Paintings

Signed and dated oil on canvas landscape by French cubist painter André Lhote. The piece depicts a view of a mountainous landscape from a Mullion window - a decorative with a vertica...

Contemporary artist Aron Hill has often re-imagined landscapes—land and sky in compelling minimalist form. In this piece, a night sky—the sun eclipsed by the moon but for a slender b...

Taos Series Mixed media on handmade paper Signed and dated by the artist lower right Archival framing with Conversation Glass Frame size: 29 3/4 x 34 inches Image size: 19 1/2 x 19 1...

This early 20th-century oil painting by French artist Charles Clair (1860-1930) depicts numerous sheep feeding in a stone barn. Hailing from the picturesque rural area of Mars-sur-A...

This spellbinding late 19th-century oil painting by Scottish artist Robert Walker Macbeth RA ROI RWS (1848-1910) depicts a young woman wearing...

Paul JONES Oil on canvas These paintings are signed Paul Jones on the bottom left. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...

Waterfall Bearsville NY Landscape Social Realism Mid 20th Century Modern Cubism Georgina Klitgaard (1893 - 1976) Waterfall, Bearsville NY 40 1/2 30 inches Oil on canvas Signed lower...

With her masterful command of color, form, and repetition, Sierra White has carved out a distinctive niche in the art world, captivating audiences with her mesmerizing creations that...

Mid Century Modern Vertical Landscape with Fence in Acrylic on Paper Vibrant landscape by California artist Bertram Spencer (American, 1918-1992). Several large trees rise out of de...

Full Bloom Oil on canvass, 28 x 21 1/2 inches Signed lower right: Robert Hallowell Provenance: Estate of the artist Marbella Gallery, New York Illustrated in Ma...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Presented in a dark green mat w...

To emphasize the grasses even more, the artist uses modeling paste, It gives the beautiful painting even more depth. A few words of the artist about his art: When i painting lands...

Art Deco painting depicting a panther in the wild. Unusual dimensional treatment with all the paint. Could you look closely at the texture of this piece? It is in an original frame t...

Shizico Yi's Spring Duet is a project that explores the format of a diptych through a series of paintings. Artist Shizico Yi painted en plein air, capturing the landscape outside of ...

Step into the vibrant energy of New York City with Alex Hook Krioutchkov's captivating cityscape masterpiece, "NYC Panorama." This original painting offers a breathtaking view of the...

Cubist Faces in the Style of Picasso's One Line Portraits - Acrylic on Canvas Bright abstracted faces by an unknown artist. Two faces are painted with a minimal number of lines, in ...

"Open Sea" is an impressionistic perspective of a sailor in the vast blue Atlantic Ocean. Frame Dimensions 29.25 x 41in Artist Bio Ben Fenske (b. 1978), although a native of Minn...

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Paul Wadsworth has a strong affiliation with the Indian sub-continent and after spending 6 months in the beautiful southern state of Kerala he has returned to his English studio to p...

River landscape Studio of Jan Brueghel the Younger (1601-1678) 17th century Antwerp school Oil on copper: h. 7.48 in, w. 10.43 in Ebonized wood and moulded frame Framed: h. 18.4 in, ...

"Anton Pilipchuk" Oil Painting 35" x 47" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 200...

Nicely painted mid century abstracted figurative painting. Oil on canvas. Framed. No signature found. Great color and composition. Nicely framed in a period modernist molding.

"Genesis" Oil Painting 63" x 51" inch by Yevhenii Shapovalov AAT: Artwork ships rolled in a tube ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic know...

This traditional landscape painting by Molly Doe Wensberg features a cool palette, capturing a scene of lush yellow and green rolling hills under a pale blue...

Master artist Sax Berlin has turned his attention and considerable skills to creating this signature work, a self portrait. It's a complex piece that takes inspiration from the peace...

The Flower Shop Girl by JEAN ROSE B. 1933 Oil on board, signed, 24 x 27 cm Jean Rose was one of the first women students at Corsham, Bath and worked under some of the postwa...

Very impressive mid 20th century modernist interior scene. Oil on canvas. Framed. Signed with a monogram. Really impressive quality and a great subject.

