Drypoint Prints and Multiples

Figure is an original artwork realized by Ilse Voigt. Original etching and drypoint on paper. Good conditions except for fairly aged lower and upper margins. This artwork represen...

A Rose is an original modern artwork realized in the 1920s ca by an Italian engraving master. Original drypoint on paper. Hand-signed by the artist on the lower right corner in penc...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...

Title : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo Artist proof, with a good contrast and sharp details, printed on antique laid paper, lar...

Image dimensions: 18.5 x 24.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. An...

Image dimensions: 18 x 14.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Ans...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Painter and Model is an original artwork realized by Giacomo Manzù in 1964. Hand signed on the lower right margin. Numbered on the lower left. Edition of 102 copies (16/102), etch...

Woman in Garden is original etching on paper, realized by an Anonymous artist of the XX century, in 1925 ca, hand-signed, from an edition of 35 prints the firm is not readable, the ...

Image dimensions: 35 x 49.5 cm. Satyrical Scene is a splendid etching realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signed in pencil on the lower right ...

Image dimensions: 10.5 x 6.5 cm. Dame Romaine is an original modern artwork realized by the French artist Léon Gaucherel (1816-1886) in 1862. Original...

Image dimensions: 10 x 9.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

Image dimensions: 6 x 8 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anselmo...

"Birth" by Tomoya Uchida (American, 20th Century). This piece is mostly abstract, high-contrast organic shapes, with the exception of one straight line that sits above the organic shapes. In the lower left corner of the piece, there is a wasp. Titled "Birth" along the bottom edge. Signed "T. Uchida" in the lower right corner. Presented in a new white and black double mat with foamcore backing. Mat size: 14"H x 10"W Paper size: 12"H x 8.5"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

Image dimensions: 9.8 x 14.4 cm. Les Quais de la Seine is a black and white print realized by Edmone A. Ades in the First Half 20th Century. Etching and drypoint. The artwork re...

Bernard Buffet Annabel, 1979 Drypoint Hand-signed lower right Numbered 48/100 Image size 38.5 x 32 cm Sheet size 66 x 50 cm

Image dimensions: 17.5 x 23.7 cm. Redemption is a splendid etching and drypointr ealized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signedin pencil on the low...

Image dimensions: 18 x 24.8 cm. The Scrap Yard is a splendid etching realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signed in pencil on the lower right m...

Detailed hand colored landscape lithograph of a stone bridge in the countryside by an unknown European artist. Signed "Clym" in the lower right corner. Nu...

Etching and aquatint on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Plate in excellent co...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Artist: Percy John Delf Smith (English, 1882-1948) Title: "Scythers Resting" *Signed by Delf Smith in pencil lower right. It is also signed in the plate (printed signature) lower lef...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...

Hand Signed and signed on plate. Edition of 35 prints. Image Dimensions : 30 x 20 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...

Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...

A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...

Drypoint and monotype, signed and numbered by the artist. Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...

"Holiday" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Holiday" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 17 as there are multiple prints in the possession of Collected Detroit...

"Travelers" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Travelers" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 16 as there are multiple prints in the possession of Collected Detroit...

Woman's Head in Profile - Woman's Head in Profile (left) (Havard) Drypooint, 1920 Unsigned (as usual) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, pro...

Limited edition. JANUSZ PRZYBYLSKI (b. 1937, d. 1998) A graduate of the Warsaw Academy of Fine Arts where he studied under Alexander Kobzdej (graduated with honors in 1963). He was a teacher at his alma mater. His artworks represented Poland, among others, at the Fifth Biennial of Young Art in Paris (1967...

Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...

Arthur B. Davies (1862-1928), Baptism (or, Group of Ten Men – One Seated), drypoint on zinc, 1917, signed in pencil , printed in black on very thin laid paper. In very good condition...

Etching and drypoint realized by an italian artist in the 1970s. Edition of 12/25. Good condition.

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

Ancient Landscape II (Ancient City) Etching and drypoint, 1953-55 Signed and titled in pencil by the artist (see photos) Annotated: "E130 A/1" in pencil lower right Estate stamp vers...

Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in several Frogman’s summer print workshops. She received her B...

Artist: Dali, Salvador Title: Macbeth Series: Much Ado About Shakespeare Date: 1968 Medium: original drypoint engravings Unframed Dimensions: 17.72" x 12.6" Framed Dimensions: ...

Artist: Dali, Salvador Title: Love’s Labors Lost Series: Shakespeare II Date: 1971 Medium: drypoint Framed Dimensions: 21.75" x 18.75" Signature: Pencil signed Edition: 128/2...

Artist: Reuben Nakian, American (1897 - 1986) Title: Myths and Legends: Plate III, Voyage to Crete (Black) Year: 1979 Medium: Drypoint Etching with C...

Salvador Dali Don Quichotte et Les Moulins a Vent, 1969 Dry point etching in colours on BFK Rives wove Hand signed and numbered 146 / 200 in pencil Sheet size 39.5 x 29.5 cm Image s...

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper, 1926 From: Miserere, Plate 38 Initially started by Ambrose Vollard, this portfolio was published in 1948 by Editions de l'Etoile Filante, Paris This image is the cover illustration for the 1938 MOMA catalog...

A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.

Artist: Dali, Salvador Title: Marie Curie Series: Medicine and Science Date: 1970 Medium: drypoint Framed Dimensions: 20.25" x 17.5" Signature: Pencil signed Edition: /125 Li...

Artist: Dali, Salvador Title: Paysage Iberique from Pasiflore Series: Neuf Paysages Date: 1980 Medium: Aquatint and photogravures with black drypoint remarques Unframed Dimensio...

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

Pechstein, Hermann Max (German, 1881-1955): NACH DEM BAD (AFTER THE BATH). Krueger R 118. Etching and drypoint, 1920. Signed in pencil. Published by Die Schaffenden...

George Trakas Isle of View, 2006 Aquatint and dry point etching printed on Lana Gravure paper Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front 18...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...

Plate 2 2 plate drypoint with hand coloring, 1984 Signed and numbered in pencil (see photos) From: Barcelona Suite (6 plates) Edition: A/P 8/10 in pencil lower left Signed in pen...

This drypoint from 1942 was printed in a very small edition. Signed under the image in pencil at the lower right. Armin Landeck (1905-1984) was born in Crandon, Wisconsin, June 4...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2004 dry point on paper Guarro Biblos 250g. 29.7 x 12 in. (75.2 x 30.4 cm.) Edition of 30 ID: ORO-306-2 Hand-signed ...