Impressionist Prints and Multiples

Pulled from Volume II of the Lithographs of March Chagall. Published by Mourlot on 1960 Éditions André Sauret, Monte-Carlo. Unsigned and unnumbered, as issued Artist: Marc Chagall, Russian (1887 - 1985) Title: Angel Bay Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

This abstract landscape by Ken Elliott is a limited edition print. It depicts a forest of trees sitting in a blanket of snow, and a subtle sunset above the top of the forest. The thi...

Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...

A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...

Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...

Whimsical limited edition drypoint etching of a hedgehog opening a door to a tiny house in a tree by Bu King (20th Century). Perfect for a nursery or childr...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...

SALE ONE WEEK ONLY “Birch Forest” is a monotype oil. The process is the simplest form of printmaking in a way because the artist does not etch or carve into a plate. Instead, a mono...

Wonderful woodblock print titled "Weaving" by Aptos, California artist Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004), circa 1990. Signed "Virginia" bottom rig...

Raoul Dufy, French (1877 - 1953) - Le Boeuf Sur Le Toit, Year: 1920, Medium: Lithograph on wove paper, signed in the plate, Image Size: 11.5 x 9 inches, Size: 12.75 x 9.75 in. (32....

FRANCE World Cup Lithograph by Aldo Luongo c.1998 Limited edition France 98' World Cup - Official License From a very limited edition of 300. Pencil signed lower right. Edition 24/300 lower left. This is a rare, very small edition lithograph for the 1998 Soccer World Cup...

Signed and numbered (17 of 25) etching from this much collected Scottish Artist. Image 6.75 x 7.75 Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught ...

This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...

Signed and numbered (6of 25) etching from this much collected Scottish Artist. Image 8; x 8. Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught artist wh...

A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...

Artist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Auguste Rodin, French (1840 - 1917) - Antonin Proust (State Seven), Year: 1884-1888, Medium: Etching, Image Size: 6.75 x 4.25 inches, Size: 10.25 x 8 in. (26.04 x 20.32 cm), Referen...

John Phillips, Scottish (1817 -1867) - Portrait of Rodin, Year: 1909, Medium: Etching and Chine Colle, signed, numbered and titled in pencil, Edition: Epreuve de Présentation, Ima...

Signed on plate. Plate: 267 Image Dimensions : 24 x 34 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an arti...

Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963) Title: La Chasse au Tigre Year: 1924 Medium: Etching with Aquatint, signed and dated in th...

A superb, richly-inked impression of this etching. Edition of 150. Signed in pencil, lower left.

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices II, Year: 1920, Medium: Lithograph, Image Size: 13 x 4.5 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Descri...

Palm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Paris Ville du Front Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 i...

This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/XX in pencil by the artist. The image size is 18.5 x 15.5 inches, framed size is 30.5 x 26 inches. Custom framed in a wooden black and gold frame, with gold color spacer and fabric matting. It is in excellent condition. About the artist: Maurice Brianchon was born in 1899, in the town of Fresnay-sur-Sarthe. Very early on, he showed many plastic predispositions. As a result, he was accepted in 1917 at the École Nationale Supérieure des Beaux-Arts de Paris and joined the studio of Fernand Cormon, renowned for his history painting. A year later, he moved to the École Nationale Supérieure des Arts Décoratifs. There he followed the education of Paul Renouard - a painter and engraver renowned for his portraits and figures of dancers - and that of Eugène Edouard Morand, a teacher since 1908. In this context, he frequented artists such as Joseph Inguimberty...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.5 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.35 x 9.85 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...

Theophile Steinlen (1859-1923), Interior of Tramway, lithograph, 1896, signed lower right in red pencil. Reference: Crauzat 173. In good condition, on Chine Volant with wide (full) m...

Auguste Rodin, French (1840 - 1917) - Jardin des Supplices Plate XXI, Year: 1902, Medium: Lithograph on Japon, signed in the plate, Image Size: 9.5 x 8.25 inches, Size: 12.75 x 9.75...

This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...

This artwork titled "Cherish One" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 3...

This artwork "Landscape #I' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The im...

Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Spring Thaw is a Hand-pulled serigraph. Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella ( 1933 -2019 ) immigrated to the US from Italy at a young age, he served in the Korean War and later attended the Art Center College of Design in Los Angeles. His career began with illustrations (working on Disney’s Mary Poppins film) and he later pursued his passion for art in Taos, NM. He is one of the grand old masters of Taos, having revitalized the Taos art scene along with the Taos Six. This is a limited edition print 4/215 in excellent condition. Published by Aspen Mountain...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Interference Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25...

Jacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Artist: Ellen Gunn (1951- ) Title: Old Roses Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Edition: 375 ...

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed in pencil b...

Raoul Dufy, French (1877 - 1953) - La Chevre Du Thibet, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: From the ...

Artist: Jean-Louis Forain (French, 1852-1931) Title: l' Emprunt Pour la Victoire Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil...

Raoul Dufy, French (1877 - 1953) - Destinee, Year: c. 1920, Medium: Woodblock on laid paper, Image Size: 4 x 5.5 inches, Size: 12.75 x 9.75 in. (32.39 x 24.77 cm), Description: Fro...

An impression from the book of Marc Chagall's (Russian, 1887-1985) lithographs. Published in 1960 by Éditions André Sauret, Monte-Carlo. From 1960 to 1974 Chagall produced 28 lithographs for the six volumes of the Lithographs Catalogue Raisonné. Artist: Marc Chagall, Russian (1887 - 1985) Title: Offering Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...

Birch Marsh Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Size: 33 in. x 29.5 in. (83.82 cm x 74.93 cm)

This artwork titled "The Old House" c.1980 is an original etching by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by th...

Artist: Jean-Louis Forain (French, 1852-1931) Title: lLe Basileus Chasse Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x 22.25 in...

This artwork "Landscape #III' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed. About the artist: Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012. Selected exhibitions 1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008. Selected collections The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...

Charles Banks Wilson (American, 1918-2013) was an American artist. Born in Springdale, AK in 1918, he moved to Oklahoma, where he spent his childhood. He was a painter, printmaker, t...

This artwork titled "Warming Up" c.1990 in an original color serigraph by American artist John Asaro, b.1937. It is hand signed and numbered 147/195 in penc...

Overall size: H112 x W50 Daisy Field by Chris Keegan [2021] limited_edition Screen print Edition number 50 Image size: H:56 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W...

The Sea Eagle by Tim Southall [2019] limited_edition Screen Print on Paper Edition number 50 Image size: H:40 cm x W:59 cm Complete Size of Unframed W...

This artwork titled "Keukenhof" 2000 is an original color wood block print by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/25 in...

This artwork titled "Paris, Le Pont Neuf" c.1990 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed with...

Graceful abstract figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Auguste Rodin, French (1840 - 1917) - Antonin Proust (State Six), Year: 1884-1888, Medium: Etching, Image Size: 4.5 x 3 inches, Size: 14.25 x 10.75 in. (36.2 x 27.31 cm), Reference:...

This artwork "Landscape #IV' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed. About the artist: Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012. Selected exhibitions 1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008. Selected collections The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...

Le Rêve (The Dream) Color gillotage poster, 1890 Signed in the image lower right corner (see photo) This poster for a ballet at the Académie nationale de musique in Paris is typical ...

Beautiful etching in stunning colors of Cypress trees by Maurice Bonin (American, 20th Century). Titled "Autumn Cypress" and signed "Maurice Bonin". Unfr...

Duane Bryers, American (1911 - 2012) - The Audience, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 14 x 22.5 inches, Size: 2...