‘What Lovely Lamplight’ by JEAN ROSE B. 1933 Oil on board, signed, 24 x 27 cm Jean Rose was one of the first women students at Corsham, Bath and worked under some of the pos...

Heidi von Faber's original painting showcases a hyper-realistic interpretation of a contemporary still life, reminiscent of the precision and style seen in the works of early Dutch m...

Paul Wadsworth has a strong affiliation with the Indian sub-continent and after spending 6 months in the beautiful southern state of Kerala he has returned to his English studio to p...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itsel...

Very impressive American impressionist landscape by Alexis Matthew Podchernikoff (1886 - 1933) . Great colors and nicely painted. Housed in a period giltwood frame. Oil on canvas....

Signed figures in landscape oil on canvas circa 1860 by French impressionist painter Stanislas Lepine. The piece depicts a daytime view of a bustling street in Normandy on a cloudy d...

Hunt Slonem "Toem" Bunny on Multicolored Metallic Single gestured black bunny on a multicolored rainbow background with mixed metallics. Framed in an antique wooden gold frame. Unfr...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000), obtaining a Master's degree with...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

This traditional landscape painting by Molly Doe Wensberg features a warm palette, capturing a scene of lush yellow rolling hills and deep green patches of t...

acrylic painting on clicee canvas print limited edition hand signed Collective exhibitions: 2023 London biennale, Chelsea, Old Town Hall; 2023 YICCA International art contest, ...

Eliz Gündüz, a visionary artist born in Antalya in 2001, is a rising star in the world of abstract expressionism. Her artistic journey is an enchanting exp...

In "Gleams of Dawn in the Veil of Dusk," color, line, shape, and texture collide on Kozuke ivory paper, tengucho washi, and sheer deep violet chiffon to create a poetic landscape. Th...

Signed figures in riverscape oil on original canvas circa 1895 by French post impressionist painter Albert Charles Lebourg. The work depicts a v...

Pietro Torrini (Florence, 1851 -1914). The Pope's Chef. Oil on canvas. Size with frame: cm 55 x 51. Size without frame cm 31 x 26.5 Carved and gilded wooden frame. Label present (Ge...

Armand Tatossian, Canadian, 1948-2012 Burst of Light Oil on canvas 16 x 12 in (image) Signed on the lower right: A. Tatossian Signed, titled verso framed

The surface of Leave the Path by Susan English is a wonderful play of color, light, and composition. Hues of olive, soft jade, pale sage green, light mint green, and pale bluish gree...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Now ...

'Down a Suffolk Lane' by ROWLAND SUDDABY 1912-1972 Oil on paper, laid on baord, signed. Rowland Suddaby is one of the enduring names of the 20th century landscape group of pai...

Signed figures in landscape pastel on canvas circa 1885 by French Barbizon painter Leon Augustin Lhermitte. The piece depicts two children resting beside a large haystack in farmland...

With her masterful command of color, form, and repetition, Sierra White has carved out a distinctive niche in the art world, captivating audiences with her mesmerizing creations that...

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on canvas, c. 1960s Signed lower r...

Hermit Crab on the Sand in Acrylic on Paper Vibrant "portrait" of a hermit crab by Federico Leon de la Vega (Mexican, 20th Century). Signed "Leon de la Vega" in the lower right co...

The Hill Dwellers' JOHN BOLAM, 1922-2009 Oil on board, 1959, signed and inscribed verso. John Bolam is seen by many as following in the path of the neo-Romantics, most notabl...

'LIGHT OVER DARTMOOR' by CLIFFORD FISHWICK 1923-1997 Oil on board, signed botton left, dated 1958, 31.5 x 53.5 cm. Label verso. Provenance: Katherine House Gallery, Marlbororugh,...

The Swedish Girl” by RUPERT SHEPHERD, RP, 1909-1992 Oil on canvas, 20 x 24 in, signed, dated 1949 The ‘Swedish Girl’ portrait is a superb example of Rupert Shepherd’s work. A fi...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

"Parasol" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at times, ...