Bo Concept Sofa

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Vintage, new and antique settees are a smart and stylish choice for adding more seating to a room.

Settees first appeared in 17th-century Europe. A very famous settee, known as the Knole settee, was actually used by a monarch in South East England to receive visitors. This seating furniture was often part of a set that included matching chairs. While settees were popular in parlors, you could also find similar seating, such as daybeds and chaises longues (both of which derive from the settee, as does the chesterfield), where you might relax with guests in your home.

Today, a settee is still furniture that invites socializing. They’re common in living rooms and other shared areas because they allow you to cozy up to someone and have a conversation with them.

Settees are typically small seats that can fit two or more people, but they aren’t as wide as couches or sofas. A settee is more intimate and offers more sitting room than an armchair. Settees often have a backrest for optimal support and are frequently upholstered.

Are you looking to add more seating to an entertainment room but working with limited space? We promise that your vintage settee will look great next to your coffee table in your main seating area. You can also add a settee to your mudroom so that guests have a comfortable spot to sit down and take off their shoes. If you have a small space in your home that you’re still figuring out how to use, add a settee to turn it into a comfortable reading nook. They work in bedrooms too; a tufted settee designed by Danish modernist Finn Juhl makes perfect sense at the foot of your bed.

Most settees come with an upholstered seat, but you can find variations that aren’t upholstered. There are antique wood settees and benches that will look right at home in a rustic decor.

The backrest is an important consideration when choosing a settee. You can find pieces with low seat backs that look discreet and don’t provide a lot of support. If you want more support, we recommend choosing a settee with a high back.

A settee with a high back can become a statement piece, especially if you choose an item with a unique upholstery print or decorative frame.<a href=https://www.1stdibs.com/furniture/seating/settees/style/victorian/ target="_blank" rel="noopener noreferrer"> Victorian settees are ideal for introducing an air of sophistication to your living room. These pieces often feature frames of walnut or mahogany, a seat upholstered in chintz fabric (Victorians appreciated that the glazed finish made it easy to wipe clean) and sculptural hand-carved cabriole legs.

If you want something that feels more contemporary or will work better with your mid-century modern side tables and lounge chair, consider Space Age settees or mid-century modern versions. In your main seating area, tie the elements together with a large rug. (Find more tips on how to arrange furniture here.)

On 1stDibs, find a collection of vintage, new and antique settees from different eras to match any furniture style.