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Carlo Scarpa Hexagonal

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Set of Italian Six Hexagonal Glasses by Carlo Scarpa for Venini 1930s
By Carlo Scarpa
Located in Milano, MI
Set of 6 hexagonal glasses in smoky blown Murano glass with blue rim, made by Carlo Scarpa for
Category

Vintage 1930s Italian Art Deco Glass

Materials

Murano Glass

Twelve Hexagonal Clear Glasses, Ruby and Acqua Rim, Carlo Scarpa, 1932 Design
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
breacking point visible. See photos. Production of this set continued from Carlo Scarpa direction till now
Category

Late 20th Century Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Set of 18 Hexagonal Glasses Attributed to Carlo Scarpa for Venini, Italy 1960s
By Carlo Scarpa, Venini
Located in Rome, IT
border in coral red attributed to Carlo Scarpa for Venini. Made in Italy in the 1960s.
Category

Vintage 1960s Italian Mid-Century Modern Glass

Materials

Glass, Blown Glass

Set of Six Glasses, Hexagonal Cobalt Rim, Carlo Scarpa 1932 Design, Bonus Plate
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
sizes are identical to the glass water of the Carlo Scarpa set. Might be part of a special set as cobalt
Category

Vintage 1980s Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Distinct Murano Hexagonal Aventurine Drinking Glasses, Set of Eight
By Carlo Scarpa, Paolo Venini, Venini
Located in Garnerville, NY
A fine set of eight hand blown hexagonal Murano drinking glasses with Aventurine inclusions
Category

Vintage 1960s Italian Mid-Century Modern Tableware

Materials

Glass, Art Glass, Blown Glass

Six Hexagonal Pagliesco Glasses, Cobalt Rim, Carlo Scarpa, 1932 Design
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
. Production of this set continued from Carlo Scarpa direction till now. There is a possibility that these were
Category

Late 20th Century Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Eight Hexagonal Pagliesco Glasses, Multicolored Rim, Carlo Scarpa 1932 Design
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
continued from Carlo Scarpa direction till now. There is a possibility that these were also made under
Category

1990s Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Six Hexagonal Pagliesco Glasses, Assorted Color Rim, Carlo Scarpa, 1932 Design
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
from Carlo Scarpa direction till now. There is a possibility that these were also made under Zecchin
Category

Late 20th Century Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Set of 30 Hexagonal Opaline Glasses, Blue Cobalt Rim, Carlo Scarpa, 1932 Design
By Renato Anatra, Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
breaking point visible. See photos. Production of this set continued from Carlo Scarpa direction till now
Category

Late 20th Century Italian Mid-Century Modern Glass

Materials

Art Glass, Murano Glass

Hexagonal Pitcher Pagliesco , Liliac Rim, including 12 water glass with red rim
By Carlo Scarpa, Venini
Located in Tavarnelle val di Pesa, Florence
. Production of this set continued from Carlo Scarpa direction till now. There is a possibility that these were
Category

Late 20th Century Italian Mid-Century Modern Pitchers

Materials

Art Glass, Murano Glass, Smoked Glass

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A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right Glass for You

Whether you’re seeking glass dinner plates, centerpieces, platters and serveware or other items to elevate the dining experience or brighten the corners of your living room, bedroom or other spaces by displaying decorative pieces, find an extraordinary range of antique, new and vintage glass on 1stDibs.

Glassmaking is more than 4,000 years old. It is believed to have originated in Northern Mesopotamia, where carved glass objects were the result of a series of experiments led by potters or metalworkers. From there, the production of glass vases, bottles and other objects proliferated in Egypt under the reign of Thutmose III. Later, new glassmaking techniques took shape during the Hellenistic era, and glassblowing was invented in contemporary Israel. Then, on the island of Murano in Venice, Italy, modern art glass as we know it came to be.

Over the years, collectors of glass decorative objects or serveware have sought out distinctive antique and vintage pieces of the mid-century modern, Art Deco and Art Nouveau eras, with artisans such as Archimede Seguso, René Lalique and Émile Gallé of particular interest for the pioneering contributions they made to the respective styles in which they worked. Today, long-standing glassworks such as Barovier&Toso carry on the Venetian glasswork tradition, while modern furniture designers and sculptors such as Christophe Côme and Jeff Zimmerman elsewhere test the limits of the radical art form that is glassmaking.

From chandeliers to Luminarc stemware, find a collection of antique, new and vintage glass on 1stDibs.

Questions About Carlo Scarpa Hexagonal
  • 1stDibs ExpertJune 6, 2024
    Yes, Tobia Scarpa is related to Carlo Scarpa. A well-known architect and designer in his own right, Tobia is the son of the legendary architect Carlo Scarpa. Tobia studied architecture at the Università Iuav di Venezia in Venice, where he met designer Afra Bianchin, who would become his wife and long-time collaborator. On 1stDibs, shop a collection of Tobia Scarpa furniture.