Vintage Carolina Herrera Wedding Gown

Born into a family of wealth and sophistication in Caracas, Venezuela, but without a trace of design education, Carolina Herrera launched her eponymous fashion empire in 1981. Modeling her aesthetic on the principles of refined, simple elegance, she has gone on to defy all expectations.

Style, that elusive je ne sais quoi, is often hard-won, acquired over years of experimentation and missteps. Precious few are born with it. Carolina Herrera may well be one of them. And if she wasn’t born with it, she was most assuredly born into it, raised by wealthy and refined women in the most rarefied of circumstances back in Venezuela. Her mother and her grandmother were both perfectly put together, had their own dressmakers — even a live-in seamstress. Everything within Herrera’s reach at home was of the utmost quality. Hers was a privileged life, and no one appreciates that fact more than she. 

Herrera brought that aesthetic to her first collection of clothing and accessories in 1981, encouraged by éminence grise Diana Vreeland, then the editor in chief of Vogue. Herrera was initially interested in designing textiles (she worked in a publicity role for Emilio Pucci — the iconic clothing and housewares maker — during the 1960s). It was Vreeland who planted the fashion seed. When it took root, Herrera returned to Caracas, and with the help of Guy Mellier, her personal couturier, she came up with a collection she felt was New York–ready. She never studied fashion and didn’t know how to cut or sew. “What I understood was proportion, and I had a good eye.” She knew not only what looked good on her but also on other women, too. 

Herrera unveiled her first collection at the Metropolitan Club on Fifth Avenue. The fashion press was hard on her; “they didn’t have faith,” is how she explains it today. But how about the women in the audience, did they like what they saw? Herrera leans in and says with a smile, “A lot!” The buyers liked the collection, too — enough to place orders. (And they’re still placing orders.)

She quickly became synonymous with sophistication for her glamorous evening dresses, which eventually earned accolades in magazines, prime real estate in Manhattan boutique windows and a heavyweight client roster that included Jacqueline Kennedy Onassis. 

As her business has evolved — in 2010 it reached $1 billion in sales — so has Herrera herself. In the 1970s and before she became a designer, she used to dance until the wee hours at Studio 54, pal around with Calvin Klein, Bianca Jagger, Halston and Andy Warhol. Through all the madness — every bit of which she enjoyed — she remained unscathed. No scandals, no gossip, no whispers. She’s been famously photographed by Robert Mapplethorpe, Arthur Elgort, Norman Parkinson, David Seidner, Mario Testino, Bruce Weber and, yes, Ron Galella. (“I’ve never said no to the paparazzi,” she explains. “I smile, let them take the picture and move on.”)

Find a collection of vintage Carolina Herrera shoes, shirts, day dresses, handbags and more on 1stDibs.

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

With entire museum exhibitions dedicated to examining fashion designers and their creations, we’re finally recognizing that costuming is art. Evening dresses over time have conveyed specific statements about social class, position and beliefs. Fashion is a powerful means of self-expression, and sophisticated vintage evening dresses and gowns by our favorite couturier play no small role in making us feel wonderful but, perhaps more importantly, making us feel like ourselves.

In the 16th century, dresses and gowns were so important that England's Queen Elizabeth I defined rules about what dresses women could wear — guidance included long skirts and fitted bodices. Forward-thinking designers have responded to this history.

Gabrielle “Coco” Chanel reimagined traditionally masculine garments for feminine shapes, and her elegant evening dresses and gowns promoted comfort and grace in women’s wear that had been dominated in the previous century by layers of fabric. Christian Dior's gowns celebrated luxury and femininity in the late 1940s — and gave to women the gift of glamour they’d lost in the miserable years of the war. French fashion designer Yves Saint Laurent introduced innovative and highly coveted dress designs in the 1960s while at the same time challenging sexist stereotypes about which members of society could wear tuxedos.

Works by unconventional British designer John Galliano — featured in houses like Givenchy and Dior — redefined limits that dressmakers faced in terms of material, construction and vision during the late 20th century. From his embroidered absinthe-green Oscars gown for actress Nicole Kidman to the iconic sleeveless Dior newspaper dress that Sex and the City’s Carrie Bradshaw made famous, Galliano’s intricate and multifaceted work is reliably collectible and newsworthy

Today’s designers target an increasingly broad audience with their boundary-crossing work, and their tendency to play off of each other’s ideas means that every walk down the runway is also a walk through an entire history of fashion design and dress craftsmanship.

Whether you gravitate toward backless maxi dresses or silk charmeuse gowns by Alexander McQueen or embellished, ruffled floral-print designs by Chloe or Versace, there is an extraordinary collection of vintage and designer evening dresses and gowns waiting for you on 1stDibs.