Matthews And Parker

The Berlin-born, New York–based designer Karl Springer brought a chic, high-fashion sensibility to his coffee tables, mirrors, Lucite lamps and other furnishings. During his heyday in the 1970s, Springer’s work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal.

In a sense, Springer was a pre-postmodernist. Much as the dull, safe, corporate sameness of late 20th-century modernism prompted Ettore Sottsass, Michael Graves and others to explore new and provocative structures and materials in design and architecture, so, too, was Springer driven to enliven his creations with fresh and alluring energy and sleekness.

Springer came to New York in the late 1950s and found work arranging window displays at the department store Lord & Taylor. He had studied bookbinding in Germany, and, using his meticulous skills, he began crafting desk accessories wrapped in leather as a sideline. These pieces were sold in luxury stores like Bergdorf Goodman and drew a sophisticated clientele that included the Duchess of Windsor.

By 1965, Springer had established his own Manhattan atelier. It was Pierre Scapula, decorator to Jackie and Aristotle Onassis, who spotted Springer's disco-era Onassis chairs — which didn't yet have a name — first commissioned for a private residence in Acapulco, on the floor of the designer’s East 61st Street showroom. Jackie ordered barstools for the couple’s yacht, the Christina O, and dining chairs for their house on the Greek mainland.

At the time of his death, Springer had showrooms as far afield as Los Angeles, Tokyo and Munich.

The chairs, tables, credenzas and other furniture forms Springer created are generally simple, but substantial, and often have robust, rounded lines. The appeal of his work lies in Springer's insistence on exacting construction and, above all, his eye for unusual materials and finishes.

Springer employed Lucite, brass, and gunmetal along with chromed and polished steel, and revived exquisite finishes rarely seen since the days of Art Deco masters such as Émile-Jacques Ruhlmann and Jean-Michel Frank: shagreen (a type of sharkskin), python, goatskin, bone, horn, and lacquered parchment, as well as fabrics that include batik prints. Made of such materials, Springer’s work is by its very nature flamboyant and eye-catching: a suite of pieces will astonish, and an artfully placed side table in exotic hide will add a surprising spark.

Find a collection of vintage Karl Springer furniture today on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

While the range of styles and variety of materials have broadened over time, the priceless functionality of side tables has held true.

Antique and vintage side tables are an integral accent to our seating and provide additional, necessary storage in our homes. They can be a great foundation for that perfect focal piece of art that you want all your guests to see as you congregate for cocktails in the living room. Side tables are indeed ideal as a stage for your decorative objects or plants in your library or your study, and they are a practical space for the novel or stack of design magazines you keep close to your sofa.

Sure, owning a pair of side tables isn’t as imperative as having a coffee table in the common area, though most of us would struggle without them. Those made of metal, stone or wood are frequently featured in stylish interiors, and if you’re shopping for side tables, there are a couple of things to keep in mind.

With respect to the height of your side tables, a table that is as high as your lounge chair or the arm of your couch is best.

Some folks are understandably fussy about coherence in a living room area, but coherence doesn’t necessarily mean you can’t mix and match. Feel free to introduce minimalist mid-century modern wooden side tables designed by Paul McCobb alongside your contemporary metal coffee table. If you think it isn’t possible to pair a Hollywood Regency–style side table with a contemporary sofa, we’re here to tell you that it is. Even a leggy side table can balance a chunky sofa well. Try to keep a limited color palette in mind if you’re planning on mixing furniture styles and materials, and don’t be afraid to add a piece of abstract art to shake things up.

As far as the objects you’re planning to place on your side tables, if you have heavy items such as stone or sculptures to display, a fragile glass-top table would not be an ideal choice. Think about what material would best support your collectibles and go with that. If it’s a particularly small side table, along with a tall, sleek floor lamp, it can make for a great way to fill a corner of the room you wouldn’t otherwise easily be able to populate.

Whether you are looking for an antique 19th-century carved oak side table or a vintage rattan side table (because rattan never went away!), the collection on 1stDibs has you covered —  find Art Deco side tables, bamboo side tables, travertine side tables and more today.