Bearbrick Coco

More than a mere tastemaker, Karl Lagerfeld devoted himself to the continual pursuit of chic. “My life and my job,” the designer once said, “is to forget myself.” During his five-decade career designing shoes, handbags, evening dresses and other items for Chanel, Fendi, Chloé and many others, Lagerfeld was a quintessential chameleon, ever evolving to embody the times.

An outsize, instantly recognizable personality — his ponytail powdered like an 18th-century viscount, his eyes perpetually shielded by dark glasses, wearing fistfuls of chunky silver jewels — Lagerfeld was, above all, an avatar of style.

Born in Hamburg (in 1933, ’35, or ’38 by varying accounts), Karl Lagerfeld packed his bags for Paris in 1954. His design for a coat won him the International Wool Secretariat and landed him a job with the celebrated couturier Pierre Balmain. He went on to become the designer of Jean Patou, eventually realizing that his seemingly endless ideas could fuel a career as a designer-for-hire. As such, Lagerfeld lent his vision to everyone from Loewe and Max Mara to Krizia and Charles Jourdan, nimbly moving among a diverse range of styles. It was an unprecedented way of working in the days when freelance was still a dirty word.

During the late ’60s and ’70s, he refashioned Chloé to reflect the free spirit of the day and, beginning in 1965, joined forces with the Fendi family, taking it from sleepy furrier to fashion’s haute-est stratum. Because of his track record for reviving and reimagining brands that had grown stagnant, in 1983 Lagerfeld was handed the reins at Chanel, which had been gathering dust since its founder’s heyday.

From Lagerfeld's first Chanel collection, he injected the venerable house with a frisson of modernity. He riffed on its iconography — tweed skirt suits, pearls, camellias — accenting a lexicon of Chanel-isms with tastes of the moment. Despite producing eight collections a year for Chanel, as well as four to five for Fendi, Lagerfeld never faltered in proposing new ideas each time he put pencil to paper.

Lagerfeld’s collections for Chanel, in particular, displayed his knack for synthesizing old and new, high and low. From Watteau (Spring/Summer 1985 couture) and Serge Roche (Spring/Summer 1990 ready-to-wear) to hip-hop fly girls (Fall/Winter 1991 ready-to-wear), surfers (Spring/Summer 2003 ready-to-wear) and ancient Egypt (Pre-Fall 2019), Lagerfeld used each season’s inspiration to conceive Chanel’s signatures anew.

Browse a collection of sophisticated designs by Karl Lagerfeld on 1stDibs, including handbags and evening gowns for Chanel, vintage cocktail dresses for Chloé and more.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Figurative sculpture is a modern art form in which artists create work that is typically representative of the visible world. However, sculptures that are considered to be figurative in style can definitely be inclusive of abstract elements. A wide range of antique, new and vintage figurative sculptures has been made over the years by both well-known and emerging artists, and these pieces can prove striking and provocative as part of your home decor.

Realistic representation in visual art has a very long history. And while figurative artists, whether figurative painters or sculptors, find inspiration in humans, animals and real-life objects, good figurative sculptures can make us think differently about how the real world should look. Just as figurative paintings might include Photorealistic human likenesses, they can also include elements of Surrealism and can suggest a creative and alternative reality. Figurative sculptures aren’t always realistic impressions of our world — depictions of the human form in classical Greek sculpture, for example, might emphasize beauty and physical perfection.

There are a variety of figurative sculptures on 1stDibs created by artists working in a number of styles, including Art Deco, Art Nouveau, mid-century modern and more. A large figurative sculpture can introduce an excellent focal point in a guest bedroom, while smaller works might draw the eye to spaces such as wall shelving or a bookcase that people may otherwise overlook.

When decorating your living room, dining room, home office and study areas with figurative sculptures, don’t be afraid to choose bold colors to inject brightness into neutral spaces. Texture is another factor to consider when purchasing figurative sculptures. A highly textural work of ceramics or wood will catch the eye in a sleek modern space, whereas a smooth, flat glass sculpture can offer an often much-needed contrast in a room that already has many textures.

On 1stDibs, find antique, new or vintage figurative sculpture or other kinds of sculpture for your home decor today.