Amy Hughes Art

AMY HUGHES After Alhambra', large, raspberry, lilac and pine, 2021 Coil and slab built vase; grogged stoneware body with high fired porcelain and coloured decorating slips, transpare...

AMY HUGHES After Alhambra', large, lilac, turquoise and royal blue , 2021 Coil and slab built vase; grogged stoneware body with high fired porcelain and coloured decorating slips, transparent glaze interior detail. 53 x 40 cm 20 3/4 x 15 3/4 in. (AH013) Amy Hughes has a fascination with vases, largely fuelled by the 18th century, resulting in collections which aim to bridge the gap between the past and the present, finding a new home in contemporary culture for such objects creating a ‘modern decadence’, whilst paying homage to and referencing the originals. Learning from the past; skills used and traditions taught, is fundamental to her as a practitioner. Her practice is both fuelled by and symbolic of the highly prestigious Porcelain wares produced at the Royal Sèvres Factory in the late 17th and 18th centuries. Hughes’ works reference and pay homage to the originals, but are created with a freer approach, giving them a new lease of life. After Alhambra pieces take inspiration from the large lustre vases produced during the Nasrid Dynasty (the last Muslim Dynasty in the Iberian peninsula, ruling Granada) in the 14th and 15th centuries which became romantically known as 'Alhambra Vases...

AMY HUGHES After Alhambra', large, mango, lilac and burgundy, 2021 Coil and slab built vase; grogged stoneware body with high fired porcelain and coloured decorating slips, transpare...

AMY HUGHES Medium After Alhambra 01, 2021 Coil and slab built vase; grogged stoneware body with high fired porcelain and coloured decorating slips, transparent glaze interior detail. 48 x 36 cm 19 x 14 1/4 in. (AH015) Amy Hughes has a fascination with vases, largely fuelled by the 18th century, resulting in collections which aim to bridge the gap between the past and the present, finding a new home in contemporary culture for such objects creating a ‘modern decadence’, whilst paying homage to and referencing the originals. Learning from the past; skills used and traditions taught, is fundamental to her as a practitioner. Her practice is both fuelled by and symbolic of the highly prestigious Porcelain wares produced at the Royal Sèvres Factory in the late 17th and 18th centuries. Hughes’ works reference and pay homage to the originals, but are created with a freer approach, giving them a new lease of life. After Alhambra pieces take inspiration from the large lustre vases produced during the Nasrid Dynasty (the last Muslim Dynasty in the Iberian peninsula, ruling Granada) in the 14th and 15th centuries which became romantically known as 'Alhambra Vases...