Furniture

fully refinished but featuring its’ original leather, signed. This piece has been meticulously restored but does have two filled drill marks, wear on the leather, and a loose zipper ...

Vintage Eames molded fiberglass shell in the fairest color of them all, Seafoam Green. Original top circa late 1950s-early 1960s. On later metal and wood base, in good condition with...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Handsome classic Eames lounge chair and ottoman. Executed in rosewood and black leather. Cast aluminum bases, with adjustable “domes of silence” leveling glides. Extremely comfortabl...

This authentic Eames for Herman Miller Soft Pad Management Height black leather office chair from the Aluminum Group Collection was manufactured in the 2001. This classic mid century...

Charles and Ray Eames DAX swivel padded arm shell chair in two-tone with dark gray exposed fiberglass shell. Rusty orange woven wool fabric cover, black piping, four-star aluminium b...

This is an Eames Aluminum Group Management Desk Chair, designed by Charles and Ray Eames for Herman Miller in 1958. This particular chair was produced in the 2010’s. The design spo...

Wooden sideboard with 1 black sliding door containing two height-adjustable shelves. There is a door on the side containing a shelf, and a trapdoor on the top so that a waste bin can...

Handsome example of the iconic Eames DCM. Herman Miller Eames edition, signed and guaranteed authentic. Circa late 1950s/early 1960s production. All screws and glides present. Beauti...

This is an Eames Aluminum Group Management Desk Chair, model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples date to 2007. Th...

We recently acquired a set of George Nelson Rosewood Thin Edge chests out of an estate. They are vintage 1970’s and still each retain the Herman Miller Label. Please see our other li...

This is an original Eames Lounge Chair and Ottoman, model 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1964, per its label. The shells ...

Awesome vintage Mid-Century Modern original mauve hopsacking & chrome tubular pair of chairs by Peter Protzman for Herman Miller. Beautif...

Designed by Charles and Ray Eames in the late 1950s, this pair of black leather lounge chairs is the pinnacle of the Herman Miller Aluminum Group family of seating. This pair is not ...

Beautiful and iconic design by Charles & Ray Eames for Herman Miller in Rosewood and Black Leather 1981 with the ottoman which has a new leather seat. Classic design which will never...

George Nelson and Associates for Herman Miller "Marshmallow" Sofa, originally designed 1956, this example 2012, eighteen black leather upholstered cushions on a steel and black ename...

Rare pair of cabinets or chests made by Herman Miller in the early 1950s and designed by American design icon George Nelson. Each cabinet features primavera construction, a form of b...

Classic Herman Miller Eames dining table. Model 650, executed in white Formica durable top with black banding and cast aluminum base. All glides present. Bas...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to ca. 1958. The shells on this se...

Mid Century Modern Peter Protzman for Herman Miller High Back Swivel Office Chair on Casters Newly Upholstered with Black Distressed Italian Leather Circa Mid 20th Century Tagged

1970s Credenza or sideboard in striking zebrawood by Peter Protzmann for Herman Miller. Three large drawers with smoked acrylic side panels with ample room for storage and organizat...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

This is a Two-Seat Sofa / Settee, designed by Charles and Ray Eames in 1978. The design is rather special as it is the last piece of furniture produced by the Eames Office, which com...

Iconic Art Deco, Art Moderne vanity designed by Gilbert Rohde for Herman Miller, circa 1936. The vanity features a bank of three drawers, which supports a floating glass top surface,...

Iconic chairs designed by Charles & Ray Eames for Herman Miller. Molded fiberglass shells in the colors: Elephant Hide Grey, Parchment, Lemon Yellow and Greige. Mounted on vintage bl...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, initially designed by Charles and Ray Eames in 1956. These are exceptional early examples and feature freshly-...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1962. The shells on this set ar...

This is a Segmented Conference Dining Table, Model ET151, initially designed by Ray and Charles Eames for Herman Miller in 1964. These pieces date to the 1980s. The listed price incl...

Modernist Desk George Nelson by Hermann Miller 1950 Laminated wood, aluminum base Rare model.

Unusual original dining or desk table by George Nelson for Herman Miller, mid century Dimensions are 72.04" x 40.15" x 28.15" (height) This dining table was designed by George Nels...

c. 1980s. Price is for the set. Contact us if you’d like to purchase a single item. Original maroon dotted upholstery

Beautiful Walnut Basic Cabinet Series 5 Drawer Dresser by George Nelson for Herman Miller. features the uncommon cupcake drawer pulls. the drawer boxes have been remade and outfit...

A vintage U-shaped desk designed by Bruce Burdick for Herman Miller. This enormous desk has three separate surface tops: 84"x 44" glass top, a round onyx top, and a dark granite Geig...

