Furniture

Table Lamp Loetz Circa 1905 An enchanting, colorful glow is emitted from this elegant Jugendstil table lamp by Loetz, which features the renowned Phaenomen Genre 2/207 glass shade, ...

VERY BEAUTIFUL VASE IN 3 COLORS OF GLASS PASTE - VERY BEAUTIFUL ACID DECORATION OF A GRASSHOUSE SIGNATURE GALLE AS A CAMEO IN THE DECOR – ART NOUVEAU PERIOD Perfect condition Height ...

Set of 8 19th century Bistro Bentwood Chairs by Thonet A Good sturdy set of Art Nouveau Bentwood Chairs, traditionally this type of chair was used in European Bistros, these are a v...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

A stunning Loetz art glass green bowl decorated with gold inclusions. The glass manufacturer Loetz after their big success at the Paris World Exhibition in 1900. While creating decoration variants, the owner of the glass workshop, Max Ritter von Spaun, was presumably inspired by works of Louis C. Tiffany. The applied applications by Loetz are positioned more prominently and have their own ornament in the form of pulled iridescent threads. This glass work of art known as Loetz Jugendstil...

Diminutive proportions built relatively shallow with a hinged fall front opening to a fitted interior over four drawers with brass handles. Bracket feet.

Elegant Art Nouveau Silverplate Serving Dish of European origin circa 1900.Each of the 2 engraved glass partition removes for cleaning and follow the undulating lines of the frame. W...

A Georgian style chandelier with waterfall oriented crystals on the top and bottom, intricately cut crystal bowls and bobeches, crystal scroll arms a...

This stunning and extremely rare Art Nouveau claret jug by WMF (Württembergische Metallwarenfabrik) is a masterpiece of early 20th-century craftsmanship, dating to around 1900. The j...

England, Worcester, early 19th century I & E Mason, Worcester Fully functional mechanism Veneered in mahogany and oak Dimensions: cm W47 x D22 x H205.

Antique George III outstanding quality oak Welsh dresser and original plate rack having an outstanding quality oak plate rack with original oak boards to the back, attractive carved ...

A very fine Georgian chest on chest in figured bookmatched flame mahogany having two short over four long drawers in top section and three drawers in the lower section, with the top ...

This is an International Sterling Company Vanity set. It depicts a repousse design of pansy flowers and foliage garlands, scrolls of leaves, plain scrolls and hearts. In the middle o...

Art Nouveau light fixture with three matching Quezal pulled feather lamp shades.

Art Nouveau silvered Pewter Candelabra a pair Pair of Art Nouveau silvered pewter candelabra / candleholder with female figure surrounded by 6 arms for six candles (probably WMF) ...

This is made-to-order round traditional mahogany accent/foyer table made in the Leighton Hall shop. It features a field of cathedral mahogany with a contrasting mahogany border. It h...

Petite Art Nouveau chandelier. Functions as is with three E27 / 110 Volt light bulbs. Can take up to 60 Watts each bulb. Beautiful bronze metal chandelier. Found at an estate sale in...

This is a very interesting and matching pair of lamps. They are priced and sold as a pair. The 15 inch diameter smooth outer shade is milk glass and has a graceful swiping profile. T...

Rectangular top with bowed center with conforming lower drawers and cabinet doors. Plinth base.

Beautiful hand forced Brass Mirror frame . comes with a beveled Mirror . Jugendstil . normal wear and tear . Handmade .

Large Scottish 18th Century Solid Oak Blanket Chest. The antique blanket chest has a large top-opening box on top of a chest of drawers. The drawers are deep and fairly slim. Lovely ...

18th Century & later re-vernered oyster wood chest of drawers of good proportions, having a wonderful decorative oyster venered top with a cross grained thumb moulded edge above two short over three long graduated oak lined drawers, with shaped and engraved brass plate...

Extremely rare chair from the Grabenkaffehaus, Vienna 1, Graben 29a - Trattnerhof Stained and polished beechwood, upholstery not original.

An exquisite early twentieth-century Art Nouveau vase by renowned French artist Émile Gallé. This stunning piece, crafted from sand-polished glass, showcases Gallé’s signature revere...

Chandelier by Luneville, 1900s Photography fails to capture the simple elegant illumination provided by this lamp. In excellent condition and in full wo...

French Art Nouveau sculpture, France, ca.1900. Young Lady Bust. Alabaster & marble. In direct carving. Height : 12.2"(31cm), Width : 11.8"(30cm), , Depth : 6.7"(17cm)

These are a wonderful addition to a library or study! The two books date to 1777 or the era of George III. At first glance, I thought they were Italian, but upon further study, they ...

A most impressive large scale refined English country house faux painted pine satin birch linen press armoire (or housekeeper’s cupboard) by Gainsford & Company, London, England. H...

A charming and rare antique English creamware pottery fox head stirrup cup probably dating from around 1800. The lightly potted large cup is ...

