Clemence Birot Shelf
2010s French Post-Modern Shelves and Wall Cabinets
Metal
2010s French Post-Modern Shelves and Wall Cabinets
Metal
People Also Browsed
2010s South African Minimalist Night Stands
Wood
2010s South African Minimalist Pedestals
Hardwood
21st Century and Contemporary German Mid-Century Modern Chandeliers and ...
Brass
21st Century and Contemporary Italian Mid-Century Modern Chandeliers and...
Aluminum
21st Century and Contemporary Swedish Scandinavian Modern Wall Lights an...
Metal
21st Century and Contemporary Swedish Mid-Century Modern Table Lamps
Textile
21st Century and Contemporary Italian Mid-Century Modern Dining Room Tables
Travertine
21st Century and Contemporary Brazilian Modern Dining Room Chairs
Wood
2010s Table Lamps
Iron
2010s American Flush Mount
Brass
2010s Modern Tables
Hardwood, Oak
21st Century and Contemporary French Brutalist Night Stands
Oak
2010s American Mid-Century Modern Wall Lights and Sconces
Brass, Bronze, Enamel, Nickel
Antique 19th Century French Serving Tables
Marble
2010s American Modern Coffee and Cocktail Tables
Steel, Iron
2010s Italian Modern Chandeliers and Pendants
Alabaster, Brass
Recent Sales
2010s French Post-Modern Shelves and Wall Cabinets
Metal
2010s French Post-Modern Shelves and Wall Cabinets
Metal
A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
Materials: cork Furniture
Cork furniture is back — and for good reason: Renewable, recyclable, lightweight, inexpensive and warm, it seems to have no downside.
The versatile material has cycled in and out of fashion in furniture and interior design since its mid-century heyday, when visionary creators from Edward Wormley to Frank Lloyd Wright used it in some of their most famous work.
Today, the wheel has turned once more in cork’s favor, as designers trend toward more eco-friendly options. In addition to its aforementioned attributes and the fact that it is waterproof and highly insulating, the cork oak trees (native to Portugal and Spain) from whose bark it is made are unharmed by the harvesting.
Cork, in short, is more than just a convenient bottle stopper. As the environmental impact becomes an increasingly important consideration, furniture designers are turning to the material in droves.
Shop a wide variety of cork tables, cork seating and other cork furnishings on 1stDibs.
Finding the Right shelves for You
From valuable historical memorabilia to rare architectural models to priceless family photos, there’s no shortage of collectibles and curiosities worthy of adorning your home. Why not take the time to find the ideal antique, new or vintage shelves for your treasured trinkets?
For every space and object, there’s sure to be a wall-mounted or sturdy floor solution that matches your shelving needs on 1stDibs. And while shelves should technically stick out from your wall, they shouldn’t from the rest of your decor.
Because you can find shelves made with a wide variety of materials today, everything from teak to brass, your shelving can seamlessly support your existing color scheme and design style. An arrangement of shelves from floor to ceiling can turn your wall into a proud storage space for displaying artwork, decorative objects and books. Options abound with regard to shelving for the latter, as furniture designers know that literature creates an inviting atmosphere in any room, and one of the simplest ways to integrate books into an interior design is with the right shelves or bookcase.
Elegant shelving is a must for a happy home office or library, but a sharp shelving system can freshen up virtually any room in your home. Proudly display your vintage dinner plates and other tableware with open shelving in the kitchen or tuck away linens in big baskets on shelves in your bathroom if you’re navigating life without a proper linen closet.
On 1stDibs, find a wide range of shelves that includes everything from mid-century modern floating shelves to decorative Chinese shelves dating from the 18th century to contemporary statement-making structures that are as provocative as they are convenient.