This is an Eames Aluminum Group Management Chair, Model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples were produced in the ...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Introduced in 1946, the slat platform bench was one of Nelson's first designs for Herman Miller after becoming their design director. Intended to serve as a table, a seat, or a base ...

Set of ten different color Herman Miller fiberglass dining chairs. Original production, not the new ersatz ones. All in good condition with all screws and feet intact. All signed and...

Iconic Mid-Century Modern Charles and Ray Eames for Herman Miller tandem bench. This modular system features three Eames shell chairs with r...

This classic vintage mid century modern Eames Compact Sofa Model S-473 is circa 1970. The sofa has been professionally reupholstered in a gorgeous Herman Miller blue nubby fabric. Th...

Set of 4 vintage white fiberglass Eames chairs by Herman Miller. All original, not a recent edition. Stamped under.

A very rare modular walnut coffee table, Model 4651, designed by George Nelson and produced by Herman Miller in 1946.

Verner Panton "Panton chair" original edition Herman Miller in enamelled fiberglass circa 1960 wear and minor losses.

American mid-century modern wood laminate desk George Nelson Herman Miller 1960s Desk or writing desk in wood and metal. The top is in white laminate, with a smaller upper top suppor...

Charles and Ray Eames aluminum group side chair, EA330 office conference chair in dark olive green upholstery, five-star base, adjust t...

Beautiful custom edition of the iconic Eames lounge chair and ottoman. Rosewood shells have been restored and cradle the custom burnt orange leather cushions. New leather very soft a...

This rare lounge chair was designed by Charles & Ray Eames and were produced by Herman Miller in the early 1970s. It is one of the earlier lounge chairs which were produced in Europe...

George Nelson design "Thin Edge" twin bed for Herman Miller, circa 1955. Made from solid birch on an enameled steel frame and twin sized cane headboard, In very good original conditi...

This is an authentic & iconic table designed by Charles and Ray Eames and was first produced by Merman Miller in 1964. The 6 ft long table having a blond ash top and raised on black ...

Designed in the late 1940s by Charles Eames, this chair has cemented itself in Mid-Century Design like very few other pieces. Early models like this are difficult to come by and are very rarely in such good condition, as many have been worked on in some way or another before their value shot up. These chairs feature a super sleek design of steam-bent plywood, an incredibly innovative technique pioneered by Herman Miller in collaboration with the Eames's and manufacturing firm Evans. The large seat and back are mounted to a molded plywood base with rubber shock mounts, another Eames staple. This allows them to have excellent contrast through spacing, which gives them an excellent stance, almost insect-like. Both are early chairs with the correct screw configurations beneath. This pair features all original hardware, finish, and shock mounts. Very few blemishes, and those that exist are minimal, barely visible even in our high-res pictures. At this time, we have two early pairs, as seen in in photos. We also have another single early model, and two extremely rare pre-production chairs with the accompanying molded plywood coffee table...

This is a Segmented Conference Dining Table, Model ET143, initially designed by Ray and Charles Eames for Herman Miller in 1964. These particular examples date back to the 1990s. The...

For your consideration 1970s Herman Miller Eames Red Time Life Executive Office Chair Label present Preowned vintage condition Patina and ru...

Oversize extendable meeting table, named Burdick Group System table, steel and aluminum frame with glass top (15 mm) designer Bruce Burdick for Herman Miller 1980s. In 1980, this ta...

Organizational Survival in a Work-at-Home World — George Nelson ‘Action’ Roll-Top Desk Wall Unit Additional information: Fantastic and functional space saving desk suited for organizational survival in a work at home world. Manufactured by Herman Miller, circa 1970s. Upper storage compartment complete with original overhead lighting. Separate rolling file drawer cabinet...

Introducing the iconic Herman Miller typewriter desk return, a testament to the visionary design of George Nelson. This exceptional piece seamlessly combin...

This seating group from George Nelson’s "Modular Seating" series for Herman Miller combines timeless design with exceptional functionality. The flexible arrangement of elements allow...

71.75 x 41.75 x 27 7/8". Table was designed by Charles and Ray Eames in the early 1960s for Herman Miller, This model produced 1980. Laminate combed oak top. Signed to underside. Fea...

Vintage Eames Herman Miller MCM Aluminum Group 4 Prong Contract Base White Laminate Top Table Handsome vintage Eames for Herman Miller mid-century modern Aluminum Group 4 prong chro...

Iconic chairs (side shells / scoops) designed by Charles & Ray Eames for Herman Miller. Molded fiberglass shells in the colors: Elephant Hide Grey, Navy Blue, Lemon Yellow. Greige, r...