Georg Jensen sterling silver chocolate pot with a mahogany handle and a silver mounted rosewood stirrer, design #460B by Georg Jensen from 1925. Gross weight of the pitcher alone i...

The cased glass body comprised of a globular shaped base decorated with finely executed hand painted images in enamels of swallows against a striking brilliant yellow ground, rising ...

Antique 1920s ceramic Art Nouveau vase by Danish Knabstrup Keramik. Beautiful matte chalk like light gray speckled glaze with orange and golden colors along the edges. Stamped with K...

Decorative 20th century Art Nouveau walnut jewellery box from the early period in Austria around 1910. A gorgeous looking solid wooden box with a fantastic grain. The original interi...

Original Antique Leaded-glass window depicting "Batavia, Queen of the East' & the Coat of Arms of Batavia, in wooden door, execution Atelier van Gebrand Glas 't Prinsenhof - Jan Scho...

Mahogany, French Art Nouveau side table with a marquetry top.

Rare set consisting of 3 identical French Art Nouveau double doors from around 1900. Unrestored condition. Solidly made of pine wood in frame construction with 3 panels each and p...

French ceramic vase representing two gooses The nature and its irregular shapes as been for the artists of the Art Nouveau period an inspiration. Good condition Shipping: P 8 L 11 H...

A fine early 18th century (circa 1710) oak tridarn cabinet, made in Wales in 3 sections. The cabinet has a moulded cornice above an open space above three panel cabinet doors. The up...

A large antique French hand-hammered copper tray that would be a stunning addition to any home, whether used for serving or as a decorative accent. Measuring 19 inches wide by 30 inc...

English Chippendale mahogany breakfront with carved molded cornice, four upper case glass doors with arched oval mullions, adjustable interior shelving, lower case concealing a slidi...

This is an oval mahogany table made-to-order in the Leighton Hall shop in Suwanee, Georgia. This table is ideal as a breakfast table, dining table for an apartment, game table, or fo...

A gorgeous set of six Georgian or Chippendale style dining armchairs By Kindel Furniture USA, 1995 Solid carved mahogany frames, with ball and claw feet and ivory upholstered seat...

Elegant original early 20th century Art Nouveau bentwood wall coat rack by Thonet Vienna. Extremely rare unique piece. Very good vintage condition. Dimensions: Width: 50 cm / 19.7 i...

Wonderful 18th century English pine settle with a gently curved form. It has a plank back with wing sides and gently curved arms, surrounding a single plank seat.

This stunning patinated cast bronze harp top base has a beautiful Daum Nancy acid etched shade. The single socket base features floral detailing and is unsigned. The acid etched carv...

Box Style: Art Nouveau year: 1890 Country: Germany Materials: silver plated Several of the WMF objects can be seen in museums We have specialized in the sale of Art Deco and Art No...

Rectangular with D shaped leaves. The frieze with a drawer flanked by oval oak leaf inlay. Square tapered legs with casters.

Antique crystal carafe, attributed to Josephinenhütte, circa 1880. This elegant piece features intricate rocailles-style engraving complemented by hand-painted floral motifs in vibra...

Luxurious George III Style Sofa, designed with a mahogany frame and upholstered in sumptuous blue velvet. The sofa is characterized by its deep-s...

Art Nouveau Ceramic Planter or Vase circa 1910 Spectacular jardinière or centerpiece with relief flowers and leaves on the two sides

Pair of early 19th century mahogany demilune tables from England in the Adams style. The tables have hand carved decorated and be...

Antique George III quality mahogany Pembroke table having a quality mahogany oval top with two drop leaves and a moulded edge above an attractive bow fronted cockbeeded drawer with o...

Promotional vintage poster for the non-alcoholic Biere du Lion created by Eugene Oge in 1905. Artist: Eugène Ogé (1861 - 1936) Title: Bière du lion Date: circa 1905 Size: 23.3 x 31.2 in / 59.3 x 79.3 cm Printer : IMP. PICHOT_PARIS Materials and Techniques: Colour lithograph on paper Linen backing: Yes Condition: A (Designates a poster in very good condition. The colors are fresh and there are no or very few paper losses. If there are imperfections they are marginal and imperceptible) Additional Details: The “Bière du lion” (beer of the lion) is a brand of French beer...

Joseph Maria Olbrich was an Austrian architect and one of the Vienna Secession founders.

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Vintage Art Nouveau Silver Plated Floral Repousse Tilting Tea Pot on Stand. Circa Mid 20th Century. Measurements: 15" H x 10" W x 8.5" D.

French Art Nouveau pendant light featuring yellow and blue glass with ivy motifs, signed by Legras, circa 1920. This stunning Art Nouveau pendant light boasts a frosted glass bowl a...

Wall-lamp with mirror and flower-vase from the dining-room of the Purkersdorf Sanatorium, Lit.: Deutsche Kunst und Dekoration, 1906/VII, S. 432 f. (two views from the dingin room San...