Furniture

A pair of Italian Rococo style painted and carved, wood and metal two-light sconces from the late 19th century. Born in Italy during the last decade of the 19th century, each of this...

An attractive late 19th Century Italian girandole Mirror, crisply carved with “C” scrolls, flowers and foliage, retaining original bevelled mirror plate.

Antique Navajo rug with geometric design and 3'11" x 5'3".

Set of six Rococo chairs in stained beech. Original upholstered with black patinated leather with nails. Made in the start of the 20th century.

Meissen gorgeous figurine group of stunning appearance. There are six gardeners - flanked by a tall tree - visible. MANUFACTORY:  MEISSEN (M939) DATING: THIRD QUARTER OF 19TH...

Rococo paintings, circa 1900. Oil on canvas. (S-62).

1920s American Navajo Two Gray Hills ( 3' x 5'8" - 92 x 172 cm )

Beautiful and very rare Italian antique chair from the 1500s. In finely crafted walnut wood, red velvet and bangs, the antique chair is in its o...

Impressive finely carved gold gilt wood Rococo style wall mirror or console mirror. Italy 1930-1940s. This highly decorative wood carved scrolls and leaves decorated frame is covere...

Meissen gorgeous pair of cachepots / planters stunningly decorated with flower blossoms, made in Rococo Period / circa 1750. The white porcelain ...

Italian Rococo pair of diminutive mirrors with repousse brass mounted on carved and painted wood. Made in the late 18th century.

Believed to have originated from Southern Italy.  Free shipping within the United States and Canada.

A pair of beautiful Swedish Rococo side chairs from the west part of Sweden. Made during the Rococo period and upholstered in a chocolate bro...

Antique Limoges enamel plaque of a fête galante French, late 19th century Measures: Frame: Height 27cm, width 28.5cm, depth 3cm Plaque: Height 14cm, wi...

Pair of Italian console tables-painted and silver gilt. Pair of Venetian console tables-painted and silver gilt. Great pair of early 20th century Venetian painted wood and silver gilt console tables...

Hallmarked in London in 1746 by Richard Kersill, this striking pair of George II, antique sterling silver sauce boats, feature Rococo chasing to the bodies, three feet with shell and mask decoration, and acanthus detailed flying C...

Meissen stunning figurine group: Allegory of Winter Model 2495 Measures: Height: 6.69 inches (= 17.0 cm) Width: 7.28 inches (= 18.5 cm) Depth: 4.64 inches (= 11.8 cm) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (glazed bottom) Model number 2495 First quality  Dating: 19th century / made circa 1870 Material: porcelain, glossy finish, multicolored painted Technique: handmade porcelain Style: Rococo Modelled by: Johann Joachim Kaendler (born in 1706 near Dresden / Germany - Died 1775 in Meissen). Model 2495 created circa 1757. Kaendler was chief sculptor at Meissen manufactory as from 1742 until the year 1775. He is the most famous modeller Meissen manufactory ever had and created well-known series such as Shepherd Figurines, Comedian's Children, Gardener Children (with Acier), Paris Town Criers (with Reinicke and Meyer), Gallant Figurines, Asian Figurines etc. Detailed description: Subject: Figurine group / Allegory of Winter  Four cherubs heating up at blazing fire: ° head and thighs of cherub having taken place on a rock are partially covered with purple red fur coat...

Maiolica tureen Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.05 x 12.59 x 9.05 in (23 x 32 x 23 cm) ...

Large and impressive. An outstanding carved and gilt Italianate Baroque style armchair with carved shell crest, Griffin arm supports, carved Eagle knees ending in Lion’s Paw Foot. Cu...

Gorgeous French Limoges style hand painted porcelain chandelier with five-light bulbs and sculpted applique porcelain roses, leaves and gi...

A pair of brass scroll twin arm wall lights. Rewired and tested.

With paneled and crossbanded serpentine top over two drawers with oval brass handles, raised on carved cabriole legs.

All triangles and bold zig-zags in orange-red, charcoal, dark grey and ivory created an upward and downward mobile pattern within a narrow abrashed charcoal border. Vintage rug in go...

Good pair of 18th century Portuguese Colonial carved palisander wood side chairs. Portuguese furnishings of the 18th century are bold, quirky, intensive and unlike those of any other country. They have their own national flavour. The pieces often boast elaborately turned legs and energetic carving, pierced decorations and unpredictable combinations of the other styles. in 18th century colonial Latin...

