Peto, " a Scotch Terrier
Located in Columbia, MO
"Peto, " a Scotch Terrier
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Skyes, Prick-eared and Drop-eared
Located in Columbia, MO
Skyes, Prick-eared and Drop-eared
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Captain Daintree's "King Cob, "
Located in Columbia, MO
Captain Daintree's "King Cob, "
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
The Dingo
Located in Columbia, MO
The Dingo
1887
Etching
Category
Late 19th Century Naturalistic Prints and Multiples
Materials
Etching
Une porte d'auberge / Inn Door
Located in Middletown, NY
Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...
Category
Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Etching
Original Antique Poster Chocolat Poulain Chocolate Advertising Art Cheeky Child
Located in London, GB
Original antique food advertising poster for Chocolat Poulain Goutez et compare / Taste and Compare featuring an illustration of a young boy i...
Category
1890s Prints and Multiples
Materials
Paper
C. 1900 Original Poster The Minster biggest magazine in the world by Max Cowper
By Max Cowper
Located in PARIS, FR
Max Cowper 🏴(1860-1911) was a Dundee born painter. He was employed as an illustrator for the Dundee Courier before moving to London around 1901 to join the staff of the ...
Category
Early 1900s Art Nouveau Prints and Multiples
Materials
Linen, Paper, Lithograph
The Couple Walking by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...
Category
19th Century Old Masters Prints and Multiples
Materials
Etching
Antique Dog Lithograph in the Taste of Alfred De Dreux, France circa 1870
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Bulldog and Frog
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portr...
Category
1870s Romantic Prints and Multiples
Materials
Lithograph
Three Grotesque Figures by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
Early 19th Century English School Prints and Multiples
Materials
Handmade Paper, Engraving, Etching, Aquatint
The School Master by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...
Category
19th Century Old Masters Prints and Multiples
Materials
Handmade Paper, Etching
Virginian Opossum: An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Virginian Opossum", No. 14, Plate LXVI, 66, from John James Audubon's Quadrupeds of North America, drawn on s...
Category
Mid-19th Century Naturalistic Prints and Multiples
Materials
Lithograph
Retour de L'Ile d'Elbe - Etching by Hippolyte Bellangé - 1837
Located in Roma, IT
Retour de l'ile d'Elbe is an etching that belongs to the suite AtlasBatt realized for Jacques Norvins Histoire de Napoleon, published in 1837.
Author Jacques Norvins published one o...
Category
1830s Modern Prints and Multiples
Materials
Etching
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
1810s Realist Prints and Multiples
Materials
Engraving
Wilson’s Petrel - Mother Carey’s Chicken /// Ornithology Bird Seascape Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Wilson’s Petrel - Mother Carey’s Chicken" (Plate 460, No. 92)
Portfolio: The Birds of America, F...
Category
1840s Victorian Prints and Multiples
Materials
Lithograph, Watercolor
Sketches from Western Summer Resorts Harper's Weekly
By Charles Graham
Located in Milwaukee, WI
"Sketches from Western Summer Resorts, Harper's Weekly" is a hand-colored wood engraving by Charles Graham. The artist engraved his signature into the piece. It depicts multiple scenes of summer leisure activities.
16 1/2" x 11 1/2" paper
23 1/4" x 18 1/4" frame
An itinerant, self-taught sketch artist...
Category
1880s Victorian Prints and Multiples
Materials
Engraving
Four Pheasants
By Joseph Wolf
Located in London, GB
WOLF, Joseph (artist)
Four Pheasants
London, For the author, Red Lion Court, Fleet Street, 1871
Four original hand-coloured lithographic plates by Joseph Smit after Joseph Wo...
Category
1870s Naturalistic Prints and Multiples
Materials
Gouache, Lithograph, Watercolor
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
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