Early 19th century elaborately hand carved Italian giltwood and polychrome Rococo console table. The apron features carved foliate scrolls culminating in a middle shell medallion. Th...

Antique French Belle Époque Rococo style bracket clock by Henry Dasson French, 1882 Measures: Total height 136cm Clock height 86cm, width 37cm, depth...

Meissen gorgeous figurine group: Cherubs personifying allegory of trade The details are stunningly scupltured = finest modelling! Design: Johann Carl Schoenheit (1730-1805) Sch...

A pair of beautiful French Rococo-style polychrome painted and carved wooden and metal two-light sconces with floral patterns. Each wall light has two sockets for E14-size light bulb...

A very unusual and superb Rococo console table from the mid-18th century. On four carved legs with an X-shaped stretcher, overall with scrolls and dolphin-like sea creatures. This ex...

Pair of 3-light French rock crystal sconces adorned with both kite shape rock crystal and almond shape rock crystal throughout. The sconces...

Assortment of 12 elements with polychrome and gold decoration Pasquale Rubati Factory Milan, circa 1770- 1790. Two oval trays 10.62 in x 8.58 in (27 x 21.8 cm) Two dishes with perf...

Pair of Jan Barboglio wrought iron andirons Fine pair of designer andirons. Each andiron is handmade and in excellent condition. The andirons have ...

A pair of 18th century Italian finial bases with coordinating polished agate coral on a Lucite base. Florida’s state stone, agatized coral, began as li...

A good quality French 19th century Rococo gilded ormolu mantel clock. The eight day movement, chimes on the hour and half hour.

Not Navajo, but Mexican, as indicated by the two-piece construction and the stylized Aztec peasant composite figure. Very wide palette including: off white, beige, black, straw, oran...

Pair of Italian carved wood, gesso, and silver gilt floral prickets with centered spikes for candles, bulbous ring columns with bead work, and terminating on stylized lions paws feet...

A pair of Spanish carved giltwood mirrors, 18th century time of the reign of Charles III, beautiful naturalists and flowers motifs, gold leaf giltwood, dec...

La Jeunesse (Youth) Tapestry Polychrome wool and silk France, Aubusson, circa 1750 It measures 107.08 in height x 104.33 in (272 cm height x 265 cm). State of conservation: good The tapestry is accompanied by the engraving from which the subject was taken. The engraving measures 23.50 in x 25.86 in (59.7 cm x 65.7 cm) with the frame. The Aubusson tapestry has controversial origins: some believe that it was the Saracens who imported this type of work into Europe while other authors believe that the production began at the same time as the marriage between Louis I of Bourbon and Maria de Hainaut in 1310. It was at this time that a considerable importation of tapestries from Flanders into France began, followed shortly thereafter by the importation of their production techniques. At the beginning of the seventeenth century a royal edict from Henry IV halted the importation of Flemish tapestries, contributing to the subsequent Expansion of Aubusson production. The status of royal manufacture was to be granted only in 1665, even though the Nantes edict caused a drop in production because of the forced migration of weavers to Germany. The full recovery and the success of the manufacturing took place during the eighteenth century when the great painters and the tapestry manufacturers began to collaborate. Great French artists of the time and specialist painters, the “cartonniers”, painted “cartons de tapisserie” in oil or tempera, all of which were to be a source for the tapestries. As an alternative to the “cartons”, scenes taken from prints and engravings were freely used. The tapestry in question, made of wool and silk, is in good condition; the colors are still fresh and the silks, which give brightness to the scene, are well preserved. There are a small number of integrative restorations present, while the lining and the suspension system have been recently refurbished. The work is made with a flat-weave, according to the custom of the Aubusson manufactures, which is clearly demonstrated by this work since it shows all the technical and material characteristics typical of the first half of the eighteenth-century production: the “Jeunesse” was probably woven in the middle of the XVIII century. The scene itself is compelling: a rural clearing is depicted, centered around a tall tree with dense fronds with lance-shaped leaves. In the shade of this tree some scenes of courtship can be seen. A couple hugs each other, one is caught stealing a kiss and another, lying softly on the grass, is still at the early stages of courtship: together with the suitor the girl looks with smiling malice at the kissing couple. On the right, two young men practice archery while aiming at a target placed on top of a pole. The scene, with male and female characters intent on games and gallantry in a festive atmosphere, is taken - faithfully, but in mirror-image - from an engraving, which in turn was itself taken from the painting (now kept at the National Gallery in London, inv. NG103 and part of a series with the four ages of man) by Nicolas Lancret, produced around 1735. The tapestry is accompanied by a copy of the engraving, which bears, at the bottom, the name of the author (“N. Lancret pinxit”), the name of the engraver (“N. De Larmessin sculpsit”) and four short verses on the subject of love disputes: Pourquoi tous ces combats si chers a la jeunesse, Quels frivoles talents veut-elle mettre au jour? Non: chacun voudroit vaincre aux yeux de sa Maitresse, La Lice est une Scène ou triomphe l’Amour. Why all these fights so dear to youth, What frivolous talents does it want to bring to light? No: everyone would want to win in the eyes of his Mistress, The Lice is a Scene where Love triumphs. At the bottom we read: “A’ Paris chez N. De Larmessin graveur du Roy Rue de Noyer à la 4 (?) porte cochère a droite entrant par la Rue St. Jacques A.P.D.R. [Avec Privilège Du Roy]”. Nicolas Lancret (1690-1743), along with Antoine Watteau, was a pupil of Pierre Durin and Claude Gillot...

Very nice, not to large, Rococo samovar in copper with brass lining and nozzle.

Meissen tall as well as gorgeous figurine group: Catch of Triton / excellently painted & modelled (the details are stunningly sculptured = finest modelling) Design: Johann Joac...

Pair of 18th century Italian gold-leaf fragment horse head sculptures. The pair is made of 18th century Italian water-gilt fragments mounted on scroll ...

Meissen stunning figurine group: Harlequin and girl Measures: height 7.28 inches width 6.69 inches depth 4.13 inches Manufactory: Meissen Hallmarked: Blue Meissen Sword Ma...

Antique carved and gilded wood console table with red marble top (Incarnat Turquin marble), Rococo, 19th century. Measures: Height 89 cm x width 124 x depth 53 cm.

We are pleased to offer this pair of 18th century Worcester fluted cups and saucers in the 'Dalhousie' pattern with beautiful hand-painted landscape panels. A turquoise husk border e...

A fine Italian rectangular beveled mirror with a carved giltwood frame in the Rococo style. Dimensions are H 29 inches x W 23 inches Can b...

This large bust, depicting the Countess du Barry, was made after the 18th century original by Augustin Pajou. It is in the Louvre collection. He was ...

This Grand Venetian console and mirror was made in Venice, Italy, during the late 17th century, circa 1680. It features a polychrome and gilt finish with a hand painted faux marble t...

A pair of antique figurative Meissen compotes in hand-painted porcelain. Putti on a centaur carrying a large seashell. Museum quality. Dated 1815-186...

Chair wingback Swedish Rococo Period 1750-1775 Brown Leather Sweden. An exquisite wingback chair made during the Rococo Period in Sweden. Original finish and upholstered in a waxed b...

French Provincial-style (mid-20th century) oil on canvas painting depicting a pastoral scene of women and children next to a lake with mountains and a gazebo in the distance in a rec...

3 Italian Venetian (18th century) armchairs with red painted wooden frames with carved giltwood embellishments and beige and pink toile-patterned upholstere...

A masterpiece in the collection. This magnificent French fireplace in the elegant Rococo style is characterized by its size and appearance. The antique fireplace comes from the cente...

Maiolica dish, "Famille Rose" and gold decoration Felice Clerici factory Milan, 1770-1780 8.93 in (22.27 cm) in diameter lb 0.66 (kg 0.3) State of conservation: perfect, except for ...

The papier mâché box depicting a landscape scene on a white ground with red trim on all sides.

11 antique Dominick & Haff Rococo Pattern Pat. 1888 demitasse / dessert spoons designed by Gilbert L. Crowell, Jr. Retailed by Bailey, Banks & Biddle. The spoons are beautifully deco...

Each the form of a French bombe commode, each with five cutouts on top.

A good quality late 19th century French ormolu Rococo style fire screen, having scrolling foliate decoration, with mesh and raised on out swept feet.

This shared-warp, flat tapestry woven piece is extremely rare both for its large size and for its much abrashed rich dark blue ground highlighted by streaking white “shooting stars”....